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[
"The Enterprise crew returns fire. It is a blazing phaser\nbattle, Worf leading his men with Klingon courage. They\nsteadily advance in the face of the blistering disruptor\nfire --",
"It stops. Only a few hundred yards from the Enterprise, its\ngreat prow almost filling the gaping hole at the front of the\nbridge.\n\nPicard thinks, his mind racing. Then it comes to him in a\nflash:",
"EXT. THE RIFT - SPACE\n\nThe Enterprise powers forward in a final thrust -- !\n\nINT. SCIMITAR - BRIDGE - FOLLOWING",
"The Enterprise fires her phasers simultaneously -- the energy\nbeams shoot into space --\n\nAnd the Scimitar's shape is momentarily illuminated as one of\nits shields is hit.",
"Shinzon leans back, satisfied. And looks at the viewscreen.\n\nThe image on the viewscreen is shocking.\n\nThe Enterprise only a few hundred yards away.",
"INT. ENTERPRISE - BRIDGE - FOLLOWING\n\nThe crew gapes at the huge ship on the viewscreen.",
"The Enterprise quickly turns about -- firing her aft phasers,\nas the Valdore sweeps toward Shinzon's ship, firing --\n\nINT. SCIMITAR - BRIDGE - FOLLOWING",
"Every part of the Enterprise ROCKS -- a great lurch as the\nScimitar begins to tear itself free -- backing away -- a",
"Although Shinzon's ship is still cloaked, the steady barrage\nof triangulated phaser and disruptor fire from the Enterprise\nand the two Romulan vessels illuminate its shields with\nimpacts.",
"The Enterprise dramatically powers forward and up -- rolling\nover in a great arc going into warp while still upside down.\nIt disappears in a blaze of light. Fade to...",
"This family. A family we love.\n\nEXT. ENTERPRISE - SPACE\n\nThe Enterprise streaks through space.",
"EXT. ENTERPRISE - OVER KOLARUS III - SPACE\n\nThe Enterprise is in orbit around the uncharted planet. In\nthe distance we can see the distorting violence of an ion\nstorm.",
"EXT. THE RIFT - SPACE\n\nIt is a chaos of starships as the Enterprise and the two\nWarbirds fire steadily -- illuminating the Scimitar's\nshields.",
"INT. ENTERPRISE - BRIDGE - FOLLOWING\n\nThe crew sees the Scorpion appear on the viewscreen.",
"The Enterprise is in orbit around Romulus. Remus can be seen\nin the distance.",
"PICARD\n Savage them!\n\nEXT. THE RIFT - SPACE\n\nAnd the Enterprise attacks!",
"Disruptor beams appear from nowhere -- streaking through\nspace -- slamming into the Enterprise's warp drive. The\nEnterprise recoils, dangerously dropping out of warp in a\nfurious lurch.",
"And the Enterprise jumps to high warp -- disappearing in a\nflash of dazzling light. Yes!\n\nINT. ENTERPRISE - OBSERVATION LOUNGE - DAY",
"INT. ENTERPRISE - BRIDGE - FOLLOWING\n\nThe Scimitar sweeps into view on the viewscreen -- filling\nthe screen -- and launches a ferocious volley of photon\ntorpedoes.",
"And we cut to --\n\nEXT. ENTERPRISE - SPACEDOCK - OVER EARTH - FOLLOWING"
],
[
"Shinzon's vessel combines the clean lines of the traditional\nRomulan Warbird with unique weaponry and styling. It is",
"Although Shinzon's ship is still cloaked, the steady barrage\nof triangulated phaser and disruptor fire from the Enterprise\nand the two Romulan vessels illuminate its shields with\nimpacts.",
"Shinzon sits in his command chair. The viewscreen shows the\nEnterprise before him.\n\n SHINZON\n Target weapons systems and shields.\n I don't want the Enterprise\n destroyed.",
"Shinzon sits quite calmly in his command chair.\n\n SHINZON\n Target the flanking Warbird. All\n forward disruptor banks on my mark.",
"Shinzon leans back, satisfied. And looks at the viewscreen.\n\nThe image on the viewscreen is shocking.\n\nThe Enterprise only a few hundred yards away.",
"Shinzon's magnificent Reman Warbird, the SCIMITAR, decloaks\ndirectly before the Enterprise.\n\nEXT. OVER ROMULUS - SPACE",
"A beat. Shinzon looks up.\n\n SHINZON\n Deploy the weapon. Kill everything\n on that ship. Then set a course\n for Earth.",
"SHINZON\n Tractor beam! Now!\n\nEXT. OVER ROMULUS - SPACE\n\nBut they are too late -- the Scorpion dematerializes --",
"INT. ENTERPRISE - BRIDGE - FOLLOWING\n\nPicard strides to his command chair as two Romulan Warbirds\nappear on the viewscreen. Deanna is now on the bridge.",
"SHINZON\n Report!\n\n REMAN OFFICER\n Two ships decloaking, sir!\n Romulan!",
"Shinzon stands in the ruins of his bridge. Many of his\nbridge crew are now dead.\n\n SHINZON\n Divert all power to engines. Full\n reverse!",
"Shinzon sits in his command chair as the ship streaks through\nspace. He speaks on viewscreen with his Romulan\ncollaborators. His face is even more finely veined now.",
"Shinzon stands, his eyes glued to the Enterprise on the\nviewscreen.\n\nWe see a monitor showing that the Cascading Pulse weapon is\nlocked on the Enterprise.",
"SHINZON\n You're too slow, old man.\n (entering commands in his\n chair console)\n Attack pattern Shinzon Theta.\n\nEXT. THE RIFT - SPACE",
"Picard watches through the gaping hole in the hull as the\nScimitar backs away. Another section of the Scimitar\ndisappears. Shinzon almost has his cloak back.",
"SHINZON\n Disable their weapons!\n\nBut before the Viceroy can move the Scimitar suddenly ROCKS\n-- attacked from somewhere! Shinzon is stunned.",
"INT. SCIMITAR - BRIDGE - FOLLOWING\n\nShinzon stares at the Enterprise.",
"Shinzon appears on the viewscreen. He is on the bridge of\nthe Scimitar.",
"The Enterprise quickly turns about -- firing her aft phasers,\nas the Valdore sweeps toward Shinzon's ship, firing --\n\nINT. SCIMITAR - BRIDGE - FOLLOWING",
"Shinzon sees it coming -- utterly shocked -- bolts up --\n\n SHINZON\n HARD TO PORT !\n\nToo late."
],
[
"A beat. Shinzon looks up.\n\n SHINZON\n Deploy the weapon. Kill everything\n on that ship. Then set a course\n for Earth.",
"PICARD\n I so wanted to believe Shinzon.\n But the Thalaron radiation can't be\n explained away. Whatever he's\n after, it's not peace.",
"Shinzon stands, his eyes glued to the Enterprise on the\nviewscreen.\n\nWe see a monitor showing that the Cascading Pulse weapon is\nlocked on the Enterprise.",
"Shinzon sits in his command chair. The viewscreen shows the\nEnterprise before him.\n\n SHINZON\n Target weapons systems and shields.\n I don't want the Enterprise\n destroyed.",
"Shinzon looks at him deeply.\n\n SHINZON\n Consider that, Captain. I can\n think of no greater torment for\n you.\n\nHe turns to go.",
"SHINZON\n Disable their weapons!\n\nBut before the Viceroy can move the Scimitar suddenly ROCKS\n-- attacked from somewhere! Shinzon is stunned.",
"Shinzon leans back, satisfied. And looks at the viewscreen.\n\nThe image on the viewscreen is shocking.\n\nThe Enterprise only a few hundred yards away.",
"Picard instantly fires for the Cascading Pulse control -- but\nShinzon dives to cover it -- the phaser blast hits Shinzon in\nthe chest -- he recoils, slamming to the deck, stunned.",
"The Viceroy puts his hand on Shinzon's chest, leans very\nclose and talks to him quietly. This is an ancient form of\nReman telepathic medical diagnosis.",
"PICARD\n Please.\n\n SHINZON\n It's too late.",
"Shinzon appears on the viewscreen. He is on the bridge of\nthe Scimitar.",
"Shinzon sees it coming -- utterly shocked -- bolts up --\n\n SHINZON\n HARD TO PORT !\n\nToo late.",
"The crew is utterly confused. Their confusion turns to\noutright shock when Shinzon calmly pulls out a Reman knife\nand cuts his arm, drawing a little blood. He hands the knife\nto Data.",
"Picard is gone. Shinzon sits, thinking. His Viceroy enters.\n\n VICEROY\n This is a mistake.",
"Shinzon stands in the ruins of his bridge. Many of his\nbridge crew are now dead.\n\n SHINZON\n Divert all power to engines. Full\n reverse!",
"And then, amazingly, Shinzon forces himself forward --\npushing Picard back against a wall -- Shinzon slowly walks\ntoward Picard, forcing himself down the length of the spear",
"SHINZON\n You're too slow, old man.\n (entering commands in his\n chair console)\n Attack pattern Shinzon Theta.\n\nEXT. THE RIFT - SPACE",
"Shinzon sits in his command chair as the ship streaks through\nspace. He speaks on viewscreen with his Romulan\ncollaborators. His face is even more finely veined now.",
"A computer display illustrates Geordi's words about the power\nof Shinzon's weapon. We see a chilling graphic of the\nBiogenic Pulse beam spreading around a ship, then a whole\nplanet.",
"SHINZON\n (desperate)\n He is what his life has made him!\n\nShinzon is in turmoil. Picard senses this. He proceeds\nquietly:"
],
[
"Shinzon was created with temporal\n RNA sequencing. He was designed so\n that at a certain point his aging\n process could be accelerated to",
"Picard stares at him with a mixture of realization and\ncuriosity. It is as if Picard is looking into a strange,\nremembered mirror: Shinzon's face is nearly identical to his\nat that age.",
"Shinzon sits in his command chair as the ship streaks through\nspace. He speaks on viewscreen with his Romulan\ncollaborators. His face is even more finely veined now.",
"Picard notices something immediately. Tiny veins are now\nvisible on Shinzon's face; the faintest sign of an intricate\nspider-web pattern of pale blue veins.",
"The Viceroy puts his hand on Shinzon's chest, leans very\nclose and talks to him quietly. This is an ancient form of\nReman telepathic medical diagnosis.",
"SHINZON\n I was lonely...\n (he realizes Picard is\n staring at the veins on\n his face)\n Perhaps I'm not aging as well as\n you did.",
"SHINZON\n (desperate)\n He is what his life has made him!\n\nShinzon is in turmoil. Picard senses this. He proceeds\nquietly:",
"Shinzon looks at him with an aching sadness. What might have\nbeen.\n\n SHINZON\n That's your life... not mine.",
"And then we see him... SHINZON!\n\nHe is a dynamic young human in his twenties. Very handsome\nwith pale, almost white skin and shining, golden hair. He\nwears a striking Reman military uniform.",
"Shinzon looks at him deeply.\n\n SHINZON\n Consider that, Captain. I can\n think of no greater torment for\n you.\n\nHe turns to go.",
"Data scans him with a tricorder as:\n\n PICARD\n And you're not as we imagined you.\n\n SHINZON\n No?",
"Shinzon appears on the viewscreen. He is on the bridge of\nthe Scimitar.",
"A stunned moment of silence as Shinzon gazes at Picard,\nalmost with a look of disbelief. Blood spews from his mouth\nas he lets out a tormented cry.",
"The Viceroy puts his hand on Shinzon's chest. A strange\nmoment as the Viceroy shuts his eyes and feels Shinzon's\nchest. His mind... probing.",
"Shinzon's voice seems to come from the Viceroy's lips:\n\n SHINZON (V.O.)\n I'm with you, Imzadi...",
"Shinzon sits in his command chair, lined with veins now.\nHis Viceroy again has his hand pressed to Shinzon's chest.\n\n SHINZON\n How long?",
"Shinzon leans back, satisfied. And looks at the viewscreen.\n\nThe image on the viewscreen is shocking.\n\nThe Enterprise only a few hundred yards away.",
"PICARD\n With a full head of hair.\n\n SHINZON\n (smiles)\n There is that.\n\nA quiet beat.",
"Picard is gone. Shinzon sits, thinking. His Viceroy enters.\n\n VICEROY\n This is a mistake.",
"Shinzon doesn't respond. But Picard knows he has made a\nconnection. For this brief moment reconciliation is\npossible. He proceeds quietly:\n\n PICARD\n Let me tell you about our father."
],
[
"SHINZON\n Disable their weapons!\n\nBut before the Viceroy can move the Scimitar suddenly ROCKS\n-- attacked from somewhere! Shinzon is stunned.",
"The head abruptly stops talking.\n\nData, hands free now, quickly incapacitates the aliens around\nhim with a dazzling demonstration of his superior strength\nand agility.",
"SHINZON\n Target disruptors. Destroy them.\n\n REMAN OFFICER\n Disruptors are off-line, sir.",
"Although Shinzon's ship is still cloaked, the steady barrage\nof triangulated phaser and disruptor fire from the Enterprise\nand the two Romulan vessels illuminate its shields with\nimpacts.",
"COMPUTER (V.O.)\n Auto-destruct is off-line.\n\nThen the ship gives a final LURCH. The Scimitar is free.",
"Worf fires the mounted phaser canon -- blasting away at the\naliens, not killing them, just stopping them -- a few\ndramatic crashes as the alien vehicles overturn --\n\nMeanwhile:",
"Shinzon stands, his eyes glued to the Enterprise on the\nviewscreen.\n\nWe see a monitor showing that the Cascading Pulse weapon is\nlocked on the Enterprise.",
"The invisible Scimitar sweeps past for a particularly brutal\nassault -- disruptor blasts streak along the Enterprise's\nhull -- a huge, ripping series of explosions tear away\nseveral decks of the Enterprise --",
"And instantly spins to fire a blazing disruptor. A battle\nbreaks out in the corridor -- the energy beams and explosions\nilluminating the violent fire fight in strobe-like bursts.",
"He turns and heads toward his Ready Room.\n\nThe others watch him go with great sadness.",
"When a thundering BLAST sends up a shower of debris, stopping\nthe aliens -- Picard is standing in the rear of the jeep,\nfiring the phaser canon.",
"The entire Scimitar slowly begins to unfold. Like a gigantic\nversion of the small spider-weapon we saw kill the Romulan\nSenators before, legs appear and hoist up a savage weapon.\nThe Cascading Pulse.",
"INT. SCIMITAR - BRIDGE - FOLLOWING\n\nThe bridge has been damaged, sparks sputter through the\ndarkness and debris litters the deck.",
"Crew members assume battle stations. Weapons locker ring\nopen and Security Officers hand out sidearms and phaser\nrifles.\n\nGeordi and his Engineers establish emergency force field\naround the warp core.",
"GEORDI\n He's getting his cloak back. We\n have exhausted our compliment of\n photon torpedoes. Phaser banks are\n down to four percent.",
"Picard can now see his enemy directly through the gaping hole\nin the ship's hull -- he sees the Scimitar banking for\nanother attack run as part of the ship disappears --",
"The few remaining Remans on the bridge spin to Picard, firing\ndisruptors -- Picard dives for cover and battles them with\nhis phaser rifle --",
"The Valdore careens out of control and then slows to a stop.\nIt floats dead in space.\n\nINT. SCIMITAR - BRIDGE - FOLLOWING",
"A beat. Shinzon looks up.\n\n SHINZON\n Deploy the weapon. Kill everything\n on that ship. Then set a course\n for Earth.",
"Beyond the security force field a ghoulish medical apparatus\nis being prepared. A metal chair with laser scalpels, IV\ntubes and hyposprays connected to it. Reman doctors work\nover the mysterious chair."
],
[
"PICARD (V.O.)\n Captain's Log. Stardate 47844.9.\n The Enterprise has arrived at",
"Picard watches him for a moment; great emotion playing over\nhis features, and then goes.\n\nINT. ENTERPRISE - CORRIDOR - NIGHT",
"But Picard is gone.\n\nEXT. OVER ROMULUS - SPACE\n\nThe Scimitar cloaks.\n\nINT. SCIMITAR - BRIG - NIGHT",
"B-9\n If you resist, I will incapacitate\n you.\n\nHe leads Picard out.\n\nINT. SCIMITAR - CORRIDORS - FOLLOWING",
"PICARD\n Savage them!\n\nEXT. THE RIFT - SPACE\n\nAnd the Enterprise attacks!",
"It stops. Only a few hundred yards from the Enterprise, its\ngreat prow almost filling the gaping hole at the front of the\nbridge.\n\nPicard thinks, his mind racing. Then it comes to him in a\nflash:",
"The B-9 leads Picard through the dark corridors, holding the\ndisruptor on him steadily. All the Remans they pass glare at\nPicard with undisguised loathing.",
"PICARD\n A bit less florid, Data.\n\n DATA\n Aye, sir... This way.\n\nHe leads Picard down the corridor.",
"PICARD\n Fire!\n\nAnd the Scorpion's forward disruptors fire! The doors into\nthe ship explode! Picard powers forward!",
"Picard stands and walks to the viewscreen. He gazes at\nRomulus below and the black infinity of space beyond.\nThey're out there, Waiting.",
"Shinzon leans back, satisfied. And looks at the viewscreen.\n\nThe image on the viewscreen is shocking.\n\nThe Enterprise only a few hundred yards away.",
"PICARD\n His hatred of the Federation is\n apparent. He would have built a\n weapon of that scope for one\n reason. He is going after Earth.",
"Picard stands, they shake hands as:\n\n PICARD\n Welcome aboard, Commander. I hope,\n your transfer didn't come as too\n much of a surprise.",
"PICARD\n Then he'll come for me as a donor.\n\nINT. ENTERPRISE - DATA'S CABIN - NIGHT\n\nData stands before the B-9.",
"PICARD\n Well then... only one way to go.\n\nHe swings the Scorpion around again so it is facing the doors\nthey came through, the doors back into the ship.",
"INT. ENTERPRISE - BRIDGE - FOLLOWING\n\nPicard strides to his command chair as two Romulan Warbirds\nappear on the viewscreen. Deanna is now on the bridge.",
"INT. ENTERPRISE - BRIDGE - FOLLOWING\n\nPicard stands... watching the Scimitar maneuver into\nposition. Large parts of it are now cloaked.",
"PICARD\n Please.\n\n SHINZON\n It's too late.",
"PICARD\n All hands. Battle stations.\n\nINT. ENTERPRISE - VARIOUS ANGLES\n\nWe see a montage of the Enterprise preparing for battle.",
"PICARD\n He thinks he knows exactly what I'm\n going to do...\n\n GEORDI\n Sir?\n\n PICARD\n We've got him!"
],
[
"Picard stares at him with a mixture of realization and\ncuriosity. It is as if Picard is looking into a strange,\nremembered mirror: Shinzon's face is nearly identical to his\nat that age.",
"Shinzon looks at him deeply.\n\n SHINZON\n Consider that, Captain. I can\n think of no greater torment for\n you.\n\nHe turns to go.",
"SHINZON\n (desperate)\n He is what his life has made him!\n\nShinzon is in turmoil. Picard senses this. He proceeds\nquietly:",
"Shinzon looks at him with an aching sadness. What might have\nbeen.\n\n SHINZON\n That's your life... not mine.",
"PICARD\n What's this all about?\n\n SHINZON\n It's about destiny, Picard. About\n a Reman outcast who --",
"Shinzon doesn't respond. But Picard knows he has made a\nconnection. For this brief moment reconciliation is\npossible. He proceeds quietly:\n\n PICARD\n Let me tell you about our father.",
"And then we see him... SHINZON!\n\nHe is a dynamic young human in his twenties. Very handsome\nwith pale, almost white skin and shining, golden hair. He\nwears a striking Reman military uniform.",
"PICARD\n You can still make a choice! Make\n the right one now!\n\n SHINZON\n I have no choices! I can't fight\n what I am!",
"Shinzon was created with temporal\n RNA sequencing. He was designed so\n that at a certain point his aging\n process could be accelerated to",
"SHINZON (V.O.)\n I hope you'll forgive the\n darkness... we're not comfortable\n in the light.\n\n PICARD\n Praetor Shinzon?",
"The Viceroy puts his hand on Shinzon's chest, leans very\nclose and talks to him quietly. This is an ancient form of\nReman telepathic medical diagnosis.",
"Shinzon's voice seems to come from the Viceroy's lips:\n\n SHINZON (V.O.)\n I'm with you, Imzadi...",
"Shinzon leans back, satisfied. And looks at the viewscreen.\n\nThe image on the viewscreen is shocking.\n\nThe Enterprise only a few hundred yards away.",
"Picard is impressed with Shinzon's quiet words.\n\n SHINZON\n You don't trust me.\n\n PICARD\n I have no reason to.",
"PICARD\n With a full head of hair.\n\n SHINZON\n (smiles)\n There is that.\n\nA quiet beat.",
"Data scans him with a tricorder as:\n\n PICARD\n And you're not as we imagined you.\n\n SHINZON\n No?",
"Picard notices something immediately. Tiny veins are now\nvisible on Shinzon's face; the faintest sign of an intricate\nspider-web pattern of pale blue veins.",
"SHINZON\n I think the facts speak for\n themselves. The same noble Picard\n blood runs in our veins. Had you",
"PICARD\n We are.\n\n SHINZON\n It's just the two of us now, Jean\n Luc, as it should be... Your ship\n and mine... You and me.",
"PICARD\n I know you as well as I know\n myself, Shinzon. There was a time\n you looked at the stars and dreamed\n of what might be."
