text
sequencelengths 25
48
| questions
sequencelengths 25
48
| answers
sequencelengths 25
48
| document_id
stringlengths 40
40
| split
stringclasses 3
values |
|---|---|---|---|---|
[
[
"\t\tMove out? I don't understand, \n \t\tThomas. \n \n \t\t\t\tFRANKLIN \n \t\tI think you do, Mr. Chance. \n \t\tHowever, I will reiterate, this",
"\tFranklin, the attorney that evicted Chance, comes out of the \n \tbathroom brushing his teeth. His wife, JOHANNA, is in bed \n \tabsorbed in \"This Evening.\" Franklin sits on the end of the",
"\toutside, closing the door behind him. \n \n \tEXT. FRONT OF TOWNHOUSE - AFTERNOON \n \n \tChance stops short on the front steps; the townhouse is",
"\tChance moves toward his room, Franklin and Hayes follow. \n \n \tINT. CHANCE'S ROOM - AFTERNOON \n \n \tChance sits on the bed to remove his boots as Hayes and",
"\tChance nods, changes the channel, watches a Mighty Mouse \n \tcartoon. Eve looks at him perplexed, then takes it for a joke \n \tand smiles. \n \n \tEXT. RAND MANSION - NIGHT \n",
"\tsituated in a decaying ghetto. \n \tThe snow is a dirty grey, houses adjoining have their windows \n \tshattered, are smeared with grafitti. Chance tries to return",
"\t\t\t\tCHANCE \n \t\tGood night, Eve. \n \n \tEve goes into her bedroom, closes the door. Chance heads for \n \this room as though nothing had happened. \n",
"\tINT. CHANCE'S ROOM - DAY \n \n \tThe TV plays offstage as Chance washes up in the bathroom. He \n \tfinishes, comes into the bedroom, takes a pair of house",
"\tChance leaves the bedroom. Allenby watches him go, then sits \n \tback in a chair, his head spinning. \n \n \tEXT. RAND MANSION - DAY \n",
"\tand into the house. Eve and Wilson follow. \n \n \tINT. RAND MANSION - FRONT HALLWAY - NIGHT \n \n \tOnce inside the house, Wilson takes over wheeling Chance. A",
"\tslippers from his closet, turns off the television and leaves \n \tthe room. \n \n \tEXT. GARDEN - DAY \n \n \tChance, carrying his slippers, crosses through the layer of",
"\tChance, very nicely dressed, comes out of the rear building \n \tcarrying his suitcase. He stops on occasion to inspect his \n \tgarden as he walks toward the townhouse. \n",
"\tAn enclosed stairway. Chance enters, proceeds up the stairs. \n \n \tINT. MAIN HOUSE - UPSTAIRS HALLWAY - MORNING \n \n \tChance comes out of a doorway adjoining the main staircase.",
"\t\tboy, ain't you? \n \t\t\t(he smiles, keeps working) \n \t\t... Goodbye, Chance... \n \n \tLouise gives his shoulder a squeeze, turns and moves toward \n \tthe house. \n",
"\tEXT. WOODS - DAY \n \n \tChance walks through the woods, his pace faster than before. \n \n \tEXT. RAND'S FUNERAL - DAY \n",
"\tChance is about twenty yards down the side of a hill. Eve \n \tcalls to him. \n \n \t\t\t\tEVE \n \t\tChauncey! Chauncey! \n \n \t\t\t\tCHANCE",
"\tmade suit from a long rack. \n \n \tINT. CHANCE'S ROOM - AFTERNOON \n \n \tThe TV is on as Chance packs his belongings. \n \n \tEXT. GARDEN - AFTERNOON",
"\t\t\t\tCHANCE \n \t\t\t(nodding) \n \t\tYes. I've seen that done. \n \n \t\t\t\tLOUISE \n \t\tThen I got the hell out of that",
"\tChance enters, puts his laundry bag on a covered table near \n \tthe doorway. He sits at the dining room table, turns on the \n \tTV, and carefully unfolds his napkin, puts it on his lap as",
"\t\tliving there since he was a child, \n \t\tworking as a gardener. He showed us \n \t\ta room in the garage, where he said \n \t\the stayed, and I... Well, I didn't"
],
[
"\tChance nods, changes the channel, watches a Mighty Mouse \n \tcartoon. Eve looks at him perplexed, then takes it for a joke \n \tand smiles. \n \n \tEXT. RAND MANSION - NIGHT \n",
"\tRand is in bed. Eve sits on the edge, looks warmly to Chance \n \twho stands nearby. \n \tAllenby prepares an injection for Rand, and occasionally",
"\tEXT. SOPHIE'S - EVENING \n \n \tThe RAND 1 limousine pulls up to Sophie's house. Jeffrey \n \topens the door for Eve and Chance. He wears Ben's tuxedo, Eve",
"\t\tOh, by the way - I'm Eve Rand. \n \n \t\t\t\tCHANCE \n \t\tHello, Eve. \n \n \tChance takes a sip of the cognac, is not accustomed to",
"\tRand is in bed. Eve sits in a chair next to the bed, squeezes \n \tRand's hand in excitement as they both watch Chance on \n \ttelevision. Teresa, the nurse, watches in the background. \n",
"\tChance is about twenty yards down the side of a hill. Eve \n \tcalls to him. \n \n \t\t\t\tEVE \n \t\tChauncey! Chauncey! \n \n \t\t\t\tCHANCE",
"\tEve comes out of the house, Jeffrey holds the door for her as \n \tshe gets into \"RAND l.\" Jeffrey gets in and the limo pulls \n \taway. Chance comes out of the front door, walking with a",
"\tRand is in bed. Eve, Chance and Allenby are seated around \n \thim, the two nurses standing to one side. They all watch the \n \tPresident's address to the Financial Institute on TV. Chance",
"\tand into the house. Eve and Wilson follow. \n \n \tINT. RAND MANSION - FRONT HALLWAY - NIGHT \n \n \tOnce inside the house, Wilson takes over wheeling Chance. A",
"\t\t\t\tRand's body) \n \t\tJust fine, thank you, sir. \n \t\t\t(turns to Chance) \n \t\tAnd you must be Mr. Gardiner. \n \n \t\t\t\tCHANCE",
"\tGood evening, Constance. \n \n \tBen Rand perks up as he sees Eve crossing to him. He is in \n \this sixties, maintains an inner strength and dignity despite \n \tthe sapping effects of his illness. \n",
"\t\t\t\tCHANCE \n \t\tGood night, Eve. \n \n \tEve goes into her bedroom, closes the door. Chance heads for \n \this room as though nothing had happened. \n",
"\t\t\t(approaches Chance, calls) \n \t\tChauncey! \n \n \t\t\t\tCHANCE \n \t\t\t(stops, turns) \n \t\tHello, Eve. \n",
"\t\t... The nurse did a very good job, \n \t\tBen. \n \n \tThe nurses turn, look at Chance. \n \n \tEXT. FRONT RAND MANSION - MORNING \n",