],
[
"Shinzon was created with temporal\n RNA sequencing. He was designed so\n that at a certain point his aging\n process could be accelerated to",
"Picard stares at him with a mixture of realization and\ncuriosity. It is as if Picard is looking into a strange,\nremembered mirror: Shinzon's face is nearly identical to his\nat that age.",
"SHINZON\n (desperate)\n He is what his life has made him!\n\nShinzon is in turmoil. Picard senses this. He proceeds\nquietly:",
"Shinzon looks at him deeply.\n\n SHINZON\n Consider that, Captain. I can\n think of no greater torment for\n you.\n\nHe turns to go.",
"PICARD\n What's this all about?\n\n SHINZON\n It's about destiny, Picard. About\n a Reman outcast who --",
"Shinzon looks at him with an aching sadness. What might have\nbeen.\n\n SHINZON\n That's your life... not mine.",
"The Viceroy puts his hand on Shinzon's chest, leans very\nclose and talks to him quietly. This is an ancient form of\nReman telepathic medical diagnosis.",
"SHINZON (V.O.)\n I hope you'll forgive the\n darkness... we're not comfortable\n in the light.\n\n PICARD\n Praetor Shinzon?",
"Shinzon leans back, satisfied. And looks at the viewscreen.\n\nThe image on the viewscreen is shocking.\n\nThe Enterprise only a few hundred yards away.",
"Picard is impressed with Shinzon's quiet words.\n\n SHINZON\n You don't trust me.\n\n PICARD\n I have no reason to.",
"Shinzon sits in his command chair. The viewscreen shows the\nEnterprise before him.\n\n SHINZON\n Target weapons systems and shields.\n I don't want the Enterprise\n destroyed.",
"Shinzon doesn't respond. But Picard knows he has made a\nconnection. For this brief moment reconciliation is\npossible. He proceeds quietly:\n\n PICARD\n Let me tell you about our father.",
"And then we see him... SHINZON!\n\nHe is a dynamic young human in his twenties. Very handsome\nwith pale, almost white skin and shining, golden hair. He\nwears a striking Reman military uniform.",
"PICARD\n I so wanted to believe Shinzon.\n But the Thalaron radiation can't be\n explained away. Whatever he's\n after, it's not peace.",
"Picard notices something immediately. Tiny veins are now\nvisible on Shinzon's face; the faintest sign of an intricate\nspider-web pattern of pale blue veins.",
"Shinzon appears on the viewscreen. He is on the bridge of\nthe Scimitar.",
"PICARD\n You can still make a choice! Make\n the right one now!\n\n SHINZON\n I have no choices! I can't fight\n what I am!",
"Picard is gone. Shinzon sits, thinking. His Viceroy enters.\n\n VICEROY\n This is a mistake.",
"PICARD\n You're doing this to liberate the\n Remans?\n\n SHINZON\n No race should be a slave to\n another.",
"Shinzon's voice seems to come from the Viceroy's lips:\n\n SHINZON (V.O.)\n I'm with you, Imzadi..."
],
[
"Shinzon was created with temporal\n RNA sequencing. He was designed so\n that at a certain point his aging\n process could be accelerated to",
"Picard stares at him with a mixture of realization and\ncuriosity. It is as if Picard is looking into a strange,\nremembered mirror: Shinzon's face is nearly identical to his\nat that age.",
"And then we see him... SHINZON!\n\nHe is a dynamic young human in his twenties. Very handsome\nwith pale, almost white skin and shining, golden hair. He\nwears a striking Reman military uniform.",
"Shinzon looks at him deeply.\n\n SHINZON\n Consider that, Captain. I can\n think of no greater torment for\n you.\n\nHe turns to go.",
"SHINZON\n (desperate)\n He is what his life has made him!\n\nShinzon is in turmoil. Picard senses this. He proceeds\nquietly:",
"Shinzon looks at him with an aching sadness. What might have\nbeen.\n\n SHINZON\n That's your life... not mine.",
"SHINZON (V.O.)\n I hope you'll forgive the\n darkness... we're not comfortable\n in the light.\n\n PICARD\n Praetor Shinzon?",
"Shinzon doesn't respond. But Picard knows he has made a\nconnection. For this brief moment reconciliation is\npossible. He proceeds quietly:\n\n PICARD\n Let me tell you about our father.",
"Shinzon appears on the viewscreen. He is on the bridge of\nthe Scimitar.",
"Shinzon's Viceroy.",
"PICARD\n What's this all about?\n\n SHINZON\n It's about destiny, Picard. About\n a Reman outcast who --",
"Picard notices something immediately. Tiny veins are now\nvisible on Shinzon's face; the faintest sign of an intricate\nspider-web pattern of pale blue veins.",
"Shinzon enters with the B-9 following. Shinzon stands on the\nother side of the force field.",
"Shinzon leans back, satisfied. And looks at the viewscreen.\n\nThe image on the viewscreen is shocking.\n\nThe Enterprise only a few hundred yards away.",
"Shinzon sits in his command chair. The viewscreen shows the\nEnterprise before him.\n\n SHINZON\n Target weapons systems and shields.\n I don't want the Enterprise\n destroyed.",
"SHINZON\n You're too slow, old man.\n (entering commands in his\n chair console)\n Attack pattern Shinzon Theta.\n\nEXT. THE RIFT - SPACE",
"Shinzon stands with some REMAN ENGINEERS.\n\n SHINZON\n Transport.\n\nAn Engineer activates a transporter and the B-9 materializes!",
"Picard is impressed with Shinzon's quiet words.\n\n SHINZON\n You don't trust me.\n\n PICARD\n I have no reason to.",
"Shinzon sits in his command chair as the ship streaks through\nspace. He speaks on viewscreen with his Romulan\ncollaborators. His face is even more finely veined now.",
"Shinzon's voice seems to come from the Viceroy's lips:\n\n SHINZON (V.O.)\n I'm with you, Imzadi..."
],
[
"PICARD\n What's this all about?\n\n SHINZON\n It's about destiny, Picard. About\n a Reman outcast who --",
"And then we see him... SHINZON!\n\nHe is a dynamic young human in his twenties. Very handsome\nwith pale, almost white skin and shining, golden hair. He\nwears a striking Reman military uniform.",
"disturbing resemblance to the original Nosferatu. He is\nvampiric and lethal. He is a Reman.",
"The B-9 leads Picard through the dark corridors, holding the\ndisruptor on him steadily. All the Remans they pass glare at\nPicard with undisguised loathing.",
"REMAN OFFICER\n What about Picard?\n\n SHINZON\n Our greater goal is more important,\n brother.",
"SHINZON\n I can feel your hunger to know the\n Reman ways... the old ways.\n\nThen the world changes again...",
"PICARD\n You're doing this to liberate the\n Remans?\n\n SHINZON\n No race should be a slave to\n another.",
"The few remaining Remans on the bridge spin to Picard, firing\ndisruptors -- Picard dives for cover and battles them with\nhis phaser rifle --",
"The flickering half-light and red emergency strobes of the\ncrippled ship make this an ominous sequence. The Viceroy is\nin his element, used to the perpetual night of the Reman\nHomeworld, he can see in the dark.",
"SHINZON\n I came this far alone...\n (he looks at his Reman\n warriors)\n We came this far alone. We require\n no assistance from the fleet. Now\n leave me to my thoughts.",
"A beat.\n\n SHINZON\n I want to know where I come from.\n The Remans gave me a future. You\n can tell me about my past.",
"The crew cannot see him clearly in the dim light but it is\nevident he is human. Assuming that he was Reman, they're\nsurprised by this realization.",
"Reman warriors are closing in on them.",
"PICARD\n (grim)\n Cannon fodder.\n\n GEORDI\n Then how did a Reman get to be\n Praetor? I don't get it.",
"They are silent as they pass a few Reman guards. Then:\n\n DATA\n My mission was a success, sir. I\n have discovered the source of the\n Thalaron radiation.",
"JANEWAY (ON VIEWSCREEN)\n There's more... as always. He's\n Reman.",
"A fight -- Picard uses a dazzlinq series of Starfleet hand-\nto-hand maneuvers -- he dramatically subdues the Remans.",
"A sudden disruptor blast stops them cold! The Viceroy and\nhis invasion force of a dozen Reman Warriors are down the\ncorridor!",
"always faces the sun. Due to the\n extreme temperatures on that half\n of their world, the Remans live on\n the dark side of the planet.",
"The Viceroy puts his hand on Shinzon's chest, leans very\nclose and talks to him quietly. This is an ancient form of\nReman telepathic medical diagnosis."
],
[
"Uproarious laughter. We pull back to reveal the wedding\nreception of WILL RIKER and DEANNA TROI.",
"RIKER\n (to Helm Officer)\n Mister Branson, set course for the\n Kolarin system. Warp Five --\n (Deanna shoots him a\n glance)\n -- Warp Seven.",
"INT. ENTERPRISE - RIKER AND DEANNA'S CABIN - NIGHT\n\nRiker is hard at work over a series of padds. He has been\nworking for hours.",
"RIKER\n Sir?\n\nPicard doesn't answer, he just stares forward. Deanna goes\nto Riker.\n\n DEANNA\n Data.",
"RIKER\n I don't think we're going to see\n much combat on Betazed.\n\n DEANNA\n Don't be too sure. Mother will be\n there.",
"DEANNA\n (to Worf)\n ... and after the ceremony on\n Betazed, three entire weeks for our\n honeymoon.",
"RIKER\n It's working.\n\n PICARD\n (to Deanna)\n Counselor?",
"The crew is shocked.\n\n HELM OFFICER\n Aye aye, sir. Course plotted and\n laid in...\n\n RIKER\n Romulus?",
"PICARD\n I'm going to miss you.\n\n DEANNA\n And I you.\n\nThey are interrupted by a comm signal:",
"Riker takes her hand.",
"Riker looks toward the glowing debris field in the distance.\nHe puts an arm around Deanna.\n\nSilence.\n\n GEORDI\n Sir, we're being hailed.",
"It is Riker. She stares at him, then clings to him\ndesperately.\n\nEXT. ROMULAN SENATE - DAY",
"conjugal rites I have discovered it\n is traditional to present the\n \"happy couple\" with a gift. Given\n Commander Riker's affection for",
"RIKER\n We're going sailing on the Opal\n Sea. We've booked an old-fashioned\n solar catamaran. Just us and the\n sun and the waves.",
"INT. ENTERPRISE - CREW LOUNGE - NIGHT\n\nRiker and Deanna are having dinner with Worf.",
"RIKER\n Imzadi, what am I going to do with\n you?\n\nThey kiss deeply. She pulls him across the room and they\nfall into the bed.",
"When the Ready Room doors close behind Picard, Deanna finally\nallows herself to cry. Riker holds her closely. Slow fade\nto...\n\nINT. ENTERPRISE - CREW LOUNGE - NIGHT",
"DEANNA\n You better believe you're engaged!\n\nMeanwhile, Geordi and Data remain at the Engineering Station,\nstudying the displays.",
"WORF\n It seems a very... soft honeymoon.\n\n DEANNA\n (amused)\n It's meant to be relaxing.",
"GEORDI\n Aye, sir.\n\n PICARD\n Deanna, on my mark.\n\n GEORDI\n Ready, sir!"
],
[
"The B-9 has been deactivated, he stands lifeless and\nimmobile. Data gazes deeply into his double's identical",
"GEORDI\n How many of you did Dr. Soong make?\n\n DATA\n I thought only me, myself and Lore.",
"RIKER\n So they've got him up and running.\n\n WORF\n He's a very unusual android",
"They watch as Data leads the B-9 to a table. Data instructs\nhim to sit. The B-9 sits and stares forward placidly. Data\nshows him how use a napkin.",
"DATA\n (to head)\n Do you have a name, sir?\n\n HEAD\n I am the B-9.",
"GEORDI\n An individual more like you, you\n mean.\n\n DATA\n Yes.",
"Beverly gazes at the android head. It gazes back at her.\n\n BEVERLY\n I think you have nicer eyes.",
"The android is in a framework rig that holds the various body\nparts in place. The parts are not yet assembled\n\n RIKER\n Geordi?",
"DATA\n Since positronic signatures have\n only been known to emanate from\n androids such as myself, it is\n logical to theorize that there is\n an android such as myself on\n Kolarus III.",
"GEORDI\n Don't give up hope, Data. I know,\n I know, you're not capable of hope.\n\n DATA\n (looking at B-9)\n I am not.",
"features. Then he opens a panel in the B-9's neck and uses a\nsmall instrument to activate the android's head.",
"There is something strangely poignant in the twin androids.\nOne a bundle of curiosity and intelligence; the other\nsomewhat like a slow, simple child.\n\nINT. ENTERPRISE - READY ROOM - NIGHT",
"B-9\n You are me.\n\n DATA\n No. My name is Data... I am your\n brother.",
"Worf looks up. Glances at Data.\n\n WORF\n Positronic.\n\nINT. ENTERPRISE - BRIDGE - LATER",
"DATA\n The resemblance is... striking.\n\nThen the head's eyes suddenly pop open. It looks up at them\nwith a sort of blank, childlike wonder.",
"DATA\n At present he serves no useful\n function. Dr. Soong created us to\n become active and useful members of",
"RIKER\n Well, that sounds relaxing too.\n\n WORF\n It is... invigorating.\n\nThey see Data enter the lounge, carefully leading the B-9.",
"He goes. Geordi and Data begin to reassemble the B-9 piece\nby piece like the Tin Man as:",
"DATA\n No, I do not mind.\n\nData looks at the B-9 with a sort of sadness.",
"Picard starts the jeep in motion.\n\nTime passes as they continue on... coming across another\narm... a leg... a torso... another leg... various\ndisassembled components of a Data-like android!"
],
[
"Picard stares at him with a mixture of realization and\ncuriosity. It is as if Picard is looking into a strange,\nremembered mirror: Shinzon's face is nearly identical to his\nat that age.",
"Shinzon looks at him deeply.\n\n SHINZON\n Consider that, Captain. I can\n think of no greater torment for\n you.\n\nHe turns to go.",
"SHINZON\n (desperate)\n He is what his life has made him!\n\nShinzon is in turmoil. Picard senses this. He proceeds\nquietly:",
"Shinzon looks at him with an aching sadness. What might have\nbeen.\n\n SHINZON\n That's your life... not mine.",
"PICARD\n What's this all about?\n\n SHINZON\n It's about destiny, Picard. About\n a Reman outcast who --",
"Shinzon doesn't respond. But Picard knows he has made a\nconnection. For this brief moment reconciliation is\npossible. He proceeds quietly:\n\n PICARD\n Let me tell you about our father.",
"And then we see him... SHINZON!\n\nHe is a dynamic young human in his twenties. Very handsome\nwith pale, almost white skin and shining, golden hair. He\nwears a striking Reman military uniform.",
"PICARD\n You can still make a choice! Make\n the right one now!\n\n SHINZON\n I have no choices! I can't fight\n what I am!",
"Shinzon was created with temporal\n RNA sequencing. He was designed so\n that at a certain point his aging\n process could be accelerated to",
"SHINZON (V.O.)\n I hope you'll forgive the\n darkness... we're not comfortable\n in the light.\n\n PICARD\n Praetor Shinzon?",
"The Viceroy puts his hand on Shinzon's chest, leans very\nclose and talks to him quietly. This is an ancient form of\nReman telepathic medical diagnosis.",
"Shinzon's voice seems to come from the Viceroy's lips:\n\n SHINZON (V.O.)\n I'm with you, Imzadi...",
"Shinzon leans back, satisfied. And looks at the viewscreen.\n\nThe image on the viewscreen is shocking.\n\nThe Enterprise only a few hundred yards away.",
"Picard is impressed with Shinzon's quiet words.\n\n SHINZON\n You don't trust me.\n\n PICARD\n I have no reason to.",
"PICARD\n With a full head of hair.\n\n SHINZON\n (smiles)\n There is that.\n\nA quiet beat.",
"Data scans him with a tricorder as:\n\n PICARD\n And you're not as we imagined you.\n\n SHINZON\n No?",
"Picard notices something immediately. Tiny veins are now\nvisible on Shinzon's face; the faintest sign of an intricate\nspider-web pattern of pale blue veins.",
"SHINZON\n I think the facts speak for\n themselves. The same noble Picard\n blood runs in our veins. Had you",
"PICARD\n We are.\n\n SHINZON\n It's just the two of us now, Jean\n Luc, as it should be... Your ship\n and mine... You and me.",
"PICARD\n I know you as well as I know\n myself, Shinzon. There was a time\n you looked at the stars and dreamed\n of what might be."
],
[
"Shinzon leans back, satisfied. And looks at the viewscreen.\n\nThe image on the viewscreen is shocking.\n\nThe Enterprise only a few hundred yards away.",
"SHINZON\n You're too slow, old man.\n (entering commands in his\n chair console)\n Attack pattern Shinzon Theta.\n\nEXT. THE RIFT - SPACE",
"Shinzon sits in his command chair. The viewscreen shows the\nEnterprise before him.\n\n SHINZON\n Target weapons systems and shields.\n I don't want the Enterprise\n destroyed.",
"Although Shinzon's ship is still cloaked, the steady barrage\nof triangulated phaser and disruptor fire from the Enterprise\nand the two Romulan vessels illuminate its shields with\nimpacts.",
"Shinzon stands, his eyes glued to the Enterprise on the\nviewscreen.\n\nWe see a monitor showing that the Cascading Pulse weapon is\nlocked on the Enterprise.",
"INT. SCIMITAR - BRIDGE - FOLLOWING\n\nShinzon stares at the Enterprise.",
"A beat. Shinzon looks up.\n\n SHINZON\n Deploy the weapon. Kill everything\n on that ship. Then set a course\n for Earth.",
"Shinzon's magnificent Reman Warbird, the SCIMITAR, decloaks\ndirectly before the Enterprise.\n\nEXT. OVER ROMULUS - SPACE",
"Shinzon appears on the viewscreen. He is on the bridge of\nthe Scimitar.",
"Shinzon's vessel combines the clean lines of the traditional\nRomulan Warbird with unique weaponry and styling. It is",
"Shinzon sits in his command chair as the ship streaks through\nspace. He speaks on viewscreen with his Romulan\ncollaborators. His face is even more finely veined now.",
"The forward part of the Enterprise's saucer is enmeshed in\nShinzon's ship; two scorpions with their claws locked.\n\nINT. SCIMITAR - BRIDGE - FOLLOWING",
"Shinzon enters with the B-9 following. Shinzon stands on the\nother side of the force field.",
"SHINZON\n Disable their weapons!\n\nBut before the Viceroy can move the Scimitar suddenly ROCKS\n-- attacked from somewhere! Shinzon is stunned.",
"The Enterprise quickly turns about -- firing her aft phasers,\nas the Valdore sweeps toward Shinzon's ship, firing --\n\nINT. SCIMITAR - BRIDGE - FOLLOWING",
"Shinzon stands in the ruins of his bridge. Many of his\nbridge crew are now dead.\n\n SHINZON\n Divert all power to engines. Full\n reverse!",
"INT. SCIMITAR - BRIDGE - FOLLOWING\n\nShinzon strides quickly to his command chair, barking to his\nViceroy:",
"Shinzon sees it coming -- utterly shocked -- bolts up --\n\n SHINZON\n HARD TO PORT !\n\nToo late.",
"Shinzon sits quite calmly in his command chair.\n\n SHINZON\n Target the flanking Warbird. All\n forward disruptor banks on my mark.",
"INT. SCIMITAR - BRIDGE - NIGHT\n\nShinzon is entering tactical commands in his chair console."
],
[
"Shinzon was created with temporal\n RNA sequencing. He was designed so\n that at a certain point his aging\n process could be accelerated to",
"The Viceroy puts his hand on Shinzon's chest, leans very\nclose and talks to him quietly. This is an ancient form of\nReman telepathic medical diagnosis.",
"Shinzon sits in his command chair as the ship streaks through\nspace. He speaks on viewscreen with his Romulan\ncollaborators. His face is even more finely veined now.",
"Picard stares at him with a mixture of realization and\ncuriosity. It is as if Picard is looking into a strange,\nremembered mirror: Shinzon's face is nearly identical to his\nat that age.",
"Picard notices something immediately. Tiny veins are now\nvisible on Shinzon's face; the faintest sign of an intricate\nspider-web pattern of pale blue veins.",
"Shinzon looks at him deeply.\n\n SHINZON\n Consider that, Captain. I can\n think of no greater torment for\n you.\n\nHe turns to go.",
"Shinzon doesn't respond. But Picard knows he has made a\nconnection. For this brief moment reconciliation is\npossible. He proceeds quietly:\n\n PICARD\n Let me tell you about our father.",
"SHINZON\n (desperate)\n He is what his life has made him!\n\nShinzon is in turmoil. Picard senses this. He proceeds\nquietly:",
"SHINZON\n I was lonely...\n (he realizes Picard is\n staring at the veins on\n his face)\n Perhaps I'm not aging as well as\n you did.",
"Shinzon sits in his command chair. The viewscreen shows the\nEnterprise before him.\n\n SHINZON\n Target weapons systems and shields.\n I don't want the Enterprise\n destroyed.",
"Shinzon sits in his command chair, lined with veins now.\nHis Viceroy again has his hand pressed to Shinzon's chest.\n\n SHINZON\n How long?",
"Shinzon looks at him with an aching sadness. What might have\nbeen.\n\n SHINZON\n That's your life... not mine.",
"PICARD\n You can still make a choice! Make\n the right one now!\n\n SHINZON\n I have no choices! I can't fight\n what I am!",
"The Viceroy puts his hand on Shinzon's chest. A strange\nmoment as the Viceroy shuts his eyes and feels Shinzon's\nchest. His mind... probing.",
"Picard is gone. Shinzon sits, thinking. His Viceroy enters.\n\n VICEROY\n This is a mistake.",
"And then we see him... SHINZON!\n\nHe is a dynamic young human in his twenties. Very handsome\nwith pale, almost white skin and shining, golden hair. He\nwears a striking Reman military uniform.",
"A stunned moment of silence as Shinzon gazes at Picard,\nalmost with a look of disbelief. Blood spews from his mouth\nas he lets out a tormented cry.",
"PICARD\n Please.\n\n SHINZON\n It's too late.",
"Shinzon stands in the ruins of his bridge. Many of his\nbridge crew are now dead.\n\n SHINZON\n Divert all power to engines. Full\n reverse!",
"PICARD\n I so wanted to believe Shinzon.\n But the Thalaron radiation can't be\n explained away. Whatever he's\n after, it's not peace."
],
[
"PICARD\n Please.\n\n SHINZON\n It's too late.",
"Picard instantly fires for the Cascading Pulse control -- but\nShinzon dives to cover it -- the phaser blast hits Shinzon in\nthe chest -- he recoils, slamming to the deck, stunned.",
"PICARD\n Deanna, stand by.\n (to Data)\n Open a channel.\n\n SHINZON (V.O.)\n I hope you're still alive, Jean\n Luc.",
"Picard stares at him with a mixture of realization and\ncuriosity. It is as if Picard is looking into a strange,\nremembered mirror: Shinzon's face is nearly identical to his\nat that age.",
"They dematerialize, the shimmering glow illuminating\nShinzon's features. Picard's eyes never leave Shinzon as\nthe transporter effect ripples around him.",
"And then, amazingly, Shinzon forces himself forward --\npushing Picard back against a wall -- Shinzon slowly walks\ntoward Picard, forcing himself down the length of the spear",
"PICARD\n We are.\n\n SHINZON\n It's just the two of us now, Jean\n Luc, as it should be... Your ship\n and mine... You and me.",
"PICARD\n The man who is Jean Luc Picard and\n Shinzon of Remus won't exterminate\n the population of an entire planet!\n He is better than that!",
"PICARD\n You know that's not possible.\n\n SHINZON\n I know... you'll all gladly die to\n save your home world.",
"Shinzon doesn't respond. But Picard knows he has made a\nconnection. For this brief moment reconciliation is\npossible. He proceeds quietly:\n\n PICARD\n Let me tell you about our father.",
"Picard notices something immediately. Tiny veins are now\nvisible on Shinzon's face; the faintest sign of an intricate\nspider-web pattern of pale blue veins.",
"-- the spear point explodes through Shinzon's back -- the\nweight of Shinzon's body is pinning Picard against the wall\n-- time is running out --",
"Shinzon ends the transmission and his holographic image\nflickers and fades away.\n\nPicard stands alone, drained.",
"Picard watches through the gaping hole in the hull as the\nScimitar backs away. Another section of the Scimitar\ndisappears. Shinzon almost has his cloak back.",
"A stunned moment of silence as Shinzon gazes at Picard,\nalmost with a look of disbelief. Blood spews from his mouth\nas he lets out a tormented cry.",
"Shinzon leans back, satisfied. And looks at the viewscreen.\n\nThe image on the viewscreen is shocking.\n\nThe Enterprise only a few hundred yards away.",
"SHINZON\n Tractor beam! Now!\n\nEXT. OVER ROMULUS - SPACE\n\nBut they are too late -- the Scorpion dematerializes --",
"Shinzon slowly backs away as Picard continues to move toward\nhim relentlessly.",
"For the first time the crew can see Shinzon clearly. Picard\nactually gasps when he sees Shinzon's face. The rest of the\ncrew doesn't understand his reaction.",
"SHINZON\n (quietly)\n Long ago.\n\n PICARD\n Not so long."
],
[
"SHINZON\n You're too slow, old man.\n (entering commands in his\n chair console)\n Attack pattern Shinzon Theta.\n\nEXT. THE RIFT - SPACE",
"Shinzon leans back, satisfied. And looks at the viewscreen.\n\nThe image on the viewscreen is shocking.\n\nThe Enterprise only a few hundred yards away.",
"Shinzon sits in his command chair. The viewscreen shows the\nEnterprise before him.\n\n SHINZON\n Target weapons systems and shields.\n I don't want the Enterprise\n destroyed.",
"A beat. Shinzon looks up.\n\n SHINZON\n Deploy the weapon. Kill everything\n on that ship. Then set a course\n for Earth.",
"SHINZON (V.O.)\n Consider it The great symbol of\n the Empire... But the bird-of-prey\n holds planets. Romulus, Remus.\n Their destinies conjoined...",
"PICARD\n I so wanted to believe Shinzon.\n But the Thalaron radiation can't be\n explained away. Whatever he's\n after, it's not peace.",
"Shinzon appears on the viewscreen. He is on the bridge of\nthe Scimitar.",
"Shinzon looks at him with an aching sadness. What might have\nbeen.\n\n SHINZON\n That's your life... not mine.",
"The viceroy strides out as Shinzon spins to another officer.\n\n SHINZON\n Get the cloak back! And target\n shield coordinates beta three. All\n disruptors. Fire!",
"SHINZON\n Tractor beam! Now!\n\nEXT. OVER ROMULUS - SPACE\n\nBut they are too late -- the Scorpion dematerializes --",
"Shinzon stands, his eyes glued to the Enterprise on the\nviewscreen.\n\nWe see a monitor showing that the Cascading Pulse weapon is\nlocked on the Enterprise.",
"Shinzon doesn't respond. But Picard knows he has made a\nconnection. For this brief moment reconciliation is\npossible. He proceeds quietly:\n\n PICARD\n Let me tell you about our father.",
"INT. SCIMITAR - BRIDGE - FOLLOWING\n\nShinzon stares at the Enterprise.",
"PICARD\n You know that's not possible.\n\n SHINZON\n I know... you'll all gladly die to\n save your home world.",
"Picard is gone. Shinzon sits, thinking. His Viceroy enters.\n\n VICEROY\n This is a mistake.",
"A computer display illustrates Geordi's words about the power\nof Shinzon's weapon. We see a chilling graphic of the\nBiogenic Pulse beam spreading around a ship, then a whole\nplanet.",
"And then we see him... SHINZON!\n\nHe is a dynamic young human in his twenties. Very handsome\nwith pale, almost white skin and shining, golden hair. He\nwears a striking Reman military uniform.",
"PICARD\n What's this all about?\n\n SHINZON\n It's about destiny, Picard. About\n a Reman outcast who --",
"The Viceroy puts his hand on Shinzon's chest, leans very\nclose and talks to him quietly. This is an ancient form of\nReman telepathic medical diagnosis.",
"And then it is Shinzon again, kissing her:\n\n SHINZON\n I'll always be with you now. Now\n and forever..."
],
[
"Picard instantly fires for the Cascading Pulse control -- but\nShinzon dives to cover it -- the phaser blast hits Shinzon in\nthe chest -- he recoils, slamming to the deck, stunned.",
"Shinzon sees it coming -- utterly shocked -- bolts up --\n\n SHINZON\n HARD TO PORT !\n\nToo late.",
"Shinzon leans back, satisfied. And looks at the viewscreen.\n\nThe image on the viewscreen is shocking.\n\nThe Enterprise only a few hundred yards away.",
"PICARD\n Please.\n\n SHINZON\n It's too late.",
"A stunned moment of silence as Shinzon gazes at Picard,\nalmost with a look of disbelief. Blood spews from his mouth\nas he lets out a tormented cry.",
"A beat. Shinzon looks up.\n\n SHINZON\n Deploy the weapon. Kill everything\n on that ship. Then set a course\n for Earth.",
"Shinzon stands, his eyes glued to the Enterprise on the\nviewscreen.\n\nWe see a monitor showing that the Cascading Pulse weapon is\nlocked on the Enterprise.",
"Shinzon looks at him deeply.\n\n SHINZON\n Consider that, Captain. I can\n think of no greater torment for\n you.\n\nHe turns to go.",
"Shinzon sits in his command chair. The viewscreen shows the\nEnterprise before him.\n\n SHINZON\n Target weapons systems and shields.\n I don't want the Enterprise\n destroyed.",
"SHINZON\n Disable their weapons!\n\nBut before the Viceroy can move the Scimitar suddenly ROCKS\n-- attacked from somewhere! Shinzon is stunned.",
"SHINZON\n You're too slow, old man.\n (entering commands in his\n chair console)\n Attack pattern Shinzon Theta.\n\nEXT. THE RIFT - SPACE",
"INT. SCIMITAR - BRIDGE - FOLLOWING\n\nShinzon stares at the Enterprise.",
"And then, amazingly, Shinzon forces himself forward --\npushing Picard back against a wall -- Shinzon slowly walks\ntoward Picard, forcing himself down the length of the spear",
"The Viceroy puts his hand on Shinzon's chest, leans very\nclose and talks to him quietly. This is an ancient form of\nReman telepathic medical diagnosis.",
"PICARD\n We are.\n\n SHINZON\n It's just the two of us now, Jean\n Luc, as it should be... Your ship\n and mine... You and me.",
"Shinzon ends the transmission and his holographic image\nflickers and fades away.\n\nPicard stands alone, drained.",
"Shinzon doesn't respond. But Picard knows he has made a\nconnection. For this brief moment reconciliation is\npossible. He proceeds quietly:\n\n PICARD\n Let me tell you about our father.",
"SHINZON\n I'm glad we're together now -- our\n destiny is complete.\n\nHe finally thrusts himself down the whole spear and clasps\nhis dying hands firmly around Picard's throat --",
"Shinzon enters with the B-9 following. Shinzon stands on the\nother side of the force field.",
"And then it is Shinzon again, kissing her:\n\n SHINZON\n I'll always be with you now. Now\n and forever..."
],
[
"Picard stops, looks at Riker deeply.\n\n PICARD\n The Titan's a fine ship, Will. And\n she's getting a captain worthy of\n her.",
"DATA\n And you were particularly aware of\n this feeling because Commander\n Riker will be leaving to assume\n command of the Titan?",
"Picard stands, they shake hands as:\n\n PICARD\n Welcome aboard, Commander. I hope,\n your transfer didn't come as too\n much of a surprise.",
"PICARD\n I'm sorry you won't be here for the\n re-fit, but I know the Titan needs\n you immediately.\n\nRiker does not respond.",
"(laughter from the crowd)\n While you're happily settling in on\n the Titan, I'll have to train a new\n first officer; no doubt a stern",
"He settles into his new command chair. Looks around for a\nbeat at his new bridge crew. Fresh-faced kids. A new\ngeneration to teach and nurture. He smiles.",
"PICARD\n You never know what's over the\n horizon, Data. Before too long\n you'll be offered a command of your\n own. Data looks at him; he has\n never really considered this.",
"Riker knows exactly what Picard is saying: the Enterprise is\nexpendable.\n\n RIKER\n Yes, sir.\n\nPicard stands. Presses a comm button.",
"GEORDI\n I'll take care of it, sir.\n\n PICARD\n Number One.\n (a beat)\n You have the bridge.",
"A fresh-faced young officer, COMMANDER MARTIN MADDEN, paces\nnervously outside Picard's Ready Room. Bracing himself\nbefore entering.",
"Picard continues to enter command codes -- transmits them to\nDeanna at helm -- she receives the commands, nods. All of\nthis as Picard buys some time:",
"Behind him we can see technicians working everywhere around\nthe bridge, trying to rebuild it. Worf is talking to a young\nofficer at tactical and Geordi is working at the engineering\nstation. We also see new command chairs being installed.",
"PICARD\n That's an order, Commander.\n\n DATA\n Sir, allow me to go. You are\n needed here.\n\n PICARD\n Negative.",
"It is Riker. She stares at him, then clings to him\ndesperately.\n\nEXT. ROMULAN SENATE - DAY",
"PICARD\n (to Data)\n You have the bridge, Commander.\n Use all available power to move\n away from the Scimitar.\n (to Geordi)\n Now, Mister La Forge.",
"DATA\n Counsellor Troi, please assume\n command. Geordi, if you will come\n with me.\n\nHe heads toward the turbolift, Geordi following.",
"PICARD\n Will Riker, you have been my\n trusted right arm for fourteen\n years; you have helped keep my",
"DEANNA\n The one thing he may have forgotten\n in the course of battle: me.\n\n PICARD\n Make it so.\n\nShe quickly goes to Worf at tactical.",
"Picard leans forward in his chair:\n\n PICARD\n (on comm)\n All hands, brace for impact!\n (to Deanna)\n ENGAGE.",
"PICARD\n Well. I suppose it does a bit.\n I'm very happy for them, of course,\n but I'm going to miss them. The\n ship will seem... incomplete\n without them."
],
[
"Shinzon was created with temporal\n RNA sequencing. He was designed so\n that at a certain point his aging\n process could be accelerated to",
"Picard stares at him with a mixture of realization and\ncuriosity. It is as if Picard is looking into a strange,\nremembered mirror: Shinzon's face is nearly identical to his\nat that age.",
"Shinzon sits in his command chair as the ship streaks through\nspace. He speaks on viewscreen with his Romulan\ncollaborators. His face is even more finely veined now.",
"Picard notices something immediately. Tiny veins are now\nvisible on Shinzon's face; the faintest sign of an intricate\nspider-web pattern of pale blue veins.",
"The Viceroy puts his hand on Shinzon's chest, leans very\nclose and talks to him quietly. This is an ancient form of\nReman telepathic medical diagnosis.",
"SHINZON\n I was lonely...\n (he realizes Picard is\n staring at the veins on\n his face)\n Perhaps I'm not aging as well as\n you did.",
"SHINZON\n (desperate)\n He is what his life has made him!\n\nShinzon is in turmoil. Picard senses this. He proceeds\nquietly:",
"Shinzon looks at him with an aching sadness. What might have\nbeen.\n\n SHINZON\n That's your life... not mine.",
"And then we see him... SHINZON!\n\nHe is a dynamic young human in his twenties. Very handsome\nwith pale, almost white skin and shining, golden hair. He\nwears a striking Reman military uniform.",
"Shinzon looks at him deeply.\n\n SHINZON\n Consider that, Captain. I can\n think of no greater torment for\n you.\n\nHe turns to go.",
"Data scans him with a tricorder as:\n\n PICARD\n And you're not as we imagined you.\n\n SHINZON\n No?",
"Shinzon appears on the viewscreen. He is on the bridge of\nthe Scimitar.",
"A stunned moment of silence as Shinzon gazes at Picard,\nalmost with a look of disbelief. Blood spews from his mouth\nas he lets out a tormented cry.",
"The Viceroy puts his hand on Shinzon's chest. A strange\nmoment as the Viceroy shuts his eyes and feels Shinzon's\nchest. His mind... probing.",
"Shinzon's voice seems to come from the Viceroy's lips:\n\n SHINZON (V.O.)\n I'm with you, Imzadi...",
"Shinzon sits in his command chair, lined with veins now.\nHis Viceroy again has his hand pressed to Shinzon's chest.\n\n SHINZON\n How long?",
"Shinzon leans back, satisfied. And looks at the viewscreen.\n\nThe image on the viewscreen is shocking.\n\nThe Enterprise only a few hundred yards away.",
"PICARD\n With a full head of hair.\n\n SHINZON\n (smiles)\n There is that.\n\nA quiet beat.",
"Picard is gone. Shinzon sits, thinking. His Viceroy enters.\n\n VICEROY\n This is a mistake.",
"Shinzon doesn't respond. But Picard knows he has made a\nconnection. For this brief moment reconciliation is\npossible. He proceeds quietly:\n\n PICARD\n Let me tell you about our father."
],
[
"Picard stares at him with a mixture of realization and\ncuriosity. It is as if Picard is looking into a strange,\nremembered mirror: Shinzon's face is nearly identical to his\nat that age.",
"before him bears a disturbing resemblance to Shinzon.",
"Shinzon looks at him with an aching sadness. What might have\nbeen.\n\n SHINZON\n That's your life... not mine.",
"SHINZON\n (desperate)\n He is what his life has made him!\n\nShinzon is in turmoil. Picard senses this. He proceeds\nquietly:",
"Shinzon looks at him deeply.\n\n SHINZON\n Consider that, Captain. I can\n think of no greater torment for\n you.\n\nHe turns to go.",
"And then we see him... SHINZON!\n\nHe is a dynamic young human in his twenties. Very handsome\nwith pale, almost white skin and shining, golden hair. He\nwears a striking Reman military uniform.",
"Shinzon's voice seems to come from the Viceroy's lips:\n\n SHINZON (V.O.)\n I'm with you, Imzadi...",
"Shinzon doesn't respond. But Picard knows he has made a\nconnection. For this brief moment reconciliation is\npossible. He proceeds quietly:\n\n PICARD\n Let me tell you about our father.",
"She sees Shinzon kneeling over a small flame, she realizes\nshe is looking through the Viceroy's eyes.\n\nOn the Scimitar, Shinzon looks up at the Viceroy/Deanna:",
"Shinzon appears on the viewscreen. He is on the bridge of\nthe Scimitar.",
"PICARD\n With a full head of hair.\n\n SHINZON\n (smiles)\n There is that.\n\nA quiet beat.",
"Picard notices something immediately. Tiny veins are now\nvisible on Shinzon's face; the faintest sign of an intricate\nspider-web pattern of pale blue veins.",
"Data scans him with a tricorder as:\n\n PICARD\n And you're not as we imagined you.\n\n SHINZON\n No?",
"Picard is impressed with Shinzon's quiet words.\n\n SHINZON\n You don't trust me.\n\n PICARD\n I have no reason to.",
"RIKER\n You seem very familiar with our\n personnel.\n\nShinzon moves even closer to Deanna, not taking his eyes from\nher.",
"The Viceroy puts his hand on Shinzon's chest. A strange\nmoment as the Viceroy shuts his eyes and feels Shinzon's\nchest. His mind... probing.",
"PICARD\n I know you as well as I know\n myself, Shinzon. There was a time\n you looked at the stars and dreamed\n of what might be.",
"Shinzon sits in his command chair as the ship streaks through\nspace. He speaks on viewscreen with his Romulan\ncollaborators. His face is even more finely veined now.",
"The Viceroy puts his hand on Shinzon's chest, leans very\nclose and talks to him quietly. This is an ancient form of\nReman telepathic medical diagnosis.",
"PICARD\n It's a mirror for you as well...\n\nShinzon turns back to him.\n\nA beat. Picard gazes at him evenly."