"\tChance enters, Eve closes the door behind them. \n \n \tINT. EVE'S ROOM - NIGHT \n \n \tEve turns on a soft lamp, Chance goes directly to her TV, \n \tturns it on. \n",
"\t\tMrs. Rand, how good to see you. \n \n \t\t\t\tEVE \n \t\tMr. Watson. \n \n \t\t\t\tWATSON \n \t\t\t(looks to Chance)",
"\t\t\t(smiles to Chance) \n \t\t... And please call me Robert. \n \n \t\t\t\tCHANCE \n \t\tYes, Robert. I will. \n \n \t\t\t\tRAND ",
"\t\tTell Eve? You mean Mrs. Rand? \n \n \t\t\t\tCHANCE \n \t\tYes. \n \n \t\t\t\tDENNIS \n \t\t\t(pulling Chance)",
"\t\tBen. \n \n \tThe door closes, Chance limps off down the hall. \n \n \tEXT. RAND MANSION - GARDEN - DAY \n",
"\tEve closes the door. Wilson wheels Chance down the hallway \n \ttoward the guest room. \n \n \tEXT. FRONT OF RAND MANSION - MORNING \n"
],
[
"\t\tMy name is Chance. \n \n \t\t\t\tEVE \n \t\tPardon me, was that Mr. Chance? \n \n \t\t\t\tCHANCE \n \t\t\t(still indistinct)",
"\tChance is about twenty yards down the side of a hill. Eve \n \tcalls to him. \n \n \t\t\t\tEVE \n \t\tChauncey! Chauncey! \n \n \t\t\t\tCHANCE",
"\t\tOh, by the way - I'm Eve Rand. \n \n \t\t\t\tCHANCE \n \t\tHello, Eve. \n \n \tChance takes a sip of the cognac, is not accustomed to",
"\t\t\t(approaches Chance, calls) \n \t\tChauncey! \n \n \t\t\t\tCHANCE \n \t\t\t(stops, turns) \n \t\tHello, Eve. \n",
"\talcohol, coughs. There is another moment of silence. \n \n \t\t\t\tEVE \n \t\tMay I ask your name? \n \n \t\t\t\tCHANCE \n \t\t\t(with a slight cough)",
"\tChance still does not move. Eve mistakes Chance's not moving \n \tfor concern for herself. She puts a hand on his shoulder. \n \n \t\t\t\tEVE \n \t\tI'll be all right, Chauncey you go",
"\t\t\t\tCHANCE \n \t\tGood night, Eve. \n \n \tEve goes into her bedroom, closes the door. Chance heads for \n \this room as though nothing had happened. \n",
"\t\t\t(a beat) \n \t\t... Chance...? \n \n \t\t\t\tCHANCE \n \t\tYes. I love Eve very much. \n \n \t\t\t\tALLENBY \n \t\tI see...",
"\thand over his body. She kisses him, his eyes, his neck, his \n \tlips, his ears. Chance does not return the lovemaking, and \n \tEve eventually catches hold of herself, stops. She lies",
"\tEve gives Chance a long look, then kisses him on the lips. \n \tShe steps back, smiles. \n \n \t\t\t\tEVE (CONT'D) \n \t\t... Good night, Chauncey. \n",
"\t\tGood day, Mr. Chance. \n \n \t\t\t\tCHANCE \n \t\t\t(returns smile) \n \t\tGood day, Sally. \n \n \tChance watches as they leave, then puts Franklin's card on a",
"\t\t\t(smiles to Chance) \n \t\t... And please call me Robert. \n \n \t\t\t\tCHANCE \n \t\tYes, Robert. I will. \n \n \t\t\t\tRAND ",
"\t\t\t\tCHANCE \n \t\t\t(going to door) \n \t\tGood night, Eve. \n \n \tA low purr is heard from Eve as Chance leaves. \n",
"\tfurther, instead, leans close to Chance. \n \n \t\t\t\tEVE (CONT'D) \n \t\tOne of those little things you \n \t\tdon't know about me yet, darling -",
"\t\tMrs. Rand, how good to see you. \n \n \t\t\t\tEVE \n \t\tMr. Watson. \n \n \t\t\t\tWATSON \n \t\t\t(looks to Chance)",
"\t\t... Good luck, Chauncey. \n \n \tEve impulsively steps forward, kisses Chance on the cheek. \n \tChance smiles at her, and Eve, slightly embarrassed, turns",
"\tThe reception is breaking up. Eve, wearing her coat, searches \n \tfor Chance in the crowd. She sees him, taps him on the \n \tshoulder from behind. \n \n \t\t\t\tEVE",
"\t\t... Why... No, I don't think so... \n \n \t\t\t\tCHANCE \n \t\tThat's good. \n \n \tChance smiles at Eve and there is a moment of silence before",
"\tholds Chance tightly. Chance does his best to avoid spilling \n \this breakfast, keep an eye on the TV, and to comfort Eve. She \n \tgives in to her desires, begins to caress Chance, running her",
"\tChance enters, Eve closes the door behind them. \n \n \tINT. EVE'S ROOM - NIGHT \n \n \tEve turns on a soft lamp, Chance goes directly to her TV, \n \tturns it on. \n"
],
[
"\t\t\t(smiles to Chance) \n \t\t... And please call me Robert. \n \n \t\t\t\tCHANCE \n \t\tYes, Robert. I will. \n \n \t\t\t\tRAND ",
"\tThe BAND plays as Chance comes onto the stage. An audience of \n \tabout three hundred applauds Chance as he appears. Two TV \n \tcameras move with him as he walks, with a smile and a limp,",
"\tChance is glued to the TV, switches channels, again watches \n \tthe news. Eve takes his fascination with television as a sign \n \tof intelligence. \n \n \t\t\t\tEVE ",
"\tslowly,-precisely, obviously engrossed in his surroundings. \n \tThis man is called CHANCE. \n \n \tChance stops working for a moment, takes a pocket watch from",
"\tShe takes Chance in her arms, kisses him wildly. They fall to \n \ther bed in an embrace. As she holds him, kisses him, runs her \n \thands over his body, Chance watches television, neither",
"\tWilliam Dupont introduces Chance. \n \n \t\t\t\tDUPONT \n \t\tLadies and gentlemen, our very \n \t\tdistinguished quest, Mr. Chauncey \n \t\tGardiner!",
"\tChance is about twenty yards down the side of a hill. Eve \n \tcalls to him. \n \n \t\t\t\tEVE \n \t\tChauncey! Chauncey! \n \n \t\t\t\tCHANCE",
"\t\t\t\tCHANCE \n \t\tYes, Robert. But it's not bad. \n \n \tA limousine pulls up to the front of the mansion, waits for \n \tChance. \n",
"\tLewis, the attendant, interrupts. \n \n \t\t\t\tLEWIS \n \t\tYour limousine, sir. \n \n \t\t\t\tCHANCE \n \t\tOh, thank you. \n",
"\t\t\t\tCHANCE \n \t\tNo. \n \n \tAllenby waits for Chance to say more, he does not. Finally, \n \tAllenby picks up his bag, heads for the door. \n",
"\tAllenby gives him a look, then leaves. Chance watches an old \n \tmovie of a man lighting a cigar. The man enjoys the cigar, \n \tblows out smoke. The scene seems to 'sink into' Chance's",
"\tapplauding Chance as he steps from the limousine. Chance \n \taccepts the plaudit, though does not understand the reason. \n \tAs he nears the steps, Perkins and Wilson step forward. \n",
"\t\t\t\tCHANCE \n \t\tNo. I did not glance at it. \n \n \t\t\t\tREPORTER #3 \n \t\tMr. Gardiner, the New York Times",
"\t\t\t\tCHANCE \n \t\tYes. That is correct. \n \n \t\t\t\tPRESIDENT \n \t\t\t(pleased) \n \t\t...Well, Mr. Gardiner, I must",
"\tFranklin, the attorney that evicted Chance, comes out of the \n \tbathroom brushing his teeth. His wife, JOHANNA, is in bed \n \tabsorbed in \"This Evening.\" Franklin sits on the end of the",
"\t\t\t\tCHANCE \n \t\tYes, Ben. My leg is not very sore. \n \n \t\t\t\tRAND \n \t\tWell, that's good news, my boy. \n \n \t\t\t\tCHANCE ",
"\t\t\t\tCHANCE \n \t\tCorrect. \n \n \t\t\t\tFRANKLIN \n \t\tVery well, Mr. Chance - if you \n \t\tinsist on dragging this matter",
"\t\t\t\tCHANCE \n \t\tGood night, Eve. \n \n \tEve goes into her bedroom, closes the door. Chance heads for \n \this room as though nothing had happened. \n",
"\tof curiosity. Chance stands by the side of the bed for a \n \tmoment, then he reaches down and gently pulls the sheet back \n \tfrom the Old Man's face. He touches the man's forehead,",
"\tChance stands looking through a chain-link fence watching \n \tsome teenage boys playing basketball. He bangs on the fence, \n \tcalls to them. \n \n \t\t\t\tCHANCE \n \t\tI have seen your game! I have"
],
[
"\t\t\t\tRAND \n \t\tHe's here. \n \t\t\t(into phone) \n \t\tYes, Mrs. Aubrey? \n \t\t\t(listens) \n \t\tFine. Show the President to the",
"\tRand is in bed. Eve, Chance and Allenby are seated around \n \thim, the two nurses standing to one side. They all watch the \n \tPresident's address to the Financial Institute on TV. Chance",
"\t\tfriend. I've missed you. \n \t\t\t(guides Rand to chair) \n \t\tHere, sit down, get off your feet. \n \n \tAs Rand sinks into the chair, Chance approaches the President",
"\tAn aide, KAUFMAN, waits by the front door of the Rand \n \tmansion. As the President comes out, he speaks quietly to \n \tKaufman. \n \n \t\t\t\tPRESIDENT ",
"\tChance and the President exchange a two-handed handshake. \n \tRand, still weak from standing, catches his breath and \n \tintroduces Chance. \n \n \t\t\t\tRAND ",
"\tINT. RAND'S HOSPITAL ROOM - MORNING \n \n \tRand is in an easy chair, dressed for his meeting with the \n \tPresident. The two nurses are working at the disinfecting",
"\t\t\t\tRAND (CONT'D) \n \t\t\t(stands, very weak) \n \t\tNot now, Teresa. I'm seeing the \n \t\tPresident on my own two feet. \n",
"\t\tPresident, isn't he? \n \n \t\t\t\tCHANCE \n \t\tYes, Ben - he is. \n \n \t\t\t\tRAND \n \t\tHe was quite impressed with your",
"\tINT. RAND LIBRARY - MORNING \n \n \tRand and Chance come into the Library and the President goes \n \tto Rand with both hands outstretched. \n \n \t\t\t\tPRESIDENT ",
"\t\tIt's that serious, huh? \n \n \t\t\t\tRAND \n \t\tI'm afraid so. \n \n \tThe President now looks nearly as bad as Rand. He sits, turns \n \tto Chance.",
"\t\tfriend Chauncey this is a time to \n \t\tthink of life! \n \n \tThe President clasps Rand's hand. \n \n \t\t\t\tRAND ",
"\t\t\t\tRAND \n \t\t\t(smiling) \n \t\tYou will find that my house guest \n \t\tdoes not bandy words, Mr. \n \t\tPresident. \n",
"\t\t\t\tPRESIDENT \n \t\tWell, Ben... I... \n \n \t\t\t\tRAND \n \t\tI sympathize with your position, \n \t\tMr. President, I know how difficult",
"\t\tBen! \n \n \t\t\t\tRAND \n \t\t\t(very weak) \n \t\t... Mr. President, how good to see \n \t\tyou. \n \n \t\t\t\tPRESIDENT ",
"\tEXT. RAND'S FUNERAL - DAY \n \n \tThe services are over. Eve, Allenby talk with the President \n \tand the First Lady. \n \n \t\t\t\tEVE",
"\tinhales deeply, enjoys the oxygen in the room. Rand is \n \tlooking weaker. Every so often, Allenby casts a concerned \n \tglance his way. \n \n \t\t\t\tPRESIDENT'S VOICE ",
"\t\t\t\tPRESIDENT \n \t\tWonderful, we'll all look forward \n \t\tto seeing you. \n \t\t\t(turns to Rand) \n \t\tIs Eve around? I'd like to say",
"\t\tto know so well was manufactured by \n \t\tthe Rand Aeronautics Corporation. \n \t\t\t(a beat) \n \t\tBenjamin Rand was an industrial \n \t\tgiant, known to be powerful and",
"\t\t\t\tKAUFMAN \n \t\tYes, Mr. President, we attempted to \n \t\tcontact Mr. Rand, but he was too \n \t\till to... \n \n \t\t\t\tPRESIDENT ",
"\tThe President leaves the library and Chance sits back down. \n \n \t\t\t\tRAND \n \t\t\t(as the door closes) \n \t\tHe's a decent fellow, the"
],
[
"\tRand, very weak, strains to speak to Allenby. \n \n \t\t\t\tRAND \n \t\tNo more, Robert... No more \n \t\tneedles... \n \n \t\t\t\tALLENBY ",
"\tRand is in bed. Eve sits on the edge, looks warmly to Chance \n \twho stands nearby. \n \tAllenby prepares an injection for Rand, and occasionally",
"\tGood evening, Constance. \n \n \tBen Rand perks up as he sees Eve crossing to him. He is in \n \this sixties, maintains an inner strength and dignity despite \n \tthe sapping effects of his illness. \n",
"\tRand starts coughing, breathing heavily. Allenby and the \n \tnurses rush to his bedside. Allenby shoots a quick look to \n \tEve and Chance. \n \n \t\t\t\tALLENBY",
"\tRand is in bed. Eve sits in a chair next to the bed, squeezes \n \tRand's hand in excitement as they both watch Chance on \n \ttelevision. Teresa, the nurse, watches in the background. \n",
"\t\t\t(again interrupts) \n \t\tI do not want Benjamin Rand \n \t\tdisturbed! You have other ways of \n \t\tgathering information than to \n \t\ttrouble a dying man. Use whatever",
"\timmense, a 70-foot ceiling, huge fireplace. Allenby, Eve, \n \tRand, and Chance (both in wheelchairs) sit around the table. \n \tRand speaks slowly, with obvious weakness. \n",