],
[
"EXT. ENTERPRISE - OVER KOLARUS III - SPACE\n\nThe Enterprise is in orbit around the uncharted planet. In\nthe distance we can see the distorting violence of an ion\nstorm.",
"WORF\n I'm picking up an unusual\n electromagnetic signature from the\n Kolarin system.\n\n PICARD\n What sort of signature?",
"INT. ENTERPRISE - BRIDGE\n\nKolarus III is on the viewscreen, the ion storm raging beyond\nit.",
"RIKER\n (looking at star chart)\n Diverting to the Kolarin system\n takes us awfully close to the\n Romulan Neutral Zone.",
"Geordi is at the Engineering station with Picard, Riker and\nData.\n\n GEORDI\n It's very faint but I've isolated\n it to the third planet in the\n Kolarin system.",
"RIKER\n (to Helm Officer)\n Mister Branson, set course for the\n Kolarin system. Warp Five --\n (Deanna shoots him a\n glance)\n -- Warp Seven.",
"INT. ENTERPRISE - BRIDGE - FOLLOWING\n\nThe crew gapes at the huge ship on the viewscreen.",
"This family. A family we love.\n\nEXT. ENTERPRISE - SPACE\n\nThe Enterprise streaks through space.",
"Although Shinzon's ship is still cloaked, the steady barrage\nof triangulated phaser and disruptor fire from the Enterprise\nand the two Romulan vessels illuminate its shields with\nimpacts.",
"DATA\n Isolated pockets of humanoids. It\n appears to be a pre-warp\n civilization at an early stage of\n industrial development.",
"PICARD\n What do we know about the planet?\n\n GEORDI\n Uncharted. We'll have to get\n closer for a more detailed scan.",
"PICARD\n ... We've received our first\n assignment. We're going to be\n exploring the Denab system. It",
"The crew is shocked.\n\n HELM OFFICER\n Aye aye, sir. Course plotted and\n laid in...\n\n RIKER\n Romulus?",
"EXT. ENTERPRISE - SPACE\n\nThe Enterprise zooms through space.\n\nCompletely unaware of the predator directly above it.",
"Shinzon leans back, satisfied. And looks at the viewscreen.\n\nThe image on the viewscreen is shocking.\n\nThe Enterprise only a few hundred yards away.",
"It stops. Only a few hundred yards from the Enterprise, its\ngreat prow almost filling the gaping hole at the front of the\nbridge.\n\nPicard thinks, his mind racing. Then it comes to him in a\nflash:",
"Shinzon stands, his eyes glued to the Enterprise on the\nviewscreen.\n\nWe see a monitor showing that the Cascading Pulse weapon is\nlocked on the Enterprise.",
"Disruptor beams appear from nowhere -- streaking through\nspace -- slamming into the Enterprise's warp drive. The\nEnterprise recoils, dangerously dropping out of warp in a\nfurious lurch.",
"They are silent as they pass a few Reman guards. Then:\n\n DATA\n My mission was a success, sir. I\n have discovered the source of the\n Thalaron radiation.",
"SHINZON\n Tractor beam! Now!\n\nEXT. OVER ROMULUS - SPACE\n\nBut they are too late -- the Scorpion dematerializes --"
],
[
"Shinzon leans back, satisfied. And looks at the viewscreen.\n\nThe image on the viewscreen is shocking.\n\nThe Enterprise only a few hundred yards away.",
"Shinzon sits in his command chair. The viewscreen shows the\nEnterprise before him.\n\n SHINZON\n Target weapons systems and shields.\n I don't want the Enterprise\n destroyed.",
"Shinzon stands, his eyes glued to the Enterprise on the\nviewscreen.\n\nWe see a monitor showing that the Cascading Pulse weapon is\nlocked on the Enterprise.",
"Shinzon looks at him deeply.\n\n SHINZON\n Consider that, Captain. I can\n think of no greater torment for\n you.\n\nHe turns to go.",
"Shinzon enters with the B-9 following. Shinzon stands on the\nother side of the force field.",
"INT. SCIMITAR - BRIDGE - FOLLOWING\n\nShinzon stares at the Enterprise.",
"SHINZON\n You're too slow, old man.\n (entering commands in his\n chair console)\n Attack pattern Shinzon Theta.\n\nEXT. THE RIFT - SPACE",
"Shinzon eyes reflect a growing sense of desperation.\n\n SHINZON\n (spinning to his Viceroy)\n Prepare a boarding party -- BRING\n ME PICARD!",
"They dematerialize, the shimmering glow illuminating\nShinzon's features. Picard's eyes never leave Shinzon as\nthe transporter effect ripples around him.",
"The forward part of the Enterprise's saucer is enmeshed in\nShinzon's ship; two scorpions with their claws locked.\n\nINT. SCIMITAR - BRIDGE - FOLLOWING",
"PICARD\n Please.\n\n SHINZON\n It's too late.",
"SHINZON\n Tractor beam! Now!\n\nEXT. OVER ROMULUS - SPACE\n\nBut they are too late -- the Scorpion dematerializes --",
"PICARD\n We are.\n\n SHINZON\n It's just the two of us now, Jean\n Luc, as it should be... Your ship\n and mine... You and me.",
"RIKER\n Worf! Lock on transporters!\n\nINT. SCIMITAR BRIDGE - FOLLOWING\n\nShinzon sees the Scorpion as well.",
"PICARD\n What's this all about?\n\n SHINZON\n It's about destiny, Picard. About\n a Reman outcast who --",
"Picard stares at him with a mixture of realization and\ncuriosity. It is as if Picard is looking into a strange,\nremembered mirror: Shinzon's face is nearly identical to his\nat that age.",
"Shinzon appears on the viewscreen. He is on the bridge of\nthe Scimitar.",
"A beat. Shinzon looks up.\n\n SHINZON\n Deploy the weapon. Kill everything\n on that ship. Then set a course\n for Earth.",
"Shinzon stands with some REMAN ENGINEERS.\n\n SHINZON\n Transport.\n\nAn Engineer activates a transporter and the B-9 materializes!",
"REMAN OFFICER\n But, Praetor, you won't survive\n without him...\n\nShinzon gazes at the Enterprise on the viewscreen."
],
[
"SHINZON\n The Scimitar will serve my needs.\n\n SURAN\n But surely --",
"INT. SCIMITAR - CORRIDORS - FOLLOWING\n\nThe Scorpion banks around a corner --it zigs and zags through\nthe ship at breakneck speed --",
"SHINZON\n And you're wondering why the\n Scimitar is so well armed. Is this",
"INT. SCIMITAR - VICEROY'S CABIN - FOLLOWING",
"He is going to miss the Scimitar -- almost past it now! He\nthrusts out a hand --",
"INT. SCIMITAR CORRIDORS - FOLLOWING",
"BEVERLY\n He turned out all right.\n\nHe rises, goes to a window, gazes at the Scimitar in the\ndistance. A beat.",
"The entire Scimitar slowly begins to unfold. Like a gigantic\nversion of the small spider-weapon we saw kill the Romulan\nSenators before, legs appear and hoist up a savage weapon.\nThe Cascading Pulse.",
"And she is momentarily in a cabin on the Scimitar. Although\nentirely a telepathic experience, it is as if she has\nactually traveled.",
"SHINZON\n We'll return to the Scimitar.\n Prepare yourself for the bonding.\n\nINT. ENTERPRISE BRIDGE - NIGHT",
"The Bassen Rift is a strange area of electromagnetic\ndistortion. Energy patterns crackle through space.\n\nINT. SCIMITAR BRIDGE - FOLLOWING",
"The forward part of the Enterprise's saucer is enmeshed in\nShinzon's ship; two scorpions with their claws locked.\n\nINT. SCIMITAR - BRIDGE - FOLLOWING",
"INT. SCIMITAR - BRIDGE - FOLLOWING\n\nThe bridge has been damaged, sparks sputter through the\ndarkness and debris litters the deck.",
"INT. SCIMITAR - BRIDGE - NIGHT",
"INT. SCIMITAR - OBSERVATION LOUNGE - NIGHT\n\nThe away team materializes in the most striking location on\nShinzon's ship: a large observation lounge.",
"The Enterprise fires her phasers simultaneously -- the energy\nbeams shoot into space --\n\nAnd the Scimitar's shape is momentarily illuminated as one of\nits shields is hit.",
"INT. SCIMITAR - GENERATION CHAMBER - NIGHT\n\nData leads Picard into a massive chamber that soars up like a\ncathedral. It is the size of a small town.",
"Then the Scimitar unleashes a devastating volley... all her\nforward disruptor banks fire at once --",
"The invisible Scimitar sweeps past for a particularly brutal\nassault -- disruptor blasts streak along the Enterprise's\nhull -- a huge, ripping series of explosions tear away\nseveral decks of the Enterprise --",
"He stands on the Scimitar's bridge. The bridge is as unique\nas the rest of Shinzon's ship. Instead of the usual"
],
[
"A beat. Shinzon looks up.\n\n SHINZON\n Deploy the weapon. Kill everything\n on that ship. Then set a course\n for Earth.",
"Shinzon stands, his eyes glued to the Enterprise on the\nviewscreen.\n\nWe see a monitor showing that the Cascading Pulse weapon is\nlocked on the Enterprise.",
"PICARD\n I so wanted to believe Shinzon.\n But the Thalaron radiation can't be\n explained away. Whatever he's\n after, it's not peace.",
"Shinzon sits in his command chair. The viewscreen shows the\nEnterprise before him.\n\n SHINZON\n Target weapons systems and shields.\n I don't want the Enterprise\n destroyed.",
"SHINZON\n Disable their weapons!\n\nBut before the Viceroy can move the Scimitar suddenly ROCKS\n-- attacked from somewhere! Shinzon is stunned.",
"Shinzon looks at him deeply.\n\n SHINZON\n Consider that, Captain. I can\n think of no greater torment for\n you.\n\nHe turns to go.",
"Shinzon leans back, satisfied. And looks at the viewscreen.\n\nThe image on the viewscreen is shocking.\n\nThe Enterprise only a few hundred yards away.",
"Picard instantly fires for the Cascading Pulse control -- but\nShinzon dives to cover it -- the phaser blast hits Shinzon in\nthe chest -- he recoils, slamming to the deck, stunned.",
"The Viceroy puts his hand on Shinzon's chest, leans very\nclose and talks to him quietly. This is an ancient form of\nReman telepathic medical diagnosis.",
"PICARD\n Please.\n\n SHINZON\n It's too late.",
"Shinzon sees it coming -- utterly shocked -- bolts up --\n\n SHINZON\n HARD TO PORT !\n\nToo late.",
"Shinzon appears on the viewscreen. He is on the bridge of\nthe Scimitar.",
"The crew is utterly confused. Their confusion turns to\noutright shock when Shinzon calmly pulls out a Reman knife\nand cuts his arm, drawing a little blood. He hands the knife\nto Data.",
"And then, amazingly, Shinzon forces himself forward --\npushing Picard back against a wall -- Shinzon slowly walks\ntoward Picard, forcing himself down the length of the spear",
"Shinzon stands in the ruins of his bridge. Many of his\nbridge crew are now dead.\n\n SHINZON\n Divert all power to engines. Full\n reverse!",
"Picard is gone. Shinzon sits, thinking. His Viceroy enters.\n\n VICEROY\n This is a mistake.",
"Shinzon sits in his command chair as the ship streaks through\nspace. He speaks on viewscreen with his Romulan\ncollaborators. His face is even more finely veined now.",
"A computer display illustrates Geordi's words about the power\nof Shinzon's weapon. We see a chilling graphic of the\nBiogenic Pulse beam spreading around a ship, then a whole\nplanet.",
"SHINZON\n You're too slow, old man.\n (entering commands in his\n chair console)\n Attack pattern Shinzon Theta.\n\nEXT. THE RIFT - SPACE",
"SHINZON\n (desperate)\n He is what his life has made him!\n\nShinzon is in turmoil. Picard senses this. He proceeds\nquietly:"
],
[
"A stunned moment of silence as Shinzon gazes at Picard,\nalmost with a look of disbelief. Blood spews from his mouth\nas he lets out a tormented cry.",
"Shinzon looks at him deeply.\n\n SHINZON\n Consider that, Captain. I can\n think of no greater torment for\n you.\n\nHe turns to go.",
"Shinzon leans back, satisfied. And looks at the viewscreen.\n\nThe image on the viewscreen is shocking.\n\nThe Enterprise only a few hundred yards away.",
"Shinzon sits in his command chair. The viewscreen shows the\nEnterprise before him.\n\n SHINZON\n Target weapons systems and shields.\n I don't want the Enterprise\n destroyed.",
"PICARD\n Please.\n\n SHINZON\n It's too late.",
"Shinzon ends the transmission and his holographic image\nflickers and fades away.\n\nPicard stands alone, drained.",
"Shinzon sees it coming -- utterly shocked -- bolts up --\n\n SHINZON\n HARD TO PORT !\n\nToo late.",
"Shinzon looks at him with an aching sadness. What might have\nbeen.\n\n SHINZON\n That's your life... not mine.",
"The Viceroy puts his hand on Shinzon's chest, leans very\nclose and talks to him quietly. This is an ancient form of\nReman telepathic medical diagnosis.",
"Shinzon doesn't respond. But Picard knows he has made a\nconnection. For this brief moment reconciliation is\npossible. He proceeds quietly:\n\n PICARD\n Let me tell you about our father.",
"Picard instantly fires for the Cascading Pulse control -- but\nShinzon dives to cover it -- the phaser blast hits Shinzon in\nthe chest -- he recoils, slamming to the deck, stunned.",
"A beat. Shinzon looks up.\n\n SHINZON\n Deploy the weapon. Kill everything\n on that ship. Then set a course\n for Earth.",
"SHINZON\n I'm glad we're together now -- our\n destiny is complete.\n\nHe finally thrusts himself down the whole spear and clasps\nhis dying hands firmly around Picard's throat --",
"Shinzon enters with the B-9 following. Shinzon stands on the\nother side of the force field.",
"Shinzon sits in his command chair as the ship streaks through\nspace. He speaks on viewscreen with his Romulan\ncollaborators. His face is even more finely veined now.",
"Shinzon stands in the ruins of his bridge. Many of his\nbridge crew are now dead.\n\n SHINZON\n Divert all power to engines. Full\n reverse!",
"And then it is Shinzon again, kissing her:\n\n SHINZON\n I'll always be with you now. Now\n and forever...",
"And then, amazingly, Shinzon forces himself forward --\npushing Picard back against a wall -- Shinzon slowly walks\ntoward Picard, forcing himself down the length of the spear",
"Shinzon stands, his eyes glued to the Enterprise on the\nviewscreen.\n\nWe see a monitor showing that the Cascading Pulse weapon is\nlocked on the Enterprise.",
"PICARD\n You know that's not possible.\n\n SHINZON\n I know... you'll all gladly die to\n save your home world."
],
[
"EXT. ENTERPRISE - SPACEDOCK - OVER EARTH\n\nA few weeks later. The Enterprise is enclosed in the great\nwomb of a spacedock. The ship is being rebuilt.",
"Shinzon leans back, satisfied. And looks at the viewscreen.\n\nThe image on the viewscreen is shocking.\n\nThe Enterprise only a few hundred yards away.",
"The Enterprise is in orbit around Romulus. Remus can be seen\nin the distance.",
"It stops. Only a few hundred yards from the Enterprise, its\ngreat prow almost filling the gaping hole at the front of the\nbridge.\n\nPicard thinks, his mind racing. Then it comes to him in a\nflash:",
"This family. A family we love.\n\nEXT. ENTERPRISE - SPACE\n\nThe Enterprise streaks through space.",
"PICARD (V.O.)\n Captain's Log. Stardate 47844.9.\n The Enterprise has arrived at",
"The Enterprise dramatically powers forward and up -- rolling\nover in a great arc going into warp while still upside down.\nIt disappears in a blaze of light. Fade to...",
"SHINZON\n You don't have to understand.\n\n SURAN\n And bringing the Enterprise here?!\n What possible purpose could that\n serve?!",
"EXT. THE RIFT - SPACE\n\nThe Enterprise powers forward in a final thrust -- !\n\nINT. SCIMITAR - BRIDGE - FOLLOWING",
"EXT. ENTERPRISE - OVER KOLARUS III - SPACE\n\nThe Enterprise is in orbit around the uncharted planet. In\nthe distance we can see the distorting violence of an ion\nstorm.",
"INT. ENTERPRISE - BRIDGE - FOLLOWING\n\nThe crew gapes at the huge ship on the viewscreen.",
"curiosity and conveniently make the\n Enterprise the closest ship to\n Romulus when I contacted Starfleet.",
"And the Enterprise jumps to high warp -- disappearing in a\nflash of dazzling light. Yes!\n\nINT. ENTERPRISE - OBSERVATION LOUNGE - DAY",
"The crew is shocked.\n\n HELM OFFICER\n Aye aye, sir. Course plotted and\n laid in...\n\n RIKER\n Romulus?",
"A beat. Shinzon looks up.\n\n SHINZON\n Deploy the weapon. Kill everything\n on that ship. Then set a course\n for Earth.",
"And we cut to --\n\nEXT. ENTERPRISE - SPACEDOCK - OVER EARTH - FOLLOWING",
"Picard goes to his command chair:\n\n PICARD\n (to Helm)\n Lay in a new course... Take us to\n Romulus. Warp eight.",
"EXT. ENTERPRISE - SPACE\n\nThe Enterprise zooms through space.\n\nCompletely unaware of the predator directly above it.",
"PICARD (V.O.)\n Captain's Personal Log.\n Supplemental. We're heading toward\n Federation space at maximum warp.",
"Riker knows exactly what Picard is saying: the Enterprise is\nexpendable.\n\n RIKER\n Yes, sir.\n\nPicard stands. Presses a comm button."