"\t\t\t\tRAND \n \t\t(with weakness) \n \t\t... Eve... \n \n \tEve kisses him, holds his hand. \n \n \t\t\t\tEVE ",
"\tAllenby, with nothing more he can do to prolong Rand's life, \n \tsits on the bed close to him, grips his hand tightly. Teresa \n \tshows Chance into the room and Allenby motions to the nurses",
"\tto leave. As they do, Chance, once again breathing the oxygen \n \twith a smile, goes to Rand's bedside. \n \n \t\t\t\tRAND \n \t\t\t(slowly)",
"\t\t\t\tEVE \n \t\t\t(with a blush) \n \t\t... Ben, really... \n \n \t\t\t\tRAND \n \t\t\t(reaches out a tired hand",
"\t\tblood! \n \t\t\t(turns to Eve) \n \t\t... Ask him to dinner. \n \n \tRand pulls Eve's hand close, kisses it. \n",
"\t\t\t\tRAND \n \t\t\t(a laugh) \n \t\tI am very sick, and, as you can see \n \t\tby all this paraphernalia, I am \n \t\tvery wealthy. I think I would",
"\tRand is in bed. Eve, Chance and Allenby are seated around \n \thim, the two nurses standing to one side. They all watch the \n \tPresident's address to the Financial Institute on TV. Chance",
"\tRand perks up a bit at this mention. Allenby manages a smile, \n \tonce again looks at Rand, checking his condition. Eve looks \n \tproudly at Chance, who continues to enjoy the oxygen. \n",
"\t\tI understand. \n \n \t\t\t\tRAND \n \t\tNo one likes a dying man, my boy - \n \t\tbecause few know what death is. All \n \t\twe know is the terror of it. But",
"\t\t... All right, Robert, I'm all \n \t\tyours. \n \n \tEve and Chance quietly leave the room. Allenby watches Chance \n \tgo, then readies Rand for the injection. \n",
"\tThere is silence from Eve. Rand squeezes her hand, turns to \n \tConstance. \n \n \t\t\t\tRAND (CONT'D) \n \t\tConstance! I want new blood",
"\t\tTell her that... tell her I'm madly \n \t\tin love with her... \n \n \tRand slumps down, dead. Allenby checks his pulse, turns to \n \tChance. \n",
"\tEXT. RAND'S FUNERAL - DAY \n \n \tJeffrey stands holding the door for Eve and Allenby, all the \n \tother cars have gone. Eve is worried, gets into the car. \n"
],
[
"\t\t\t\tEVE (CONT'D) \n \t\t\t(getting aroused) \n \t\tOh, Chauncey... \n \n \tShe steps back, slips off her dress. She does not undress any",
"\town touch, finds a heretofore undiscovered pleasure with her \n \town body. Chance changes the channel as she reaches orgasm. \n \tAs Eve's body trembles, Chance yawns, gets up from the bed. \n",
"\thand over his body. She kisses him, his eyes, his neck, his \n \tlips, his ears. Chance does not return the lovemaking, and \n \tEve eventually catches hold of herself, stops. She lies",
"\t\t\t\tEVE \n \t\t\t(sits on bed) \n \t\tI know... \n \t\t\t(a moment) \n \t\t... So are you, Chauncey ... ",
"\tEve steps back into her bedroom. \n \n \t\t\t\tEVE \n \t\t... Good night, Chauncey. \n \n \t\t\t\tCHANCE \n \t\tGood night, Eve. \n",
"\tstraightens her robe and moves toward the door. \n \n \t\t\t\tEVE (CONT'D) \n \t\t\t(stopping by door) \n \t\t... I do love you, Chauncey. \n",
"\tholds Chance tightly. Chance does his best to avoid spilling \n \this breakfast, keep an eye on the TV, and to comfort Eve. She \n \tgives in to her desires, begins to caress Chance, running her",
"\tEve gives Chance a long look, then kisses him on the lips. \n \tShe steps back, smiles. \n \n \t\t\t\tEVE (CONT'D) \n \t\t... Good night, Chauncey. \n",
"\t\t... Good luck, Chauncey. \n \n \tEve impulsively steps forward, kisses Chance on the cheek. \n \tChance smiles at her, and Eve, slightly embarrassed, turns",
"\tShe gets to him, holds him tightly. \n \n \t\t\t\tEVE (CONT'D) \n \t\tOh, Chauncey, darling... Where have \n \t\tyou been? We thought we'd lost you -",
"\tChance enters, Eve closes the door behind them. \n \n \tINT. EVE'S ROOM - NIGHT \n \n \tEve turns on a soft lamp, Chance goes directly to her TV, \n \tturns it on. \n",
"\t\t\t(stops, looks up) \n \t\tHello, Eve. \n \n \tEve runs, half falls as she goes down the hill. \n \n \t\t\t\tEVE \n \t\tOh, Chauncey...!",
"\tresists nor responds to Eve's caresses. Suddenly she stops, \n \tlets her head fall on Chance's chest. \n \n \t\t\t\tEVE (CONT'D)",
"\t\tI'm a little shy. \n \n \tShe smiles, gets in bed and pulls the covers over herself. \n \tChance divides his attention between Eve and the TV, watching \n \tboth with an equal detachment. Eve begins to respond to her",
"\t\tChauncey - quite attached... \n \t\t\t(Eve smiles) \n \t\t... And so are you, aren't you, \n \t\tEve. \n \n \t\t\t\tEVE ",
"\t\t... You don't want me, Chauncey... \n \t\tYou don't feel anything for me... \n \t\tNothing at all... \n \n \tChance sits up on the bed, then, feeling her sadness, gently",
"\tRand is in bed. Eve sits in a chair next to the bed, squeezes \n \tRand's hand in excitement as they both watch Chance on \n \ttelevision. Teresa, the nurse, watches in the background. \n",
"\t\t\t\tEVE \n \t\t\t(entering) \n \t\tChauncey... \n \n \t\t\t\tCHANCE \n \t\t\t(rises) \n \t\tHello, Eve. \n",
"\t\t\t\tEVE \n \t\t\t(breathless) \n \t\tOh, Chauncey... I do love you so \n \t\tmuch! \n",
"\t\tNo. I was with a man. We went \n \t\tupstairs. \n \n \t\t\t\tEVE \n \t\tUpstairs? Chauncey, you're always \n \t\tinvolved in some sort of"
],
[
"\t\t\t\tFRANKLIN \n \t\t\t(puzzled) \n \t\tIt's that gardener! \n \n \t\t\t\tJOHANNA \n \t\tYes, Chauncey Gardiner. \n",
"\t\tChauncey, of being natural. And \n \t\tthat, my boy, is a rare talent, the \n \t\ttrue mark of a leader. You were \n \t\tstrong and brave, yet did not",
"\t\tSo tell me, Chauncey, what are your \n \t\tplans now? \n \n \tChance looks around the room. \n \n \t\t\t\tCHANCE \n \t\tDoes this house have a garden? \n",
"\tChance describes his garden with pride as they walk toward \n \tthe rear building. \n \n \t\t\t\tCHANCE \n \t\t\t(points) \n \t\tThose trees were very young when I \n \t\tfirst arrived. \n",
"\t\tcomments, Chauncey - he hears my \n \t\tsort of analysis from everyone, but \n \t\tyours, unfortunately - seldom if \n \t\tever at all. \n \n \t\t\t\tCHANCE ",
"\t\t\t(a beat) \n \t\t... The gardener? \n \t\t\t(thinks it's a joke, \n \t\t\t\tlaughs) \n \t\t... Yes, of course... Mr. Chance,",
"\tAllenby gives Chance a look. \n \n \t\t\t\tRAND \n \t\tDo we have a garden? Hah! Tomorrow, \n \t\tChauncey, you will see our gardens. \n",
"\t\tgarden. \n \n \tChance turns to watch TV. Franklin takes Hayes to a side of \n \tthe room. \n \n \t\t\t\tFRANKLIN \n \t\t\t(quietly)",
"\t\tthat he is our only chance - Mr. \n \t\tChauncey Gardiner! \n \n \tEXT. WOODS - DAY \n \n \tChance, his umbrella under his arm, walks through the woods. \n",
"\t\tI feel so close to you, so safe \n \t\twith you, Chauncey... \n \t\t\t(stops at her bedroom \n \t\t\t\tdoor) \n \t\t... And Benjamin understands that,",
"\t\tThat's good, Mr. Gardiner. Or may I \n \t\tcall you Chauncey? \n \n \t\t\t\tCHANCE \n \t\t\t(agreeable to being called",
"\t\t\t\tCHANCE \n \t\tYes, Thomas, that is correct. Then \n \t\the stopped visiting my garden. \n \n \t\t\t\tFRANKLIN \n \t\t\t(a beat)",
"\t\t\t\tFRANKLIN \n \t\tNo! He's a real gardener! \n \n \t\t\t\tJOHANNA \n \t\t\t(laughs) \n \t\tHe does talk like one, but I think",
"\t\tThere's no need for a claim, the \n \t\tgarden is a healthy one. \n \n \t\t\t\tALLENBY \n \t\t\t(gives Chance a look) \n \t\tOh, I see...",
"\t\tNo, Ben. \n \n \t\t\t\tRAND \n \t\t\t(a smile) \n \t\tReluctant to speak, eh, Chauncey? \n \t\tWell, I can understand that. When a",
"\t\tdie, but fresh saplings replace \n \t\tthem. Gardens need a lot of care \n \t\tand a lot of love. \n \n \tINT. THOMAS FRANKLIN'S BEDROOM - NIGHT \n",
"\tChance, very nicely dressed, comes out of the rear building \n \tcarrying his suitcase. He stops on occasion to inspect his \n \tgarden as he walks toward the townhouse. \n",
"\tEXT. GARDEN - MORNING \n \n \tIt has stopped snowing. Chance, wearing a hat, the gardening \n \tapron over his suit and boots, putters in the garden. Louise",
"\tThere is a moment of silence as the reporters digest this. \n \tThe TV Reporter smiles, questions Chance. \n \n \t\t\t\tTV REPORTER \n \t\t... Do you mean, Mr. Gardiner, that",
"\t\t... Chauncey... Last night you \n \t\tmentioned an old man, that died. \n \n \t\t\t\tCHANCE \n \t\tYes. \n \n \t\t\t\tEVE "
],
[
"\t\tChauncey, of being natural. And \n \t\tthat, my boy, is a rare talent, the \n \t\ttrue mark of a leader. You were \n \t\tstrong and brave, yet did not",
"\t\t\t\tFRANKLIN \n \t\t\t(puzzled) \n \t\tIt's that gardener! \n \n \t\t\t\tJOHANNA \n \t\tYes, Chauncey Gardiner. \n",
"\t\t\t(very weak) \n \t\t... You know, Chauncey, there's \n \t\tsomething about you... You're \n \t\tdirect, you grasp things quickly \n \t\tand you state them plainly. You",
"\t\t... Good luck, Chauncey. \n \n \tEve impulsively steps forward, kisses Chance on the cheek. \n \tChance smiles at her, and Eve, slightly embarrassed, turns",
"\t\tI know, Robert... But, strangely \n \t\tenough, I don't feel too bad about \n \t\tnow... I feel all right... I guess \n \t\tit's easier... knowing Chauncey is",
"\t\tI feel so close to you, so safe \n \t\twith you, Chauncey... \n \t\t\t(stops at her bedroom \n \t\t\t\tdoor) \n \t\t... And Benjamin understands that,",
"\t\tNo, Ben. \n \n \t\t\t\tRAND \n \t\t\t(a smile) \n \t\tReluctant to speak, eh, Chauncey? \n \t\tWell, I can understand that. When a",
"\t\tAnd, please, Chauncey - don't rush \n \t\tyour decision. I know you're not a \n \t\tman to act on the spur of the \n \t\tmoment. \n \n \t\t\t\tCHANCE ",
"\t\tcomments, Chauncey - he hears my \n \t\tsort of analysis from everyone, but \n \t\tyours, unfortunately - seldom if \n \t\tever at all. \n \n \t\t\t\tCHANCE ",
"\t\t... Chauncey... Chauncey... \n \n \t\t\t\tCHANCE \n \t\tYes, Ben - are you going to die \n \t\tnow? \n \n \tAllenby winces. \n",
"\t\t\t\tEVE \n \t\t\t(sits on bed) \n \t\tI know... \n \t\t\t(a moment) \n \t\t... So are you, Chauncey ... ",
"\t\t... You don't want me, Chauncey... \n \t\tYou don't feel anything for me... \n \t\tNothing at all... \n \n \tChance sits up on the bed, then, feeling her sadness, gently",
"\t\t\t\tRAND \n \t\t... Maybe one day you shall find \n \t\tyourself in a similar position, \n \t\tChauncey... Maybe one day... \n",
"\t\tBen is very ill, Eve - I've seen \n \t\tthat before. \n \n \t\t\t\tEVE \n \t\tYes... I know, Chauncey. \n \n \t\t\t\tCHANCE ",
"\t\tI feel so much for Chauncey... \n \n \t\t\t\tALLENBY \n \t\tI think we'd better go look for \n \t\thim. \n \t\t\t(he taps on the glass",
"\t\t... Chauncey... Last night you \n \t\tmentioned an old man, that died. \n \n \t\t\t\tCHANCE \n \t\tYes. \n \n \t\t\t\tEVE ",
"\t\tIt's extremely important, Chauncey, \n \t\twhen one is in a position of \n \t\teminence, that he does not allow \n \t\thimself to become blinded to the",
"\tWilliam Dupont introduces Chance. \n \n \t\t\t\tDUPONT \n \t\tLadies and gentlemen, our very \n \t\tdistinguished quest, Mr. Chauncey \n \t\tGardiner!",
"\t\tHe's tired, Chauncey - but he's \n \t\tgoing to watch you tonight. We'll \n \t\tboth be watching. \n \n \t\t\t\tCHANCE ",
"\t\t... You know, Chauncey... I want us \n \t\tto be... \n \t\t\t(with difficulty) \n \t\tI want us... You and I to become... \n \t\tclose... I want us to become very"
],
[
"\tslowly,-precisely, obviously engrossed in his surroundings. \n \tThis man is called CHANCE. \n \n \tChance stops working for a moment, takes a pocket watch from",
"\toutside, closing the door behind him. \n \n \tEXT. FRONT OF TOWNHOUSE - AFTERNOON \n \n \tChance stops short on the front steps; the townhouse is",