],
[
"The Viceroy puts his hand on Shinzon's chest, leans very\nclose and talks to him quietly. This is an ancient form of\nReman telepathic medical diagnosis.",
"Shinzon looks at her. A quick beat. Shinzon decides to\nrespond with benevolence. He smiles.",
"Shinzon continues to stare at Deanna. It is strangely\nseductive. Almost disquieting in its intensity. Deanna\nhandles it with grace, her level gaze never leaving his.",
"Picard notices something immediately. Tiny veins are now\nvisible on Shinzon's face; the faintest sign of an intricate\nspider-web pattern of pale blue veins.",
"Shinzon looks at him deeply.\n\n SHINZON\n Consider that, Captain. I can\n think of no greater torment for\n you.\n\nHe turns to go.",
"Shinzon doesn't respond. But Picard knows he has made a\nconnection. For this brief moment reconciliation is\npossible. He proceeds quietly:\n\n PICARD\n Let me tell you about our father.",
"Shinzon sits in his command chair as the ship streaks through\nspace. He speaks on viewscreen with his Romulan\ncollaborators. His face is even more finely veined now.",
"Picard stares at him with a mixture of realization and\ncuriosity. It is as if Picard is looking into a strange,\nremembered mirror: Shinzon's face is nearly identical to his\nat that age.",
"Shinzon sits in his command chair. The viewscreen shows the\nEnterprise before him.\n\n SHINZON\n Target weapons systems and shields.\n I don't want the Enterprise\n destroyed.",
"INT. SCIMITAR - BRIDGE - FOLLOWING\n\nShinzon stares at the Enterprise.",
"The Viceroy puts his hand on Shinzon's chest. A strange\nmoment as the Viceroy shuts his eyes and feels Shinzon's\nchest. His mind... probing.",
"PICARD\n Why have you asked for our presence\n here?\n\nShinzon does not answer. He is staring deeply at Deanna,\nmoans softly.",
"Picard is impressed with Shinzon's quiet words.\n\n SHINZON\n You don't trust me.\n\n PICARD\n I have no reason to.",
"A stunned moment of silence as Shinzon gazes at Picard,\nalmost with a look of disbelief. Blood spews from his mouth\nas he lets out a tormented cry.",
"They dematerialize, the shimmering glow illuminating\nShinzon's features. Picard's eyes never leave Shinzon as\nthe transporter effect ripples around him.",
"SHINZON\n (desperate)\n He is what his life has made him!\n\nShinzon is in turmoil. Picard senses this. He proceeds\nquietly:",
"Shinzon leans back, satisfied. And looks at the viewscreen.\n\nThe image on the viewscreen is shocking.\n\nThe Enterprise only a few hundred yards away.",
"Shinzon looks at him with an aching sadness. What might have\nbeen.\n\n SHINZON\n That's your life... not mine.",
"Data scans him with a tricorder as:\n\n PICARD\n And you're not as we imagined you.\n\n SHINZON\n No?",
"Shinzon slams his command chair in fury. The Viceroy watches\nhim carefully.\n\nA beat. Shinzon regains his composure. He sits again in his\ncommand chair."
],
[
"Riker uses the cover to dive after the Viceroy, following him\ninto the dark Jefferies tube, intent on destroying the man\nwho has been tormenting his wife --",
"RIKER\n I don't think we're going to see\n much combat on Betazed.\n\n DEANNA\n Don't be too sure. Mother will be\n there.",
"Below decks, Riker stalks the Viceroy through a labyrinthine\nseries of access tunnels. It is like a scene from ALIEN.",
"Riker takes her hand.",
"INT. ENTERPRISE - CREW LOUNGE - NIGHT\n\nRiker and Deanna are having dinner with Worf.",
"RIKER\n It's working.\n\n PICARD\n (to Deanna)\n Counselor?",
"INT. ENTERPRISE - RIKER AND DEANNA'S CABIN - NIGHT\n\nRiker is hard at work over a series of padds. He has been\nworking for hours.",
"RIKER\n Strength in numbers?\n\n PICARD\n We can only hope so.\n\nA beat as he looks at them gravely.",
"RIKER\n Keep at it, Geordi. Find a way in.\n\nBeverly arrives on the bridge, urgent. She carries a medical\npadd.",
"INT. ENTERPRISE - SICKBAY - DAY\n\nBeverly is scanning Deanna. Picard and Riker watch,\nconcerned.",
"RIKER\n Sir?\n\nPicard doesn't answer, he just stares forward. Deanna goes\nto Riker.\n\n DEANNA\n Data.",
"It is Riker. She stares at him, then clings to him\ndesperately.\n\nEXT. ROMULAN SENATE - DAY",
"Riker looks toward the glowing debris field in the distance.\nHe puts an arm around Deanna.\n\nSilence.\n\n GEORDI\n Sir, we're being hailed.",
"PICARD\n (thinking)\n And that's exactly what he's going\n to do.\n\n RIKER\n Sir?",
"RIKER\n Believe it or not, I think the\n cavalry has arrived.\n\n WORF\n We're being hailed.",
"RIKER\n Imzadi, what am I going to do with\n you?\n\nThey kiss deeply. She pulls him across the room and they\nfall into the bed.",
"RIKER\n (quickly tapping his comm\n badge)\n Worf! Wonderful! I'll be right",
"The crew is shocked.\n\n HELM OFFICER\n Aye aye, sir. Course plotted and\n laid in...\n\n RIKER\n Romulus?",
"Riker is gone. She is now embracing Shinzon!\n\n SHINZON\n Imzadi. This is so good.\n\n DEANNA\n No!",
"DATA\n Counsellor Troi, please assume\n command. Geordi, if you will come\n with me.\n\nHe heads toward the turbolift, Geordi following."
]
] |
[
"What comes to Enterprise's aid?",
"What does Shinzon do to the two Romulan Warbirds?",
"Why does Shinzon activate the thalaron weapon?",
"Why is Shinzon aging rapidly?",
"Whose primary weapons were destroyed?",
"Who kidnaps Picard from the Enterprise?",
"Who is Shinzon a clone of?",
"Why was Shinzon created?",
"Who created Shinzon?",
"What is the name of the Reman rebel leader?",
"On what planet do Will Riker and Deanna Troi plan to marry?",
"What is the name of android that resembles Data?",
"Who is Shinzon a clone of?",
"What is the name of Shinzon's flagship?",
"What does Shinzon need in order to stop rapidly aging and save his life?",
"Who rescues Picard from Shinzon?",
"What planet is endangered by Shinzon's plans to use the thalaron radiation generator?",
"Who kills Shinzon?",
"Who will become commander of the USS Titan?",
"Why is Shinzon aging rapidly?",
"Which person (other than himself) does Shinzon most resemble?",
"What is detected by the Enterprise when they travel through the Kolaron planetary system?",
"Who does Shinzon kidnap from the Enterprise?",
"What is the Scimitar?",
"Why does Shinzon activate the Thalaron weapon?",
"How does Shinzon die?",
"Why does the Enterprise travel to Earth?",
"How does Dr. Crusher treat Shinzon?",
"What do Riker and Troy hope to accomplish on Betazed?"
] |
[
[
"Two Romulan Warbirds.",
"Two Romulan warbirds."
],
[
"Destroys one and disables the other.",
"he destroys and disables them "
],
[
"To assure complete destruction of Enterprise and Scimitar ships.",
"to invade federation"
],
[
"Due to it being a clone.",
"he's a clone"
],
[
"Scimitar's.",
"Shinzon's ship, The Scimitar's primary weapons are destroyed."
],
[
"Shinzon.",
"Shinzon"
],
[
"Picard.",
"Picard"
],
[
"To plant a high ranking spy into the Federation.",
"The Romulans wanted a high ranking spy in the Federation so they created Shinzon. "
],
[
"The Romulans.",
"The Romulans"
],
[
"Shinzon.",
"Shinzon"
],
[
"Betazed.",
"Betazed"
],
[
"B-4.",
"B-4"
],
[
"Captain Picard.",
"Picard"
],
[
"The Scimitar.",
"the Scimitar"
],
[
"Picard's blood.",
"A blood transfusion of Picard's blood."
],
[
"Data.",
"Commander Data "
],
[
"Earth.",
"Earth"
],
[
"Picard.",
"picard"
],
[
"Riker.",
"captain riker"
],
[
"Because he is a clone.",
"Because he is a clone."
],
[
"Picard",
"Picard"
],
[
"Emissions of positronic energy ",
"positronic energy"
],
[
"Picard and B-4",
"Picard"
],
[
"A warship ",
"flagship"
],
[
"To destroy both the Scimitar and the Enterprise ",
"Shinzon activates the weapon in order to ensure the mutual destruction of the Enterprise and the Scimitar."
],
[
"Impaled on a piece of metal",
"he is impaled by Picard"
],
[
"For repairs",
"For repairs."
],
[
"By transfusing Picard's blood",
"with Picard's blood"
],
[
"They hope to be married",
"They got married."
]
] |
015c99b411cef291d31cd5543c7ae957edebe6b4
|
train
|
[
[
"MILTON MEAD\n Sid just called from St. Luke's, and \n he's heard that the demonstrators up \n there are planning a march to join \n the bunch down here.",
"MILTON MEAD\n Yeah, see what that's about.\n (en passant to \n secretary)\n I'll be on Holly Eight. I'll be right \n back.",
"During this maelstrom, the phone at Mead's elbow RINGS. Mead \n answers it, listens, nods, returns the receiver, stand and \n slips out of the room into the delicious silence of the...",
"The small army of militants and activists has broken through \n the security into the lobby. Their entrance is greeted by \n one small scream from a woman in the lobby. A LEADER of the \n invading troop calls out.",
"That was it, you see. That was his \n real revolution. It wasn't racism \n and the oppressed poor and the war",
"The curtains on another room are drawn for privacy. On chairs \n in the corner sit a teenage boy with a badly sprained ankle \n and an elderly man bathing his hand in an enamel basin held \n in his lap.",
"Beacon Hill practice and set out to \n start a mission in the Mexican \n mountains. And I turned in my S.D.S.",
"Milton Mead is sitting in a back seat of the Staff Room -- a \n lounge with couches, easy chairs and magazine racks -- gives \n half an ear to the several opinions being simultaneously \n expressed by:",
"As Milton Mead enters, his elder brother, WILLIAM MEAD, mid-\n forties, a smaller and manifestly nervous man, is seated",
"...which is already galvanized into action. Miss Aronovici \n is at the girl's pulse even as she is being transferred to \n the bed that has just been cleared of Mr. Mitgang and his \n concussion case.",
"He keels over like a felled tree, falling face-up on \n Drummond's bed, his legs dangling to the floor. William Mead \n promptly hides his head under his sheet.",
"EXPANSIONIST POLICIES OF THIS IMPERIALIST HOSPITAL.\"",
"LONG SHOT of the hospital, now alive and jumping. Taxis pull \n up and out of the large U-shaped drive. A noisy picket line",
"His eyes are caught by a white doctor's uniform hanging in \n the armoire along with the suits and overcoats of the two \n patients in the room. He bends over to peer at the nameplate \n over the breast pocket.",
"She pauses, her story over. Throughout, Bock has been trying \n to keep his glowering eye on the desktop. During her long",
"Holding Room who admitted her, so \n she was here. And now I just spoke \n to Mrs. Fried on Holly Five, and she",
"beside him, and silently reaches over to withdraw the I.V. \n needle from his right arm. He lets the needle dangle, dripping",
"She sets her coffee down on the couch and decides to wear \n Bock's overcoat rather than use it as a cover. She searches \n for the sleeves. Bock assists her.",
"and rubs down the vein. The needle slides into Mead's vein. \n OVER THIS, we begin to hear a distant sibilant HISSING,",
"With a short, irritable sigh, Mrs. Reardon abandons her \n paperwork and heads down the west corridor, followed by Nurses"
],
[
"Bock goes in, closes the door behind himself.\n\n DR. EINHORN'S OFFICE\n\n Bock looks only at the floor.",
"BOCK\n What do you mean, Ives is dead?\n\n DR. LAGERMAN\n I mean he's dead. He had a heart \n attack in the Emergency Room.",
"BOCK\n Is he in?\n\n The doctor is obviously in. He can be seen through the open \n door sitting at his desk writing in a notebook. Bock leans \n in.",
"BOCK\n I'm tired, I'm terribly tired, Miss \n Drummond. And I hurt, and I've got \n nothing going for me anymore. Can \n you understand that?",
"phone)\n This is Dr. Welbeck. Were you paging \n me?\n (regarding Bock with",
"doctor, a man in his late forties, wearing a coat similar to \n Bock's. He is DR. LAGERMAN. He looks up from the magazine",
"He strides, followed by Dr. Lagerman, into...\n\n BOCK'S PRIVATE OFFICE\n\n ...and slams the door shut behind him.",
"DR. LAGERMAN\n Hi, Herb...\n\n Bock acknowledges him with a brusque nod, storms over to \n Miss Lebow.",
"The modestly imposing office is lined with medical tomes. \n Bock slips out of his coat and jacket and hangs them in the",
"BOCK\n This is Dr. Bock... Yes, Mrs. \n Christie, what is it? It's all right,",
"DR. HERBERT BOCK, 53 years old, a large man, bulky, \n disheveled, apparently fell asleep in a chair while watching",
"DR. LAGERMAN\n Ives is dead, Herb. That's why I'm \n here.\n\n This gives Bock pause. He blinks at Lagerman.",
"ACROSS to Bock coming out of the TV room, followed by some \n dozen young doctors. Bock is in very good spirits indeed. He \n quizzes his young doctors en route:",
"WELBECK\n Dr. Gilley tells me you're the one \n who initiated these proceedings \n against me.\n\n BOCK\n I'm busy, Welbeck.",
"BOCK\n I mean, he's killed two doctors and \n a nurse! And he just tried to kill",
"BOCK\n Dr. Perry said he picked the \n tuberculosis and the liver nodes for \n today, right?\n\n BRUBAKER\n Yes, sir.",
"BOCK\n (scowls, mutters)\n I had a Schaefer. He died yesterday \n of an overdose of insulin. What do \n they want Schaefer for?",
"BOCK\n So she plugged an I.V. into him.\n\n MRS. CHRISTIE\n Yes.",
"CLOSE-UP of Bock trying to hoist Welbeck and looking up \n slowly.\n\n DR. MORSE\n Is this his chart, Dr. Bock?",
"Bock immediately emerges from the pharmacy holding a bottle \n of thorazine and a wrapped hypodermic syringe. He scowls at \n Welbeck, who scowls back."
],
[
"His eyes are caught by a white doctor's uniform hanging in \n the armoire along with the suits and overcoats of the two \n patients in the room. He bends over to peer at the nameplate \n over the breast pocket.",
"BOCK\n What do you mean, Ives is dead?\n\n DR. LAGERMAN\n I mean he's dead. He had a heart \n attack in the Emergency Room.",
"There is, of course, no response. A terrible suspicion enters \n Nurse Perez's mind, and she closes her eyes and sighs a long",
"died last night in Eight-O-Six, but \n that information wasn't given to the \n night nurses. These things happen.",
"MILTON MEAD\n (to Hitchcock)\n Tom, you want to go down to the \n Emergency Room? One of our doctors \n just died.",
"MRS. CUSHING\n (as Spezio approaches, \n with spiteful relish)\n I think one of your patients in here \n is dead, Dr. Spezio.",
"CRASHES. William Mead sleeps fitfully. The other patient is \n entirely curtained off. Nurse Devine sets her tray on Mead's",
"DRUMMOND\n (off-screen)\n He had at that time perhaps an hour \n to live. Prompt treatment would have \n saved his life.\n\n They go into the...",
"Drummond, abashed, stands there, a scolded schoolboy, a \n rawboned figure in a hospital shift, a stethoscope dangling \n from his right hand.",
"This is the Emergency Room. One of \n the doctors just died of a heart \n attack.",
"taking Nurse Weitzenbaum out with her and closing the door. \n The room is dark and hushed again. Blacktree lights his \n cigarette and \"sends the smoke up,\" a ritual which consists",
"Drummond in his hospital shift, gaunt and mad as a prophet, \n sits rigidly on his chair. Barbara perches on her father's",
"He moves quickly forward to raise the dead man's eyelid. \n Behind him, a nurse enters. He wheels on her angrily.",
"this hospital, they either died of a \n heart attack in Emergency or of \n anesthesia shock in an operating \n room.",
"Two orderlies rush the old man's bed with, of course, the \n old man in it, past the Nurses' Station and into a waiting \n elevator.",
"the manner of Nurse Campanella's \n death. She was to die of the great \n American plague -- vestigial identity.",
"he gets up and puts on a doctor's \n uniform, and he goes out, and he \n murders doctors! He just went out",
"All I need do was arrange for the \n doctors to become patients in their \n own hospital. Accordingly, the next",
"EIGHTH FLOOR CORRIDOR\n\n The elevator door opens. Two orderlies wheel the sleeping \n man on his bed back around the Nurses' Station and down the \n corridor to his room.",
"AMBLER\n We, the members of the Doctors \n Liberation Committee indict this \n hospital for the criminal neglect of"
],
[
"The score of protesters outside the pavilion still move in \n an uneven ellipse and shout: \"Two -- Four! Help the Poor!\"",
"HONKS and HOOTS. At a crosswalk, a loose procession of fifty \n or so shouting demonstrators, bearing placards, flows toward",
"matter at some length: \"WE PROTEST THE EVICTION OF 386 BLACK \n FAMILIES AND THE DESTRUCTION OF THEIR HOMES TO SERVE THE",
"SHOUTING CROWD\n We want Sundstrom! We want Sundstrom! \n Community control! Community control!",
"The small army of militants and activists has broken through \n the security into the lobby. Their entrance is greeted by \n one small scream from a woman in the lobby. A LEADER of the \n invading troop calls out.",
"MILTON MEAD\n Sid just called from St. Luke's, and \n he's heard that the demonstrators up \n there are planning a march to join \n the bunch down here.",
"Most of the placards are slogan-y: \"PEOPLE YES! DOCTORS NO!\" -- \n \"CURE POVERTY! HEAL THE POOR!\" Two protesters move toward",
"SKIDS!\" which is what they now chant: \"Save our kids! From \n the Skids!\" The demonstration moves through a handful of \n city cops where our original group of twenty still ramble",
"CHANTING, SHOUTING. Absolutely no one pays any attention to \n the gaunt, doctor-clad sixty-year-old man standing on an \n island.",
"the main gates. Their posters read: \"FIGHT DOPE -- NOT DOPES!\" \n \"DRUGS YES! TRANSPLANTS NO!\" and \"SAVE OUR KIDS FROM THE",
"GRUMBLING PROTESTERS\n (chanting)\n Two-four! Help the poor!",
"SHOUT\n What are you going to do about those \n fourteen ghetto people?\n\n As the shouts continue, Sundstrom raises a hand to quiet the \n crowd.",
"That was it, you see. That was his \n real revolution. It wasn't racism \n and the oppressed poor and the war",
"Eyes filled with tears of rage, Sundstrom lowers his head \n and moves into the mass of militants, which parts for him to \n leave.",
"They pick their way around the shuffling line of protesters -- \n many with Afro haircuts and tinted glasses, including a black \n minister and four young white activists.",
"LEADER\n Fourteen people just got arrested \n for doing...\n\n In the background, one of their fellow revolutionaries speaks \n up...",
"Beacon Hill practice and set out to \n start a mission in the Mexican \n mountains. And I turned in my S.D.S.",
"LEADER\n Would you be cool, man?\n (now yelling)\n Fourteen people got arrested for",
"throng the sidestreets off First Avenue. Signs read, \"People \n Sí, Doctors No.\" A Channel 11 mobile news crew, newspaper",
"the community in which it is situated! \n We demand an immediate dissolution \n of the governing and executive boards."