"\tslippers from his closet, turns off the television and leaves \n \tthe room. \n \n \tEXT. GARDEN - DAY \n \n \tChance, carrying his slippers, crosses through the layer of",
"\tChance is glued to the TV, switches channels, again watches \n \tthe news. Eve takes his fascination with television as a sign \n \tof intelligence. \n \n \t\t\t\tEVE ",
"\tAn enclosed stairway. Chance enters, proceeds up the stairs. \n \n \tINT. MAIN HOUSE - UPSTAIRS HALLWAY - MORNING \n \n \tChance comes out of a doorway adjoining the main staircase.",
"\tof curiosity. Chance stands by the side of the bed for a \n \tmoment, then he reaches down and gently pulls the sheet back \n \tfrom the Old Man's face. He touches the man's forehead,",
"\tChance is about twenty yards down the side of a hill. Eve \n \tcalls to him. \n \n \t\t\t\tEVE \n \t\tChauncey! Chauncey! \n \n \t\t\t\tCHANCE",
"\tChance leaves the bedroom. Allenby watches him go, then sits \n \tback in a chair, his head spinning. \n \n \tEXT. RAND MANSION - DAY \n",
"\tChance nods, changes the channel, watches a Mighty Mouse \n \tcartoon. Eve looks at him perplexed, then takes it for a joke \n \tand smiles. \n \n \tEXT. RAND MANSION - NIGHT \n",
"\tLouise disappears through the doorway. Chance continues to \n \teat and watch TV. \n \n \tINT. CHANCE'S ROOM - DAWN \n \n \tChance is asleep, lying on his back. His eyes slowly open,",
"\tAllenby gives him a look, then leaves. Chance watches an old \n \tmovie of a man lighting a cigar. The man enjoys the cigar, \n \tblows out smoke. The scene seems to 'sink into' Chance's",
"\tChance returns to his room, changes channels on the \n \ttelevision, takes off his robe and hangs it back up in the \n \tcloset, then goes into the bathroom. \n \n \tEXT. GARDEN - MORNING \n",
"\tChance, very nicely dressed, comes out of the rear building \n \tcarrying his suitcase. He stops on occasion to inspect his \n \tgarden as he walks toward the townhouse. \n",
"\tChance describes his garden with pride as they walk toward \n \tthe rear building. \n \n \t\t\t\tCHANCE \n \t\t\t(points) \n \t\tThose trees were very young when I \n \t\tfirst arrived. \n",
"\tsituated in a decaying ghetto. \n \tThe snow is a dirty grey, houses adjoining have their windows \n \tshattered, are smeared with grafitti. Chance tries to return",
"\tpast. Chance enters, turns on an old black-and-white TV with \n \ta magnifying lens attached to the front. As it plays, he \n \tselects a fine leather suitcase from several, takes a hand",
"\tEXT. WOODS - DAY \n \n \tChance walks through the woods, his pace faster than before. \n \n \tEXT. RAND'S FUNERAL - DAY \n",
"\tLewis, the attendant, interrupts. \n \n \t\t\t\tLEWIS \n \t\tYour limousine, sir. \n \n \t\t\t\tCHANCE \n \t\tOh, thank you. \n",
"\tlive on an Advent TV. Chance is intrigued by his own image. \n \tHe poses, lifts one arm, then the other to make sure that it \n \tis really him on television. He moves forward, smiles, then",
"\t\tthat he is our only chance - Mr. \n \t\tChauncey Gardiner! \n \n \tEXT. WOODS - DAY \n \n \tChance, his umbrella under his arm, walks through the woods. \n"
],
[
"\talcohol, coughs. There is another moment of silence. \n \n \t\t\t\tEVE \n \t\tMay I ask your name? \n \n \t\t\t\tCHANCE \n \t\t\t(with a slight cough)",
"\tslowly,-precisely, obviously engrossed in his surroundings. \n \tThis man is called CHANCE. \n \n \tChance stops working for a moment, takes a pocket watch from",
"\t\t\t\tEVE \n \t\t\t(a bit surprised) \n \t\tOh? Certainly... \n \n \tShe hands Chance the cognac, turns on the TV. \n \n \t\t\t\tEVE (CONT'D)",
"\t\t\t\tCHANCE \n \t\tGood night, Eve. \n \n \tEve goes into her bedroom, closes the door. Chance heads for \n \this room as though nothing had happened. \n",
"\t\t\t(smiles to Chance) \n \t\t... And please call me Robert. \n \n \t\t\t\tCHANCE \n \t\tYes, Robert. I will. \n \n \t\t\t\tRAND ",
"\tAllenby gives him a look, then leaves. Chance watches an old \n \tmovie of a man lighting a cigar. The man enjoys the cigar, \n \tblows out smoke. The scene seems to 'sink into' Chance's",
"\tChance moves toward his room, Franklin and Hayes follow. \n \n \tINT. CHANCE'S ROOM - AFTERNOON \n \n \tChance sits on the bed to remove his boots as Hayes and",
"\tShe takes Chance in her arms, kisses him wildly. They fall to \n \ther bed in an embrace. As she holds him, kisses him, runs her \n \thands over his body, Chance watches television, neither",
"\tholds Chance tightly. Chance does his best to avoid spilling \n \this breakfast, keep an eye on the TV, and to comfort Eve. She \n \tgives in to her desires, begins to caress Chance, running her",
"\tAs Eve pours cognac into a monogrammed crystal glass, Chance \n \tnotices the limo's TV set. \n \n \t\t\t\tCHANCE (CONT'D) \n \t\tI would like to watch television. \n",
"\tChance is about twenty yards down the side of a hill. Eve \n \tcalls to him. \n \n \t\t\t\tEVE \n \t\tChauncey! Chauncey! \n \n \t\t\t\tCHANCE",
"\tChance is glued to the TV, switches channels, again watches \n \tthe news. Eve takes his fascination with television as a sign \n \tof intelligence. \n \n \t\t\t\tEVE ",
"\tmoment, then heads off down the hallway in the direction of \n \tChance's room. \n \n \tINT. RAND'S HOSPITAL ROOM - MORNING \n \n \tChance watches television as Rand speaks. \n",
"\tChance nods, changes the channel, watches a Mighty Mouse \n \tcartoon. Eve looks at him perplexed, then takes it for a joke \n \tand smiles. \n \n \tEXT. RAND MANSION - NIGHT \n",
"\t\tOh, by the way - I'm Eve Rand. \n \n \t\t\t\tCHANCE \n \t\tHello, Eve. \n \n \tChance takes a sip of the cognac, is not accustomed to",
"\twatches the screen for a moment, then turns, expecting \n \tLouise. She doesn't appear, so he turns back, watches TV. \n \tAfter a few beats, Chance hears Louise's footsteps hurrying",
"\t\tfor you to reveal your past... \n \n \tAs she talks, Chance watches a love scene on TV. The hero \n \tgives his lady a passionate kiss and embrace. The scene seems",
"\tChance enters, Eve closes the door behind them. \n \n \tINT. EVE'S ROOM - NIGHT \n \n \tEve turns on a soft lamp, Chance goes directly to her TV, \n \tturns it on. \n",
"\tof curiosity. Chance stands by the side of the bed for a \n \tmoment, then he reaches down and gently pulls the sheet back \n \tfrom the Old Man's face. He touches the man's forehead,",
"\tslippers from his closet, turns off the television and leaves \n \tthe room. \n \n \tEXT. GARDEN - DAY \n \n \tChance, carrying his slippers, crosses through the layer of"
],
[
"\tChance enters, Eve closes the door behind them. \n \n \tINT. EVE'S ROOM - NIGHT \n \n \tEve turns on a soft lamp, Chance goes directly to her TV, \n \tturns it on. \n",
"\t\t\t\tCHANCE \n \t\tGood night, Eve. \n \n \tEve goes into her bedroom, closes the door. Chance heads for \n \this room as though nothing had happened. \n",
"\tEve gives Chance a long look, then kisses him on the lips. \n \tShe steps back, smiles. \n \n \t\t\t\tEVE (CONT'D) \n \t\t... Good night, Chauncey. \n",
"\tholds Chance tightly. Chance does his best to avoid spilling \n \this breakfast, keep an eye on the TV, and to comfort Eve. She \n \tgives in to her desires, begins to caress Chance, running her",
"\tChance is about twenty yards down the side of a hill. Eve \n \tcalls to him. \n \n \t\t\t\tEVE \n \t\tChauncey! Chauncey! \n \n \t\t\t\tCHANCE",
"\t\t\t(approaches Chance, calls) \n \t\tChauncey! \n \n \t\t\t\tCHANCE \n \t\t\t(stops, turns) \n \t\tHello, Eve. \n",
"\t\t\t\tEVE \n \t\t\t(a bit surprised) \n \t\tOh? Certainly... \n \n \tShe hands Chance the cognac, turns on the TV. \n \n \t\t\t\tEVE (CONT'D)",
"\tChance nods, changes the channel, watches a Mighty Mouse \n \tcartoon. Eve looks at him perplexed, then takes it for a joke \n \tand smiles. \n \n \tEXT. RAND MANSION - NIGHT \n",
"\tand into the house. Eve and Wilson follow. \n \n \tINT. RAND MANSION - FRONT HALLWAY - NIGHT \n \n \tOnce inside the house, Wilson takes over wheeling Chance. A",
"\tChance still does not move. Eve mistakes Chance's not moving \n \tfor concern for herself. She puts a hand on his shoulder. \n \n \t\t\t\tEVE \n \t\tI'll be all right, Chauncey you go",
"\t\t... Good luck, Chauncey. \n \n \tEve impulsively steps forward, kisses Chance on the cheek. \n \tChance smiles at her, and Eve, slightly embarrassed, turns",
"\tChance is glued to the TV, switches channels, again watches \n \tthe news. Eve takes his fascination with television as a sign \n \tof intelligence. \n \n \t\t\t\tEVE ",
"\t\t\t\tCHANCE \n \t\t\t(going to door) \n \t\tGood night, Eve. \n \n \tA low purr is heard from Eve as Chance leaves. \n",
"\thand over his body. She kisses him, his eyes, his neck, his \n \tlips, his ears. Chance does not return the lovemaking, and \n \tEve eventually catches hold of herself, stops. She lies",
"\tsteps out. Eve is in her late thirties, has the look of a \n \ttraditional New England lady. She watches as Jeffrey tends to \n \tChance. \n \n \t\t\t\tJEFFREY ",
"\t\t\t\tCHANCE \n \t\tThank you, Eve - I like this house \n \t\tvery much. \n \n \t\t\t\tEVE \n \t\t... And Ben is just mad about you -",
"\tEve comes out of the house, Jeffrey holds the door for her as \n \tshe gets into \"RAND l.\" Jeffrey gets in and the limo pulls \n \taway. Chance comes out of the front door, walking with a",
"\t\t\t\tEVE \n \t\tHello, Sophie. \n \n \tSophie steps back, looks at Chance. \n \n \t\t\t\tSOPHIE \n \t\tAnd look who you brought with! \n",
"\tThe reception is breaking up. Eve, wearing her coat, searches \n \tfor Chance in the crowd. She sees him, taps him on the \n \tshoulder from behind. \n \n \t\t\t\tEVE",
"\t\tOh, by the way - I'm Eve Rand. \n \n \t\t\t\tCHANCE \n \t\tHello, Eve. \n \n \tChance takes a sip of the cognac, is not accustomed to"
],
[
"\tChance nods, changes the channel, watches a Mighty Mouse \n \tcartoon. Eve looks at him perplexed, then takes it for a joke \n \tand smiles. \n \n \tEXT. RAND MANSION - NIGHT \n",
"\t\tBen is very ill, Eve - I've seen \n \t\tthat before. \n \n \t\t\t\tEVE \n \t\tYes... I know, Chauncey. \n \n \t\t\t\tCHANCE ",
"\tChance is about twenty yards down the side of a hill. Eve \n \tcalls to him. \n \n \t\t\t\tEVE \n \t\tChauncey! Chauncey! \n \n \t\t\t\tCHANCE",
"\t\tI like Ben very much... He reminds \n \t\tme of the Old Man... \n \n \t\t\t\tEVE \n \t\tHe does...? \n \n \t\t\t\tCHANCE ",
"\tEXT. SOPHIE'S - EVENING \n \n \tThe RAND 1 limousine pulls up to Sophie's house. Jeffrey \n \topens the door for Eve and Chance. He wears Ben's tuxedo, Eve",
"\tChance is glued to the TV, switches channels, again watches \n \tthe news. Eve takes his fascination with television as a sign \n \tof intelligence. \n \n \t\t\t\tEVE ",
"\t\t\t\tCHANCE \n \t\tGood night, Eve. \n \n \tEve goes into her bedroom, closes the door. Chance heads for \n \this room as though nothing had happened. \n",
"\t\t\t\tCHANCE \n \t\tThank you, Eve - I like this house \n \t\tvery much. \n \n \t\t\t\tEVE \n \t\t... And Ben is just mad about you -",
"\tEve gives Chance a long look, then kisses him on the lips. \n \tShe steps back, smiles. \n \n \t\t\t\tEVE (CONT'D) \n \t\t... Good night, Chauncey. \n",
"\tEve comes out of the house, Jeffrey holds the door for her as \n \tshe gets into \"RAND l.\" Jeffrey gets in and the limo pulls \n \taway. Chance comes out of the front door, walking with a",