],
[
"Barbara Drummond comes in. Bock has apparently turned the \n lights on for her, but Bock himself is not immediately",
"ROOM 806. DAY\n\n Drummond on his chair. Barbara perched on one side of her \n father's bed, Bock on the other. William Mead sleeps on.",
"BARBARA\n Rubbish.\n\n With a crash of his fist on the desktop, Bock stands; he is \n in a drunken rage.",
"Drummond in his hospital shift, gaunt and mad as a prophet, \n sits rigidly on his chair. Barbara perches on her father's",
"BARBARA\n Yes. I still have to arrange an \n ambulance service. Is there a phone \n around I could use?\n\n BOCK\n Use my office.",
"BOCK\n (who has been staring \n at her as if she \n were insane)\n What the hell am I supposed to say \n to that, Miss Drummond?",
"BARBARA\n Thank you.\n\n Bock exits. Barbara edges past Weitzenbaum, who is still \n peeking into the room.",
"Bock holds Drummond's coat and hat and crosses to take his \n arm. He finds the entranced Drummond as rigid as a statue.",
"BARBARA\n I believe in everything, Doctor.\n\n BOCK\n Like a drink?\n\n BARBARA\n Yes.",
"BOCK\n I'm tired, I'm terribly tired, Miss \n Drummond. And I hurt, and I've got \n nothing going for me anymore. Can \n you understand that?",
"Bock cocks his head to him.\n\n DR. MORSE\n What's his name? Drummond?",
"visible. She looks through the half-open door to Bock's \n private office, and there he is, staring blankly at the \n bottle. Barbara starts to say something, thinks better of",
"BARBARA\n (who's been slipping \n into the nurse's \n uniform)\n Yeah?\n\n BOCK\n Yeah.",
"He wrenches open the door of 806, marches in, followed by \n Bock and Barbara.\n\n EIGHTH FLOOR, ROOM",
"BOCK\n You rang for your nurse?\n\n DRUMMOND\n To insure one full hour of \n uninterrupted privacy.",
"BARBARA\n (in background on \n phone)\n ...Drummond, first name, Barbara. \n I'll pay cash...",
"BOCK\n Well, that would be nice, too.\n\n She sips her coffee.\n\n BOCK\n What do you say, Miss Drummond?",
"Bock goes in, closes the door behind himself.\n\n DR. EINHORN'S OFFICE\n\n Bock looks only at the floor.",
"DRUMMOND\n (off-screen)\n He had at that time perhaps an hour \n to live. Prompt treatment would have \n saved his life.\n\n They go into the...",
"HOLD ACROSS the patient Drummond, on Bock in the background \n at the window with his back to us. Suddenly, Drummond's eyes"
],
[
"BOCK\n In short, a man came into this \n hospital in perfectly good health,",
"BOCK\n Is he in?\n\n The doctor is obviously in. He can be seen through the open \n door sitting at his desk writing in a notebook. Bock leans \n in.",
"BOCK\n What do you mean, Ives is dead?\n\n DR. LAGERMAN\n I mean he's dead. He had a heart \n attack in the Emergency Room.",
"DR. HERBERT BOCK, 53 years old, a large man, bulky, \n disheveled, apparently fell asleep in a chair while watching",
"BOCK\n He had a heart attack in the Emergency \n Room?\n\n DR. LAGERMAN\n Yeah.",
"BOCK\n (The doctor in him \n intrudes into his \n lassitude)",
"BOCK\n Dr. Perry said he picked the \n tuberculosis and the liver nodes for \n today, right?\n\n BRUBAKER\n Yes, sir.",
"BOCK\n Come and see me.\n (to the patient, \n helping her up)\n Would you sit up for a minute?",
"DR. MORSE\n What do you have, Dr. Bock?\n\n BOCK\n Total cardiac arrest.",
"BOCK\n And now you come to me with this \n gothic horror story in which the \n entire machinery of modern medicine",
"The modestly imposing office is lined with medical tomes. \n Bock slips out of his coat and jacket and hangs them in the",
"Bock goes in, closes the door behind himself.\n\n DR. EINHORN'S OFFICE\n\n Bock looks only at the floor.",
"BOCK\n (looks down again)\n You're wasting your time. I've been \n impotent for years.",
"BOCK\n (lurches about)\n What the hell's wrong with being",
"ACROSS to Bock coming out of the TV room, followed by some \n dozen young doctors. Bock is in very good spirits indeed. He \n quizzes his young doctors en route:",
"BOCK\n I mean, he's killed two doctors and \n a nurse! And he just tried to kill",
"Bock moves quickly to the prostrate Welbeck, feels his throat \n for the carotid pulse, pulls out his stethoscope, rips",
"The doctors exchange a look as Bock rises, moves toward them, \n laughing.",
"DR. MORSE\n How long has he been like this?\n\n BOCK\n About a minute. No pulse, no \n heartbeat, no respiration...",
"phone)\n This is Dr. Welbeck. Were you paging \n me?\n (regarding Bock with"
],
[
"Barbara Drummond comes in. Bock has apparently turned the \n lights on for her, but Bock himself is not immediately",
"Drummond in his hospital shift, gaunt and mad as a prophet, \n sits rigidly on his chair. Barbara perches on her father's",
"ROOM 806. DAY\n\n Drummond on his chair. Barbara perched on one side of her \n father's bed, Bock on the other. William Mead sleeps on.",
"As the small procession bears down, Barbara Drummond slips \n out of that room to intercept them.",
"side of the dividing island. An ambulance attendant has opened \n the back doors to get Drummond in. Barbara hurries toward",
"BARBARA\n (in background on \n phone)\n ...Drummond, first name, Barbara. \n I'll pay cash...",
"BARBARA\n He's to be taken to American Airlines, \n Yes... No... Kennedy Airport, Flight",
"comatose and rigged out with I.V.s and catheters. Barbara \n Drummond is packing her father's things into an open one-",
"Barbara unsnaps her father's valise and stuffs Welbeck's \n garments in it. Bock takes Welbeck's coat and piles Drummond's \n things on top of that.",
"DRUMMOND\n (off-screen)\n He had at that time perhaps an hour \n to live. Prompt treatment would have \n saved his life.\n\n They go into the...",
"BARBARA\n Rubbish.\n\n With a crash of his fist on the desktop, Bock stands; he is \n in a drunken rage.",
"BARBARA\n Yes. I still have to arrange an \n ambulance service. Is there a phone \n around I could use?\n\n BOCK\n Use my office.",
"They reach an open elevator. Mead goes in, the doors close. \n The doors of a second elevator then open, and Barbara comes",
"WELBECK\n (to Mrs. Donovan)\n I'm Dr. Welbeck. I have a patient on \n this floor named Drummond, and I'd \n like to see his chart.",
"BARBARA\n Thank you.\n\n Bock exits. Barbara edges past Weitzenbaum, who is still \n peeking into the room.",
"OVER DRUMMOND PERFORMING SOME PAGAN RITUAL. THE HISSING IS \n BARBARA'S CONTRIBUTION TO THE CEREMONY. (IT SOUNDS LIKE PIS-",
"and back to Mexico where they live. \n The patient's name is Drummond. He's \n apparently a Methodist missionary,",
"Drummond's bed. It's quite a sight for a nervous, sedated \n man to wake to. Thunder RUMBLES and the rain SLASHES and a",
"BARBARA\n (to Nurse Chile as \n others begin moving \n William Mead's bed \n out of the room)\n Give him an ambu bag and an airway.",
"DRUMMOND\n So last night, I coshed Miss \n Campanella with a sandbag, sedated"
],
[
"DRUMMOND\n I was merely an instrument of God. I \n killed no one. They all three died",
"DRUMMOND\n (off-screen)\n He had at that time perhaps an hour \n to live. Prompt treatment would have \n saved his life.\n\n They go into the...",
"DRUMMOND\n (voice-off)\n ...simply... forgotten to death. \n Simply mislaid...\n\n CAMERA JUST STARES at the pageant of pain.",
"DRUMMOND\n So last night, I coshed Miss \n Campanella with a sandbag, sedated",
"DRUMMOND\n (voice-off)\n ...and then he was promptly...",
"whose eyes now open; he has heard it all. In background, \n Drummond, suddenly released from his catatonic trance, heads",
"OVER DRUMMOND PERFORMING SOME PAGAN RITUAL. THE HISSING IS \n BARBARA'S CONTRIBUTION TO THE CEREMONY. (IT SOUNDS LIKE PIS-",
"WELBECK\n (to Mrs. Donovan)\n I'm Dr. Welbeck. I have a patient on \n this floor named Drummond, and I'd \n like to see his chart.",
"He keels over like a felled tree, falling face-up on \n Drummond's bed, his legs dangling to the floor. William Mead \n promptly hides his head under his sheet.",
"Drummond's bed. It's quite a sight for a nervous, sedated \n man to wake to. Thunder RUMBLES and the rain SLASHES and a",
"DRUMMOND\n (off-screen)\n He was relentlessly subjected to the \n benefits of modern medicine. He was",
"DRUMMOND\n (voice-off)\n ...which revealed occasional \n ventricular premature contractions. \n An intern took his history...",
"in all the textbooks. I happen to be \n an eminent man, Miss Drummond. And \n you want to know something, Miss",
"PAN SLOWLY to Drummond who stares at the Nameless Man.",
"Drummond in his hospital shift, gaunt and mad as a prophet, \n sits rigidly on his chair. Barbara perches on her father's",
"DRUMMOND\n (off-screen)\n ...perhaps even Christ Himself.",
"life and dies. CAMERA DOLLIES slowly to CLOSE-UP of Drummond \n lying motionless on his bed. His eyes are wide, glinting in",
"Drummond turns to the voice. CAMERA PULLS BACK to include \n the man who had been brought into the E.R. by a uniformed \n cop.",
"DRUMMOND\n (off-screen)\n Our Savior was, it seems, suffering \n from emphysema.",
"Drummond, abashed, stands there, a scolded schoolboy, a \n rawboned figure in a hospital shift, a stethoscope dangling \n from his right hand."
],
[
"Bock goes in, closes the door behind himself.\n\n DR. EINHORN'S OFFICE\n\n Bock looks only at the floor.",
"BOCK\n Is he in?\n\n The doctor is obviously in. He can be seen through the open \n door sitting at his desk writing in a notebook. Bock leans \n in.",
"DR. HERBERT BOCK, 53 years old, a large man, bulky, \n disheveled, apparently fell asleep in a chair while watching",
"The modestly imposing office is lined with medical tomes. \n Bock slips out of his coat and jacket and hangs them in the",
"phone)\n This is Dr. Welbeck. Were you paging \n me?\n (regarding Bock with",
"BOCK\n Dr. Welbeck is dead. They thought he \n was you.",
"The doctors exchange a look as Bock rises, moves toward them, \n laughing.",
"Bock cocks his head to him.\n\n DR. MORSE\n What's his name? Drummond?",
"ACROSS to Bock coming out of the TV room, followed by some \n dozen young doctors. Bock is in very good spirits indeed. He \n quizzes his young doctors en route:",
"DR. LAGERMAN\n Hi, Herb...\n\n Bock acknowledges him with a brusque nod, storms over to \n Miss Lebow.",
"doctor, a man in his late forties, wearing a coat similar to \n Bock's. He is DR. LAGERMAN. He looks up from the magazine",
"BOCK\n This is Dr. Bock... Yes, Mrs. \n Christie, what is it? It's all right,",
"He strides, followed by Dr. Lagerman, into...\n\n BOCK'S PRIVATE OFFICE\n\n ...and slams the door shut behind him.",
"BOCK\n In short, a man came into this \n hospital in perfectly good health,",
"BOCK\n What do you mean, Ives is dead?\n\n DR. LAGERMAN\n I mean he's dead. He had a heart \n attack in the Emergency Room.",
"BOCK\n I mean, he's killed two doctors and \n a nurse! And he just tried to kill",
"Except, of course, for Bock, who must pause to wait for a \n red light. Bock hustles through the traffic to where Drummond \n stands.",
"The Supervisor of Nurses, Mrs. Christie, is sitting on a \n chair reading a report. Bock, now in his doctor's coat, is \n hunched over his desk, hands clasped.",
"Bock holds Drummond's coat and hat and crosses to take his \n arm. He finds the entranced Drummond as rigid as a statue.",
"BOCK'S OFFICE\n\n Bock, back at his desk, looks up.\n\n BOCK\n You believe in witchcraft, Miss \n Drummond?"
],
[
"Bock goes in, closes the door behind himself.\n\n DR. EINHORN'S OFFICE\n\n Bock looks only at the floor.",
"BOCK\n Is he in?\n\n The doctor is obviously in. He can be seen through the open \n door sitting at his desk writing in a notebook. Bock leans \n in.",
"The modestly imposing office is lined with medical tomes. \n Bock slips out of his coat and jacket and hangs them in the",
"DR. HERBERT BOCK, 53 years old, a large man, bulky, \n disheveled, apparently fell asleep in a chair while watching",
"BOCK\n Dr. Welbeck is dead. They thought he \n was you.",
"ACROSS to Bock coming out of the TV room, followed by some \n dozen young doctors. Bock is in very good spirits indeed. He \n quizzes his young doctors en route:",
"phone)\n This is Dr. Welbeck. Were you paging \n me?\n (regarding Bock with",
"BOCK\n In short, a man came into this \n hospital in perfectly good health,",
"He strides, followed by Dr. Lagerman, into...\n\n BOCK'S PRIVATE OFFICE\n\n ...and slams the door shut behind him.",
"The doctors exchange a look as Bock rises, moves toward them, \n laughing.",
"Bock cocks his head to him.\n\n DR. MORSE\n What's his name? Drummond?",
"DR. LAGERMAN\n Hi, Herb...\n\n Bock acknowledges him with a brusque nod, storms over to \n Miss Lebow.",
"BOCK\n This is Dr. Bock... Yes, Mrs. \n Christie, what is it? It's all right,",
"He rumbles toward the door. The class of doctors dissolves \n into hospital murmurs and mutters and a general dispersal. \n They follow Bock out to...",
"BOCK\n What do you mean, Ives is dead?\n\n DR. LAGERMAN\n I mean he's dead. He had a heart \n attack in the Emergency Room.",
"BOCK\n I mean, he's killed two doctors and \n a nurse! And he just tried to kill",
"Bock immediately emerges from the pharmacy holding a bottle \n of thorazine and a wrapped hypodermic syringe. He scowls at \n Welbeck, who scowls back.",
"Except, of course, for Bock, who must pause to wait for a \n red light. Bock hustles through the traffic to where Drummond \n stands.",
"BOCK\n Dr. Perry said he picked the \n tuberculosis and the liver nodes for \n today, right?\n\n BRUBAKER\n Yes, sir.",
"doctor, a man in his late forties, wearing a coat similar to \n Bock's. He is DR. LAGERMAN. He looks up from the magazine"
],
[
"lot of people come into this hospital \n in big trouble, Miss Drummond, and \n go out better for the experience. So",
"because she couldn't tell the doctors \n from the patients on the floor? My \n God, the incompetence here is",
"NARRATOR\n On Monday morning, a patient named \n Guernsey, male, middle-seventies was \n admitted to the hospital complaining \n of chest pains.",
"hospital. One of them, a portly \n psychiatrist, explained I was \n generated by an unresolved lust for \n my father. I apparently cracked up.",
"Out of respect for the COMATOSE PATIENT, the ensuing agitated \n scene is held in whispers.",
"Representative of the Hospital, a young woman in her thirties \n named EVELYN BASSEY, who is trying to read a statement,",
"This is the Emergency Room. One of \n the doctors just died of a heart \n attack.",
"the I.V. on the bed had been pinched \n off, and she reported that back to \n Mrs. Reardon, who then assigned Nurse",
"overheard his whole confession and \n just told the Chief Administrator of \n the hospital. They're sending for \n the cops.",
"...and in the other room, a man in his thirties is being \n treated for some sort of head lacerations. In one treatment",
"...where Dr. Sutfcliffe, the beautiful young woman, the \n elderly Indian and the minister are engaged in agitated \n discussion. The girl and the Indian retain their stoic",
"AMBULANCE ATTENDANTS\n (shouting)\n Not breathing! Not breathing!\n\n They hurry into the Admitting Room past a nurse and into \n the...",
"the hospital was the opening scene of the film) is being \n helped into the room by Nurse Felicia Chile. She solicitously \n helps the wispy old man off with his coat and jacket and hat",
"FADE OUT.\n\n FADE IN:\n\n THE HOSPITAL. 6:30 A.M. NEXT MORNING, TUESDAY",
"He moves quickly forward to raise the dead man's eyelid. \n Behind him, a nurse enters. He wheels on her angrily.",
"EMERGENCY ADMITTING AND TREATMENT ROOMS\n\n Ives, seated on a table in evident distress, breathes heavily.",
"the gates and spill across the drive. Some policemen and \n security guards move tentatively out of the hospital to \n intercept them.",
"Two orderlies rush the old man's bed with, of course, the \n old man in it, past the Nurses' Station and into a waiting \n elevator.",
"The orderly detaches himself from his cronies and exits. It \n is into this atmosphere of subdued febrility that William \n Mead is wheeled.",
"The usual E.R. crush and motion goes on in the background. \n Drummond escorts an obviously ill Dr. Ives to the Admitting"
],
[
"MAN\n Those buildings are imperialistic \n extensions of the medical \n establishment. This hospital ought \n to be rebuilding those tenements, \n give those people decent housing.",
"MAN\n The point is that this hospital is \n the landlord for those buildings and \n they should've turned them down.",
"the gates and spill across the drive. Some policemen and \n security guards move tentatively out of the hospital to \n intercept them.",
"in the building came out. The police \n tried to arrest them and, apparently, \n the situation has erupted into a \n riot.",
"He moves quickly forward to raise the dead man's eyelid. \n Behind him, a nurse enters. He wheels on her angrily.",
"Avenue was condemned by the City \n before the hospital acquired \n ownership, and even then, only after \n responsible leaders in the community",
"...where Dr. Sutfcliffe, the beautiful young woman, the \n elderly Indian and the minister are engaged in agitated \n discussion. The girl and the Indian retain their stoic",
"next to it, eight ghetto buildings are being demolished to \n make way -- according to the construction company's sign -- \n for a new Drug Rehabilitation Center, to be completed in",
"people out of those buildings before \n a wall collapses or a fire breaks \n out and we've got a riot on our \n hands!... Okay!",
"All I need do was arrange for the \n doctors to become patients in their \n own hospital. Accordingly, the next",
"and female. For the moment the door is ajar, we see a harried \n Milton Mead being assailed by angry blacks and Puerto Ricans \n and young white activist doctors.",
"From the long tunnels of corridors, nurses, doctors, \n administrative personnel pause in their chores and errands \n and missions to watch the tide of events in the lobby.",
"LONG SHOT of the hospital, now alive and jumping. Taxis pull \n up and out of the large U-shaped drive. A noisy picket line",
"MRS. BASSEY\n (reading)\n ...complete sympathy with the tenants. \n So the hospital has assumed the",
"FADE OUT.\n\n FADE IN:\n\n THE HOSPITAL. 6:30 A.M. NEXT MORNING, TUESDAY",
"CHANTING, SHOUTING. Absolutely no one pays any attention to \n the gaunt, doctor-clad sixty-year-old man standing on an \n island.",
"Out of respect for the COMATOSE PATIENT, the ensuing agitated \n scene is held in whispers.",
"The small army of militants and activists has broken through \n the security into the lobby. Their entrance is greeted by \n one small scream from a woman in the lobby. A LEADER of the \n invading troop calls out.",
"The gathering storm erupts. Rage suffuses Bock's face. Out \n of respect for the hospital corridor and the people working",
"Two orderlies rush the old man's bed with, of course, the \n old man in it, past the Nurses' Station and into a waiting \n elevator."
],
[
"Bock looks up, and they suddenly find their eyes locked. The \n dark, dense air in the room fairly steams with incipient \n sexuality.",
"Bock holds Drummond's coat and hat and crosses to take his \n arm. He finds the entranced Drummond as rigid as a statue.",
"of love. Then slowly over Bock's plunging shoulder to the \n woman's face. She gasps at the moment of penetration, then",
"Bock goes in, closes the door behind himself.\n\n DR. EINHORN'S OFFICE\n\n Bock looks only at the floor.",
"DR. HERBERT BOCK, 53 years old, a large man, bulky, \n disheveled, apparently fell asleep in a chair while watching",
"She senses Bock watching her, turns, smiles. She's a very \n beautiful girl. She returns to the phone.",
"BOCK\n Is he in?\n\n The doctor is obviously in. He can be seen through the open \n door sitting at his desk writing in a notebook. Bock leans \n in.",
"BOCK\n This is Dr. Bock... Yes, Mrs. \n Christie, what is it? It's all right,",
"BOCK\n (who has been staring \n at her as if she \n were insane)\n What the hell am I supposed to say \n to that, Miss Drummond?",
"up almost to her waist and is saved from utter exhibitionism \n only by the darkness of the shadows. She seems unaffected by \n Bock's voyeuristic interest in her, but she is surely not",
"BOCK\n I'm tired, I'm terribly tired, Miss \n Drummond. And I hurt, and I've got \n nothing going for me anymore. Can \n you understand that?",
"BOCK\n You mean she was the one?\n\n LAGERMAN\n That's the one. I just identified \n her.",
"visible. She looks through the half-open door to Bock's \n private office, and there he is, staring blankly at the \n bottle. Barbara starts to say something, thinks better of",
"BOCK\n I think those were more expressions \n of gratitude than love.\n\n BARBARA\n Gratitude for what?",
"phone)\n This is Dr. Welbeck. Were you paging \n me?\n (regarding Bock with",
"BOCK\n So she plugged an I.V. into him.\n\n MRS. CHRISTIE\n Yes.",
"BOCK\n Come and see me.\n (to the patient, \n helping her up)\n Would you sit up for a minute?",
"BOCK\n Dr. Welbeck is dead. They thought he \n was you.",
"Bock immediately emerges from the pharmacy holding a bottle \n of thorazine and a wrapped hypodermic syringe. He scowls at \n Welbeck, who scowls back.",
"The Supervisor of Nurses, Mrs. Christie, is sitting on a \n chair reading a report. Bock, now in his doctor's coat, is \n hunched over his desk, hands clasped."
],
[
"As the small procession bears down, Barbara Drummond slips \n out of that room to intercept them.",
"Barbara Drummond comes in. Bock has apparently turned the \n lights on for her, but Bock himself is not immediately",
"BARBARA\n (in background on \n phone)\n ...Drummond, first name, Barbara. \n I'll pay cash...",
"Drummond in his hospital shift, gaunt and mad as a prophet, \n sits rigidly on his chair. Barbara perches on her father's",
"ROOM 806. DAY\n\n Drummond on his chair. Barbara perched on one side of her \n father's bed, Bock on the other. William Mead sleeps on.",
"comatose and rigged out with I.V.s and catheters. Barbara \n Drummond is packing her father's things into an open one-",
"DRUMMOND\n Her operation -- that is to say, \n Mrs. Mangafranni's operation -- was",
"side of the dividing island. An ambulance attendant has opened \n the back doors to get Drummond in. Barbara hurries toward",
"Barbara unsnaps her father's valise and stuffs Welbeck's \n garments in it. Bock takes Welbeck's coat and piles Drummond's \n things on top of that.",
"DRUMMOND\n So last night, I coshed Miss \n Campanella with a sandbag, sedated",
"BARBARA\n I believe in everything, Doctor.\n\n BOCK\n Like a drink?\n\n BARBARA\n Yes.",
"WELBECK\n (to Mrs. Donovan)\n I'm Dr. Welbeck. I have a patient on \n this floor named Drummond, and I'd \n like to see his chart.",
"BARBARA\n Well, let me put it this way. I love \n you. I fancied you from the first",
"BARBARA\n You're a very tired and very damaged \n man. You've had a hideous marriage",
"BARBARA\n Thank you.\n\n Bock exits. Barbara edges past Weitzenbaum, who is still \n peeking into the room.",
"in his other hand. Barbara is perfectly framed in the doorway. \n He stares at her, slowly suffusing with the numb, blind,",
"Barbara comes in, gathers her coat and purse from a chair \n and moves to the Indian, now occupied with what seems to be",
"DRUMMOND\n (off-screen)\n ...perhaps even Christ Himself.",
"BOCK\n (who has been staring \n at her as if she \n were insane)\n What the hell am I supposed to say \n to that, Miss Drummond?",
"whose eyes now open; he has heard it all. In background, \n Drummond, suddenly released from his catatonic trance, heads"
],
[
"Barbara Drummond comes in. Bock has apparently turned the \n lights on for her, but Bock himself is not immediately",
"As the small procession bears down, Barbara Drummond slips \n out of that room to intercept them.",
"BARBARA\n (in background on \n phone)\n ...Drummond, first name, Barbara. \n I'll pay cash...",
"Drummond in his hospital shift, gaunt and mad as a prophet, \n sits rigidly on his chair. Barbara perches on her father's",
"ROOM 806. DAY\n\n Drummond on his chair. Barbara perched on one side of her \n father's bed, Bock on the other. William Mead sleeps on.",
"comatose and rigged out with I.V.s and catheters. Barbara \n Drummond is packing her father's things into an open one-",
"side of the dividing island. An ambulance attendant has opened \n the back doors to get Drummond in. Barbara hurries toward",
"DRUMMOND\n Her operation -- that is to say, \n Mrs. Mangafranni's operation -- was",
"DRUMMOND\n So last night, I coshed Miss \n Campanella with a sandbag, sedated",
"WELBECK\n (to Mrs. Donovan)\n I'm Dr. Welbeck. I have a patient on \n this floor named Drummond, and I'd \n like to see his chart.",
"Barbara unsnaps her father's valise and stuffs Welbeck's \n garments in it. Bock takes Welbeck's coat and piles Drummond's \n things on top of that.",
"Barbara comes in, gathers her coat and purse from a chair \n and moves to the Indian, now occupied with what seems to be",
"BARBARA\n I believe in everything, Doctor.\n\n BOCK\n Like a drink?\n\n BARBARA\n Yes.",
"whose eyes now open; he has heard it all. In background, \n Drummond, suddenly released from his catatonic trance, heads",
"DRUMMOND\n (off-screen)\n ...perhaps even Christ Himself.",
"The ambulance pulls up and Barbara gets out of it.\n\n BARBARA\n (taking her father \n around to the back)\n We have to hurry, Dad.",
"DRUMMOND\n I got up, wheeled Miss Campanella \n off to the operating rooms, replaced",
"BOCK\n (who has been staring \n at her as if she \n were insane)\n What the hell am I supposed to say \n to that, Miss Drummond?",
"Drummond turns to the voice. CAMERA PULLS BACK to include \n the man who had been brought into the E.R. by a uniformed \n cop.",
"Drummond's eyes open and roll to the direction of the voice."
],
[
"BOCK\n Dr. Welbeck is dead. They thought he \n was you.",
"BOCK\n I mean, he's killed two doctors and \n a nurse! And he just tried to kill",
"Barbara helps Bock get Welbeck's dead weight onto the floor. \n On his knees, Bock straddles Welbeck's prone form, balls his",
"BOCK\n What do you mean, Ives is dead?\n\n DR. LAGERMAN\n I mean he's dead. He had a heart \n attack in the Emergency Room.",
"BARBARA\n Thank you.\n\n Bock exits. Barbara edges past Weitzenbaum, who is still \n peeking into the room.",
"BARBARA\n Sounds to me like a familiar case of \n morbid menopause.\n\n BOCK\n Oh Christ.",
"BOCK\n (regarding Schaefer's \n rigid death mask)\n As I understand it, one of the nurses",
"BARBARA\n Yes, of course.\n\n BOCK\n Then can you understand that the \n only admissable matter left is death?",
"ROOM 806\n\n Bock and Barbara slip through doctors and nurses, heading \n for the door.",
"BARBARA\n Rubbish.\n\n With a crash of his fist on the desktop, Bock stands; he is \n in a drunken rage.",
"BARBARA\n Yes. I still have to arrange an \n ambulance service. Is there a phone \n around I could use?\n\n BOCK\n Use my office.",
"Bock, Lagerman and Hitchcock have gathered across the shrouded \n figure of Dr. Ives on a stretcher. We are in the lab section",
"visible. She looks through the half-open door to Bock's \n private office, and there he is, staring blankly at the \n bottle. Barbara starts to say something, thinks better of",
"BOCK\n In short, a man came into this \n hospital in perfectly good health,",
"Bock and Barbara remain at the window with heart-resuscitation \n team in background. Barbara slips into her own coat, in \n preparation for escape.",
"While all this goes on, Bock and Barbara have picked up the \n remnants of Welbeck's jacket, trousers, shirt and underwear.",
"Bock and Barbara hurry toward the elevators.\n\n THE HOSPITAL, HOLLY PAVILION, LOBBY",
"BARBARA\n (who's been slipping \n into the nurse's \n uniform)\n Yeah?\n\n BOCK\n Yeah.",
"Covered by Bock's overcoat, Barbara tosses and turns on the \n couch in a small nightmare. Through the windows comes the",
"Bock looks across to Barbara, now helping out at the max \n cart. She looks back at Bock. She shrugs. He shrugs. They \n exchange a smile."
],
[
"Bock goes in, closes the door behind himself.\n\n DR. EINHORN'S OFFICE\n\n Bock looks only at the floor.",
"BOCK\n Is he in?\n\n The doctor is obviously in. He can be seen through the open \n door sitting at his desk writing in a notebook. Bock leans \n in.",
"phone)\n This is Dr. Welbeck. Were you paging \n me?\n (regarding Bock with",
"Bock cocks his head to him.\n\n DR. MORSE\n What's his name? Drummond?",
"The modestly imposing office is lined with medical tomes. \n Bock slips out of his coat and jacket and hangs them in the",
"doctor, a man in his late forties, wearing a coat similar to \n Bock's. He is DR. LAGERMAN. He looks up from the magazine",
"BOCK\n This is Dr. Bock... Yes, Mrs. \n Christie, what is it? It's all right,",
"He strides, followed by Dr. Lagerman, into...\n\n BOCK'S PRIVATE OFFICE\n\n ...and slams the door shut behind him.",
"DR. HERBERT BOCK, 53 years old, a large man, bulky, \n disheveled, apparently fell asleep in a chair while watching",
"The doctors exchange a look as Bock rises, moves toward them, \n laughing.",
"BOCK\n Dr. Welbeck is dead. They thought he \n was you.",
"BOCK\n What do you mean, Ives is dead?\n\n DR. LAGERMAN\n I mean he's dead. He had a heart \n attack in the Emergency Room.",
"ACROSS to Bock coming out of the TV room, followed by some \n dozen young doctors. Bock is in very good spirits indeed. He \n quizzes his young doctors en route:",
"DR. LAGERMAN\n Hi, Herb...\n\n Bock acknowledges him with a brusque nod, storms over to \n Miss Lebow.",
"BOCK\n Yes, his name's Drummond. That's his \n chart.\n\n Straining under the effort, the three doctors get Welbeck \n off the floor.",
"BOCK\n I mean, he's killed two doctors and \n a nurse! And he just tried to kill",
"BOCK'S OFFICE\n\n Bock, back at his desk, looks up.\n\n BOCK\n You believe in witchcraft, Miss \n Drummond?",
"BOCK\n In short, a man came into this \n hospital in perfectly good health,",
"The Supervisor of Nurses, Mrs. Christie, is sitting on a \n chair reading a report. Bock, now in his doctor's coat, is \n hunched over his desk, hands clasped.",
"The staff elevator doors open and Bock comes out, wearing \n his long white doctor's coat unbuttoned. Hanging about the"
],
[
"BOCK\n Is he in?\n\n The doctor is obviously in. He can be seen through the open \n door sitting at his desk writing in a notebook. Bock leans \n in.",
"Bock goes in, closes the door behind himself.\n\n DR. EINHORN'S OFFICE\n\n Bock looks only at the floor.",
"The modestly imposing office is lined with medical tomes. \n Bock slips out of his coat and jacket and hangs them in the",
"He rumbles toward the door. The class of doctors dissolves \n into hospital murmurs and mutters and a general dispersal. \n They follow Bock out to...",
"...where Dr. Joseph Lagerman, Head of Nephrology, perhaps \n remembered from an earlier scene, has been waiting for Bock. \n He joins them en route to the elevators.",
"phone)\n This is Dr. Welbeck. Were you paging \n me?\n (regarding Bock with",
"He strides, followed by Dr. Lagerman, into...\n\n BOCK'S PRIVATE OFFICE\n\n ...and slams the door shut behind him.",
"BOCK\n In short, a man came into this \n hospital in perfectly good health,",
"Bock immediately emerges from the pharmacy holding a bottle \n of thorazine and a wrapped hypodermic syringe. He scowls at \n Welbeck, who scowls back.",
"through the background, followed by the band of young doctors \n now dispersing. Bock crosses past the foreground group to \n the staff elevator. He pushes the button. Brubaker approaches",
"A corridor of offices. This is the Department of Medicine, \n where Bock and all the senior staff members of the department",
"BOCK\n What do you mean, Ives is dead?\n\n DR. LAGERMAN\n I mean he's dead. He had a heart \n attack in the Emergency Room.",
"ROOM 819\n\n Past two beds, they group around the foot of a third bed on \n the right side of the room. Bock checks the patient lying in \n the bed.",
"The elevator door opens. Out comes Bock, overcoat unbuttoned \n now. He clumps to the Nurses' Station. An unusual number of",
"He heads for the Nurses' Station as Nurse Devine comes down \n the west corridor. Bock grunts at Mrs. Dunne and goes into...\n\n PHARMACY",
"Bock moves past Mrs. Donovan and into the pharmacy where we \n see him scouring the shelves for thorazine and a syringe. An",
"The doctors exchange a look as Bock rises, moves toward them, \n laughing.",
"ACROSS to Bock coming out of the TV room, followed by some \n dozen young doctors. Bock is in very good spirits indeed. He \n quizzes his young doctors en route:",
"Bock moves quickly to the prostrate Welbeck, feels his throat \n for the carotid pulse, pulls out his stethoscope, rips",
"Except, of course, for Bock, who must pause to wait for a \n red light. Bock hustles through the traffic to where Drummond \n stands."
],
[
"Avenue was condemned by the City \n before the hospital acquired \n ownership, and even then, only after \n responsible leaders in the community",
"MAN\n Those buildings are imperialistic \n extensions of the medical \n establishment. This hospital ought \n to be rebuilding those tenements, \n give those people decent housing.",
"MAN\n The point is that this hospital is \n the landlord for those buildings and \n they should've turned them down.",
"next to it, eight ghetto buildings are being demolished to \n make way -- according to the construction company's sign -- \n for a new Drug Rehabilitation Center, to be completed in",
"The Hospital was founded in the late 19th century, and there \n are still a few begrimed Victorian Bedlams and Bastilles",
"responsibility of finding 400 housing \n units in good buildings. The hospital \n wishes to point out that this \n particular row of buildings on First",
"He moves quickly forward to raise the dead man's eyelid. \n Behind him, a nurse enters. He wheels on her angrily.",
"LONG SHOT of the hospital, now alive and jumping. Taxis pull \n up and out of the large U-shaped drive. A noisy picket line",
"Drummond in his hospital shift, gaunt and mad as a prophet, \n sits rigidly on his chair. Barbara perches on her father's",
"MILTON MEAD\n There are no private rooms available. \n If they brought in Jesus Christ fresh \n off the cross, I couldn't get Him a \n private room.",
"Designed to hold patients who've been examined and wait to \n be admitted to a room upstairs, it's in fact used for",
"Two orderlies rush the old man's bed with, of course, the \n old man in it, past the Nurses' Station and into a waiting \n elevator.",
"She turns to Mitgang. Something bothers her about the first \n patient. She finds Mitgang's chart tucked in under his pillow, \n takes out her pencil.",
"All I need do was arrange for the \n doctors to become patients in their \n own hospital. Accordingly, the next",
"AMBLER\n We, the members of the Doctors \n Liberation Committee indict this \n hospital for the criminal neglect of",
"EIGHTH FLOOR CORRIDOR\n\n The elevator door opens. Two orderlies wheel the sleeping \n man on his bed back around the Nurses' Station and down the \n corridor to his room.",
"MRS. BASSEY\n (reading)\n ...complete sympathy with the tenants. \n So the hospital has assumed the",
"this hospital, they either died of a \n heart attack in Emergency or of \n anesthesia shock in an operating \n room.",
"PAN SLOWLY across the Emergency Room to catch its state of \n contained febrility. Every curtained treatment room is",
"Mead is wheeled down the corridor by the orderly. At the far \n end, an anesthetized patient, blue in the harsh light, fresh \n from surgery, is being wheeled into a recovery room."
],
[
"As the small procession bears down, Barbara Drummond slips \n out of that room to intercept them.",
"Drummond in his hospital shift, gaunt and mad as a prophet, \n sits rigidly on his chair. Barbara perches on her father's",
"The ambulance pulls up and Barbara gets out of it.\n\n BARBARA\n (taking her father \n around to the back)\n We have to hurry, Dad.",
"Barbara Drummond comes in. Bock has apparently turned the \n lights on for her, but Bock himself is not immediately",
"side of the dividing island. An ambulance attendant has opened \n the back doors to get Drummond in. Barbara hurries toward",
"ROOM 806. DAY\n\n Drummond on his chair. Barbara perched on one side of her \n father's bed, Bock on the other. William Mead sleeps on.",
"comatose and rigged out with I.V.s and catheters. Barbara \n Drummond is packing her father's things into an open one-",
"DRUMMOND\n (off-screen)\n He had at that time perhaps an hour \n to live. Prompt treatment would have \n saved his life.\n\n They go into the...",
"The usual E.R. crush and motion goes on in the background. \n Drummond escorts an obviously ill Dr. Ives to the Admitting",
"Drummond, abashed, stands there, a scolded schoolboy, a \n rawboned figure in a hospital shift, a stethoscope dangling \n from his right hand.",
"Barbara unsnaps her father's valise and stuffs Welbeck's \n garments in it. Bock takes Welbeck's coat and piles Drummond's \n things on top of that.",
"Drummond turns to the voice. CAMERA PULLS BACK to include \n the man who had been brought into the E.R. by a uniformed \n cop.",
"and back to Mexico where they live. \n The patient's name is Drummond. He's \n apparently a Methodist missionary,",
"They head for the unoccupied bed. CLOSE-UP on Drummond's \n profile.\n\n ROOM 806",
"Bock and Barbara hurry toward the elevators.\n\n THE HOSPITAL, HOLLY PAVILION, LOBBY",
"Drummond pauses in his strangling and, releasing the poor \n man altogether, turns to his daughter in the doorway.",
"DRUMMOND\n I got up, wheeled Miss Campanella \n off to the operating rooms, replaced",
"Welbeck himself. Barbara and Dr. Biegelman go into the \n elevator. The doors close. Milton Mead and Hitchcock head",
"raised. He shuffles to Drummond's bedside and looks down on \n him from his frail height.",
"BARBARA\n (in background on \n phone)\n ...Drummond, first name, Barbara. \n I'll pay cash..."
],
[
"Bock goes in, closes the door behind himself.\n\n DR. EINHORN'S OFFICE\n\n Bock looks only at the floor.",
"BOCK\n Is he in?\n\n The doctor is obviously in. He can be seen through the open \n door sitting at his desk writing in a notebook. Bock leans \n in.",
"BOCK\n This is Dr. Bock... Yes, Mrs. \n Christie, what is it? It's all right,",
"visible. She looks through the half-open door to Bock's \n private office, and there he is, staring blankly at the \n bottle. Barbara starts to say something, thinks better of",
"The modestly imposing office is lined with medical tomes. \n Bock slips out of his coat and jacket and hangs them in the",
"phone)\n This is Dr. Welbeck. Were you paging \n me?\n (regarding Bock with",
"Barbara Drummond comes in. Bock has apparently turned the \n lights on for her, but Bock himself is not immediately",
"BOCK'S OFFICE\n\n Bock, back at his desk, looks up.\n\n BOCK\n You believe in witchcraft, Miss \n Drummond?",
"Bock makes a vague noise, neither contradicting her nor \n assenting, and continues around her into...\n\n ROOM 806",
"He strides, followed by Dr. Lagerman, into...\n\n BOCK'S PRIVATE OFFICE\n\n ...and slams the door shut behind him.",
"BOCK\n Come and see me.\n (to the patient, \n helping her up)\n Would you sit up for a minute?",
"She returns the receiver to its cradle. When she looks up \n again, Bock is no longer there. She returns the flight tickets",
"BOCK\n Dr. Welbeck is dead. They thought he \n was you.",
"up almost to her waist and is saved from utter exhibitionism \n only by the darkness of the shadows. She seems unaffected by \n Bock's voyeuristic interest in her, but she is surely not",
"The Supervisor of Nurses, Mrs. Christie, is sitting on a \n chair reading a report. Bock, now in his doctor's coat, is \n hunched over his desk, hands clasped.",
"She slips into her coat and exits, as Bock looks after her \n thoughtfully, then turns back to his own office.\n\n BOCK'S OFFICE",
"out. She and Bock stare at each other. In background, Welbeck \n is on the phone at the Nurses' Station.",
"BOCK\n (who has been staring \n at her as if she \n were insane)\n What the hell am I supposed to say \n to that, Miss Drummond?",
"BOCK\n What do you mean, Ives is dead?\n\n DR. LAGERMAN\n I mean he's dead. He had a heart \n attack in the Emergency Room.",
"The doctors exchange a look as Bock rises, moves toward them, \n laughing."
],
[
"He's already killed two doctors and \n one nurse.",
"NURSE PEREZ\n Listen, did you know Doctor Schaefer \n was in Eight-O-Six, because he's \n dead?",
"BARBARA\n What do you mean he killed two doctors \n and a nurse?",
"He moves quickly forward to raise the dead man's eyelid. \n Behind him, a nurse enters. He wheels on her angrily.",
"There is, of course, no response. A terrible suspicion enters \n Nurse Perez's mind, and she closes her eyes and sighs a long",
"BOCK\n I mean, he's killed two doctors and \n a nurse! And he just tried to kill",
"taking Nurse Weitzenbaum out with her and closing the door. \n The room is dark and hushed again. Blacktree lights his \n cigarette and \"sends the smoke up,\" a ritual which consists",
"This is the Emergency Room. One of \n the doctors just died of a heart \n attack.",
"died last night in Eight-O-Six, but \n that information wasn't given to the \n night nurses. These things happen.",
"NURSE PEREZ\n I'm just telling you, Dr. Schaefer \n is dead.",
"is meaningful.\" Then I came in this \n morning and find out one of my doctors \n was killed by a couple of nurses who",
"BOCK\n What do you mean, she died on the \n operating table in O.R. Three?\n\n They hurry down the corridor to the elevators.",
"the I.V. on the bed had been pinched \n off, and she reported that back to \n Mrs. Reardon, who then assigned Nurse",
"this hospital, they either died of a \n heart attack in Emergency or of \n anesthesia shock in an operating \n room.",
"He rumbles toward the door. The class of doctors dissolves \n into hospital murmurs and mutters and a general dispersal. \n They follow Bock out to...",
"AMBULANCE ATTENDANTS\n (shouting)\n Not breathing! Not breathing!\n\n They hurry into the Admitting Room past a nurse and into \n the...",
"her bed with Mrs. Mangafranni's, \n exchanged charts and identity \n bracelets. She died officially of",
"other words, Nurse Perez went in and \n sedated Dr. Schaefer thinking it was \n the patient Guernsey. My God! What I",
"this, Herb. She died on the operating \n table in O. R. Three about an hour \n ago.",
"The Supervisor of Nurses, Mrs. Christie, is sitting on a \n chair reading a report. Bock, now in his doctor's coat, is \n hunched over his desk, hands clasped."
],
[
"Avenue was condemned by the City \n before the hospital acquired \n ownership, and even then, only after \n responsible leaders in the community",
"MAN\n Those buildings are imperialistic \n extensions of the medical \n establishment. This hospital ought \n to be rebuilding those tenements, \n give those people decent housing.",
"POLICE CAPTAIN\n I repeat. I'm asking you to come out \n peacefully. These buildings are \n condemned and unfit for habitation.",
"MAN\n The point is that this hospital is \n the landlord for those buildings and \n they should've turned them down.",
"MRS. BASSEY\n (reading)\n ...complete sympathy with the tenants. \n So the hospital has assumed the",
"AMBLER\n We, the members of the Doctors \n Liberation Committee indict this \n hospital for the criminal neglect of",
"three black families, carrying children, and children carrying \n household effects, mattresses, pots, pans, bags of groceries, \n etc., are repossessing the condemned buildings.",
"Out of respect for the COMATOSE PATIENT, the ensuing agitated \n scene is held in whispers.",
"the gates and spill across the drive. Some policemen and \n security guards move tentatively out of the hospital to \n intercept them.",
"They gather in anticipation outside O.R. Three and peer over \n each other's shoulders into the room where the operating",
"Two orderlies rush the old man's bed with, of course, the \n old man in it, past the Nurses' Station and into a waiting \n elevator.",
"people out of those buildings before \n a wall collapses or a fire breaks \n out and we've got a riot on our \n hands!... Okay!",
"Welbeck advances on William Mead's bed, since he is the only \n patient in the room. (Hitchcock is on the phone.)",
"From the long tunnels of corridors, nurses, doctors, \n administrative personnel pause in their chores and errands \n and missions to watch the tide of events in the lobby.",
"...where Dr. Sutfcliffe, the beautiful young woman, the \n elderly Indian and the minister are engaged in agitated \n discussion. The girl and the Indian retain their stoic",
"Bock and Barbara hurry toward the elevators.\n\n THE HOSPITAL, HOLLY PAVILION, LOBBY",
"He moves quickly forward to raise the dead man's eyelid. \n Behind him, a nurse enters. He wheels on her angrily.",
"Two or three people besides the elevator operator are there, \n as well as a patient on a stretcher and an orderly.",
"EMERGENCY ADMITTING AND TREATMENT ROOMS\n\n Ives, seated on a table in evident distress, breathes heavily.",
"through the background, followed by the band of young doctors \n now dispersing. Bock crosses past the foreground group to \n the staff elevator. He pushes the button. Brubaker approaches"
],
[
"He's already killed two doctors and \n one nurse.",
"BOCK\n I mean, he's killed two doctors and \n a nurse! And he just tried to kill",
"BARBARA\n What do you mean he killed two doctors \n and a nurse?",
"taking Nurse Weitzenbaum out with her and closing the door. \n The room is dark and hushed again. Blacktree lights his \n cigarette and \"sends the smoke up,\" a ritual which consists",
"He moves quickly forward to raise the dead man's eyelid. \n Behind him, a nurse enters. He wheels on her angrily.",
"he gets up and puts on a doctor's \n uniform, and he goes out, and he \n murders doctors! He just went out",
"through the background, followed by the band of young doctors \n now dispersing. Bock crosses past the foreground group to \n the staff elevator. He pushes the button. Brubaker approaches",
"BOCK\n Let him go. Before we kill him.\n\n The elevator door opens. A couple of nurses come out. Bock \n strides in.",
"The Supervisor of Nurses, Mrs. Christie, is sitting on a \n chair reading a report. Bock, now in his doctor's coat, is \n hunched over his desk, hands clasped.",
"other words, Nurse Perez went in and \n sedated Dr. Schaefer thinking it was \n the patient Guernsey. My God! What I",
"There is, of course, no response. A terrible suspicion enters \n Nurse Perez's mind, and she closes her eyes and sighs a long",
"Schaefer. Mrs. Christie is instructing the two nurses.",
"Two orderlies rush the old man's bed with, of course, the \n old man in it, past the Nurses' Station and into a waiting \n elevator.",
"NURSE PEREZ\n Listen, did you know Doctor Schaefer \n was in Eight-O-Six, because he's \n dead?",
"He rumbles toward the door. The class of doctors dissolves \n into hospital murmurs and mutters and a general dispersal. \n They follow Bock out to...",
"Welbeck himself. Barbara and Dr. Biegelman go into the \n elevator. The doors close. Milton Mead and Hitchcock head",
"Nurse Weitzenbaum opens the door of the room and peeks in. \n At the stairway exit, Bock pauses to look back at all the \n women in front of Room 806.",
"Mrs. Kimball, Mrs. Christie, Hitchcock and Sloan push through \n the glass doors to the crossroads of the operating rooms. \n Through each window, we see operating crews hacking away.",
"uniform and has gone out to do God's \n work, presumably the murder of Dr. \n Welbeck. Except, that fellow on the",
"...where Dr. Sutfcliffe, the beautiful young woman, the \n elderly Indian and the minister are engaged in agitated \n discussion. The girl and the Indian retain their stoic"
],
[
"BOCK\n Is he in?\n\n The doctor is obviously in. He can be seen through the open \n door sitting at his desk writing in a notebook. Bock leans \n in.",
"Bock goes in, closes the door behind himself.\n\n DR. EINHORN'S OFFICE\n\n Bock looks only at the floor.",
"The modestly imposing office is lined with medical tomes. \n Bock slips out of his coat and jacket and hangs them in the",
"BOCK\n In short, a man came into this \n hospital in perfectly good health,",
"He rumbles toward the door. The class of doctors dissolves \n into hospital murmurs and mutters and a general dispersal. \n They follow Bock out to...",
"phone)\n This is Dr. Welbeck. Were you paging \n me?\n (regarding Bock with",
"He strides, followed by Dr. Lagerman, into...\n\n BOCK'S PRIVATE OFFICE\n\n ...and slams the door shut behind him.",
"BOCK\n What do you mean, Ives is dead?\n\n DR. LAGERMAN\n I mean he's dead. He had a heart \n attack in the Emergency Room.",
"The doctors exchange a look as Bock rises, moves toward them, \n laughing.",
"The elevator door opens. Out comes Bock, overcoat unbuttoned \n now. He clumps to the Nurses' Station. An unusual number of",
"...where Dr. Joseph Lagerman, Head of Nephrology, perhaps \n remembered from an earlier scene, has been waiting for Bock. \n He joins them en route to the elevators.",
"A corridor of offices. This is the Department of Medicine, \n where Bock and all the senior staff members of the department",
"Bock immediately emerges from the pharmacy holding a bottle \n of thorazine and a wrapped hypodermic syringe. He scowls at \n Welbeck, who scowls back.",
"BOCK\n Psychiatry.\n (suddenly stands)\n Never mind. I'll look in myself.\n\n He lumbers across the room and out into...",
"BOCK\n I mean, he's killed two doctors and \n a nurse! And he just tried to kill",
"ACROSS to Bock coming out of the TV room, followed by some \n dozen young doctors. Bock is in very good spirits indeed. He \n quizzes his young doctors en route:",
"BOCK\n And now you come to me with this \n gothic horror story in which the \n entire machinery of modern medicine",
"DR. HERBERT BOCK, 53 years old, a large man, bulky, \n disheveled, apparently fell asleep in a chair while watching",
"The gathering storm erupts. Rage suffuses Bock's face. Out \n of respect for the hospital corridor and the people working",
"The Supervisor of Nurses, Mrs. Christie, is sitting on a \n chair reading a report. Bock, now in his doctor's coat, is \n hunched over his desk, hands clasped."
],
[
"DRUMMOND\n (off-screen)\n He had at that time perhaps an hour \n to live. Prompt treatment would have \n saved his life.\n\n They go into the...",
"DRUMMOND\n I was merely an instrument of God. I \n killed no one. They all three died",
"DRUMMOND\n (voice-off)\n ...simply... forgotten to death. \n Simply mislaid...\n\n CAMERA JUST STARES at the pageant of pain.",
"DRUMMOND\n (voice-off)\n ...and then he was promptly...",
"DRUMMOND\n So last night, I coshed Miss \n Campanella with a sandbag, sedated",
"DRUMMOND\n (off-screen)\n He was relentlessly subjected to the \n benefits of modern medicine. He was",
"whose eyes now open; he has heard it all. In background, \n Drummond, suddenly released from his catatonic trance, heads",
"DRUMMOND\n (off-screen)\n Our Savior was, it seems, suffering \n from emphysema.",
"BOCK\n Yes, his name's Drummond. That's his \n chart.\n\n Straining under the effort, the three doctors get Welbeck \n off the floor.",
"Drummond pauses in his strangling and, releasing the poor \n man altogether, turns to his daughter in the doorway.",
"Drummond in his hospital shift, gaunt and mad as a prophet, \n sits rigidly on his chair. Barbara perches on her father's",
"He keels over like a felled tree, falling face-up on \n Drummond's bed, his legs dangling to the floor. William Mead \n promptly hides his head under his sheet.",
"HITCHCOCK\n Was it Drummond?\n\n MRS. DONOVAN\n Who else would it be?\n\n Hitchcock silently thanks God.",
"WELBECK\n (to Mrs. Donovan)\n I'm Dr. Welbeck. I have a patient on \n this floor named Drummond, and I'd \n like to see his chart.",
"DRUMMOND\n (voice-off)\n ...which revealed occasional \n ventricular premature contractions. \n An intern took his history...",
"DRUMMOND\n (off-screen)\n ...perhaps even Christ Himself.",
"Drummond, abashed, stands there, a scolded schoolboy, a \n rawboned figure in a hospital shift, a stethoscope dangling \n from his right hand.",
"DRUMMOND\n (voice-off)\n His vital signs were taken, an \n electrocardiogram...",
"Drummond turns to the voice. CAMERA PULLS BACK to include \n the man who had been brought into the E.R. by a uniformed \n cop.",
"DRUMMOND\n (voice-off)\n ...mislaid among the broken wrists,"
]
] |
[
"WHAT WAS THE ANNEXATION PLANS FOR AN ADJACENT APARTMENT BUILDING?",
"WHAT WAS DR. BOCK'S RELATIONSHIP WITH HIS WIFE?",
"WHAT WERE THE HOSPITAL DEATHS OF TWO DOCTORS AND A NURSE ATTRIBUTED TO?",
"WHAT WERE THE DEMANDS OF THE ANNEXATION PROTESTORS?",
"HOW DO BARBARA DRUMMOND AND DR BOCK MEET?",
"WHAT MEDICAL CONDITION DID DR BOCK COMPLAIN OF?",
"WHAT AIRPORT DID BARBARA DRUMMOND BRING HER FATHER TO ESCAPE BACK TO MEXICO?",
"HOW COULD DRUMMOND'S VICTIMS HAVE BEEN SAVED?",
"What was Dr Bock position?",
"Where did Dr Bock worked?",
"What was the incident the hospital was dealing with?",
"What did the occupants of the building next to the hospital demanded?",
"Who did Dr Bock fell in love with?",
"Who was Barbara Drummond?",
"Where was Barbara Drummond came from?",
"How did Dr Bock and Barbara covered up the deaths in the hospital?",
"What is Dr. Bock's job titile?",
"Where is the hospital where Dr. Bock works located?",
"Why does the hospital want to annex the condemned building next door?",
"From where did Barbara Drummond and her father travel to the hospital?",
"Where is Dr. Bock's wife?",
"To what are the recent deaths of two doctors and a nurse at the hospital attributed?",
"What do the occupants of the condemned building want from the hospital?",
"Who initiates the death of two doctors and a nurse?",
"What is the type of hospital where Dr. Bock works?",
"How could Drummond's victims have been saved?"
] |
[
[
"A DRUG REHABILITATION CENTER",
"To become a drug rehab."
],
[
"SHE LEFT HIM",
"She left him."
],
[
"FAILURE TO PROVIDE ACCURATE TREATMENT",
"Coincidental or unavoidable failures to provide proper treatment."
],
[
"TO FIND ADEQUATE HOUSING FOR THE CURRENT APARTMENT BUILDING'S RESIDENTS",
"An adjacent and decrepit apartmant buikding."
],
[
"WHEN SHE BRINGS IN HER FATHER FROM MEXICO FOR TREATMENT AT THE HOSPITAL.",
"She is a patient's daughter."
],
[
"IMPOTENCE",
"impotence"
],
[
"JFK",
"JFK"
],
[
"IF THEY RECEIVED PROMPT ACCURATE TREATMENT",
"If they received the right treatment right away "
],
[
"Chief of Medicine",
"Chief Of Medicine."
],
[
"Manhattan teaching hospital",
"A Manhattan hospital "
],
[
"The unexplain deaths of two doctors and a nurse.",
"death of two doctors and a nurse"
],
[
"They wanted a replacement housing",
"That they get replacement housing."
],
[
"Barbara Drummond",
"Barbara Drummond"
],
[
"Barbara Drummond was a patient's daughter",
"a patients daughter, that came with her father from mexico for his treatmant."
],
[
"Mexico",
"Mexico"
],
[
"They used an accidental death of a doctor to covered Drummond tracks.",
"a final accidental death of a docter."
],
[
"He is the Chief of Medicine.",
"Chief of Medicine. "
],
[
"In Manhattan.",
"Manhattan"
],
[
"To use the space for a drug rehabilitation center.",
"to make it a drug rehab center"
],
[
"Mexico.",
"Mexico. "
],
[
"She left him.",
"she left him."
],
[
"Failure to provide the correct treatment.",
"Coincidental or unavoidable failures to provide proper treatment. "
],
[
"They demand to be provided with replacement housing.",
"replacement housing"
],
[
"Barbara Drummond's father.",
"Barnard Hughes"
],
[
"It is a teaching hospital.",
"teaching hospital"
],
[
"If they had received the correct mediacal treatment in a timely manner.",
"They would have been saved if theyd recieved prompt and appropriate treatment."
]
] |
061c5dd1dc117e3161f1f0a7794b807932ef4675
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[["PASTOR: Now the ribbon, Anna.\nAnna goes toward the two children, tying a white ribbon\naround Ma(...TRUNCATED)
| ["What does the pastor make the children wear as a reminder of the innocence in which they had stray(...TRUNCATED)
| [["White ribbon","White ribbon"],["one year","One year"],["Harvest Festival","the harvest festival"](...TRUNCATED)
|
0c159ba273b7078c2fcd87edb32016c97e699b55
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train
|
[["\"Bunny,\" said Raffles, \"this is fame at last! It is no longer\nnotoriety; it lifts one out of(...TRUNCATED)
| ["What was Raffles famous for?","What does Raffles say he was asked about for?","Where were Raffles (...TRUNCATED)
| [["Cricket","cricket"],["cricket","my cricketts"],["an ocean voyage","On an ocean voyage."],["drowne(...TRUNCATED)
|
11ac9bf7f55ee9d40df3c0ba117c6914dd6ed9e6
|
train
|
[["Carl heads over to the refreshment table. Once he's out of\n her sight, he sits down alo(...TRUNCATED)
| ["Why has Carl become withdrawn?","What type of transporation does Allison have?","Why does Carl go (...TRUNCATED)
| [["Because of his divorce","From his divorce."],["She has a scooter","Allison has a scooter."],["Bec(...TRUNCATED)
|
16d75b7fbd36243f7315988d26324a1e6e0155ad
|
train
|
[["ANTON, unaware of what he's done, disappears through the\n mirror as DOCTOR PARNASSUS crashes(...TRUNCATED)
| ["What feature changed when the drunk crashed through a stage mirror?","How many souls did Parnassus(...TRUNCATED)
| [["His face","his face "],["12","12"],["Immortality","immortality"],["A golden pipe","golden pipe"],(...TRUNCATED)
|
1b3fb96b3e151a856c7846d05cfca170408dce08
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train
|
[["This incident caused a considerable change in Harry's position in\nthe family. Previously he had (...TRUNCATED)
| ["The Marquis was taken with Harry right away but it took the rest the family a lot longer to adjust(...TRUNCATED)
| [["Harry did not dress as elegantly as the rest of the family and his manners were rough and course.(...TRUNCATED)
|
216a7a5535571aae2842944a3529fae1f664cb0f
|
train
|
[["COLE\n\t\tDr. Crowe.\n\n\t\t\t MALCOLM\n\t\tYes.","A long pause.\n\n\t\t\t COLE\n\t\tDr. (...TRUNCATED)
| ["What is the name of Dr. Crowe's wife?","Who shoots Dr. Crowe?","Who is patient that Dr. Crowe feel(...TRUNCATED)
| [["Anna","Anna"],["Vincent Grey","Vincent Grey"],["Cole Sear","Cole Sear. "],["Nine years old","9"],(...TRUNCATED)
|
27ad3a0a84489109ca5d3cc4bf3b8b74a7b8ed9a
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train
|
[["WELL-DRESSED BUREAUCRAT\n Dr. Kelvin?\n\nThe Man he is addressing, who we now understand(...TRUNCATED)
| ["Who is the scientist approached by emmisaries of the corporation?","Why is the scientist approache(...TRUNCATED)
| [["Dr, Chris Kelvin is approached.","Dr. Chris Kelvin"],["He is given a message from his friend to c(...TRUNCATED)
|
2e24e035fddb9b96430c9bb2cf45d44facac6fc8
|
train
|
[["The trapper drew slowly aside, as if satisfied with the somewhat\nincoherent reason Ellen had giv(...TRUNCATED)
| ["Why did the Trapper leave New York?","How did the immigrants become stranded?","Why did the Trappe(...TRUNCATED)
| [["To find a place where there were more trees.","find a place where he cannot hear people"],["A gro(...TRUNCATED)
|
33beeecef8e727e7cf85f29acb4db7e3cc683c95
|
train
|
End of preview. Expand
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