"\t\t\t(a beat) \n \t\t... Chance...? \n \n \t\t\t\tCHANCE \n \t\tYes. I love Eve very much. \n \n \t\t\t\tALLENBY \n \t\tI see...",
"\tsteps out. Eve is in her late thirties, has the look of a \n \ttraditional New England lady. She watches as Jeffrey tends to \n \tChance. \n \n \t\t\t\tJEFFREY ",
"\tChance enters, Eve closes the door behind them. \n \n \tINT. EVE'S ROOM - NIGHT \n \n \tEve turns on a soft lamp, Chance goes directly to her TV, \n \tturns it on. \n",
"\tChance still does not move. Eve mistakes Chance's not moving \n \tfor concern for herself. She puts a hand on his shoulder. \n \n \t\t\t\tEVE \n \t\tI'll be all right, Chauncey you go",
"\t\t... Good luck, Chauncey. \n \n \tEve impulsively steps forward, kisses Chance on the cheek. \n \tChance smiles at her, and Eve, slightly embarrassed, turns",
"\t\t\t(approaches Chance, calls) \n \t\tChauncey! \n \n \t\t\t\tCHANCE \n \t\t\t(stops, turns) \n \t\tHello, Eve. \n",
"\t\t... Why... No, I don't think so... \n \n \t\t\t\tCHANCE \n \t\tThat's good. \n \n \tChance smiles at Eve and there is a moment of silence before",
"\tholds Chance tightly. Chance does his best to avoid spilling \n \this breakfast, keep an eye on the TV, and to comfort Eve. She \n \tgives in to her desires, begins to caress Chance, running her",
"\tFranklin, the attorney that evicted Chance, comes out of the \n \tbathroom brushing his teeth. His wife, JOHANNA, is in bed \n \tabsorbed in \"This Evening.\" Franklin sits on the end of the",
"\t\t\t\tCHANCE \n \t\t\t(blankly) \n \t\tNo, Ben. \n \n \t\t\t\tRAND \n \t\tOh, sure you do, the financial \n \t\tassistance program. I think you"
],
[
"\tChance and the President exchange a two-handed handshake. \n \tRand, still weak from standing, catches his breath and \n \tintroduces Chance. \n \n \t\t\t\tRAND ",
"\t\t\t\tCHANCE \n \t\tYes? \n \n \tThere is a beat as the President looks at Chance quizzically, \n \tthen he continues. \n \n \t\t\t\tPRESIDENT",
"\t\tfriend. I've missed you. \n \t\t\t(guides Rand to chair) \n \t\tHere, sit down, get off your feet. \n \n \tAs Rand sinks into the chair, Chance approaches the President",
"\tThe President gives Chance a look, then laughs. \n \n \t\t\t\tPRESIDENT \n \t\tWell, Mr. Gardiner, that's just \n \t\tfine with me - I'm a man that",
"\t\tthe chance. \n \n \t\t\t\tCHANCE \n \t\t\t(again perks up) \n \t\tYes? \n \n \tOnce again, the President gives Chance a puzzled look. \n",
"\t\tMr. Gardiner, this visit has been \n \t\tenlightening... \n \n \tChance rises and shakes the President's hand. \n \n \t\t\t\tCHANCE \n \t\tYes. It has. \n",
"\t\tGood. I'm glad to hear that. \n \t\t\t(they walk together) \n \t\t... How did you like meeting the \n \t\tPresident? \n \n \t\t\t\tCHANCE ",
"\t\tPresident, isn't he? \n \n \t\t\t\tCHANCE \n \t\tYes, Ben - he is. \n \n \t\t\t\tRAND \n \t\tHe was quite impressed with your",
"\t\t... Oh? You've heard? \n \n \t\t\t\tCHANCE \n \t\tYes. Ben called me. He wants me to \n \t\tmeet the President. \n \n \t\t\t\tALLENBY ",
"\tThe President leaves the library and Chance sits back down. \n \n \t\t\t\tRAND \n \t\t\t(as the door closes) \n \t\tHe's a decent fellow, the",
"\tChance smiles at well-wishers as they continue on through the \n \tcorridor. \n \n \tINT. PRESIDENT'S BEDROOM - NIGHT \n \n \tThe First Lady is snuggled up close to the President,",
"\t\t\t\tCHANCE \n \t\tYes, Robert. I know about the \n \t\tPresident. \n \n \t\t\t\tALLENBY \n \t\t\t(mildly surprised)",
"\tThe President and First Lady head toward their limousine. \n \n \tEXT. WOODS - DAY \n \n \tChance walks deeper into the woods, absorbed in the greenery.",
"\t\t\t\tCHANCE \n \t\tYes. That is correct. \n \n \t\t\t\tPRESIDENT \n \t\t\t(pleased) \n \t\t...Well, Mr. Gardiner, I must",
"\tINT. RAND LIBRARY - MORNING \n \n \tRand and Chance come into the Library and the President goes \n \tto Rand with both hands outstretched. \n \n \t\t\t\tPRESIDENT ",
"\tof his like the President did on TV. \n \n \t\t\t\tCHANCE \n \t\tHello, Thomas... I'm Chance, the \n \t\tgardener. \n \n \t\t\t\tFRANKLIN ",
"\t\t\t\tCHANCE \n \t\tYou look much taller on television, \n \t\tMr. President. \n \n \t\t\t\tPRESIDENT \n \t\t\t(a beat) \n \t\t... Oh, really...",
"\tapplauding Chance as he steps from the limousine. Chance \n \taccepts the plaudit, though does not understand the reason. \n \tAs he nears the steps, Perkins and Wilson step forward. \n",
"\tCLOSE SHOTS on television reveal that the President uses a \n \ttwo-handed handshake when meeting his guests. Unconsciously, \n \tChance grips one hand with the other, the scene on TV seeming",
"\tWilliam Dupont introduces Chance. \n \n \t\t\t\tDUPONT \n \t\tLadies and gentlemen, our very \n \t\tdistinguished quest, Mr. Chauncey \n \t\tGardiner!"
],
[
"\tThe BAND plays as Chance comes onto the stage. An audience of \n \tabout three hundred applauds Chance as he appears. Two TV \n \tcameras move with him as he walks, with a smile and a limp,",
"\tChance is glued to the TV, switches channels, again watches \n \tthe news. Eve takes his fascination with television as a sign \n \tof intelligence. \n \n \t\t\t\tEVE ",
"\tShe takes Chance in her arms, kisses him wildly. They fall to \n \ther bed in an embrace. As she holds him, kisses him, runs her \n \thands over his body, Chance watches television, neither",
"\tslowly,-precisely, obviously engrossed in his surroundings. \n \tThis man is called CHANCE. \n \n \tChance stops working for a moment, takes a pocket watch from",
"\tWilliam Dupont introduces Chance. \n \n \t\t\t\tDUPONT \n \t\tLadies and gentlemen, our very \n \t\tdistinguished quest, Mr. Chauncey \n \t\tGardiner!",
"\tapplauding Chance as he steps from the limousine. Chance \n \taccepts the plaudit, though does not understand the reason. \n \tAs he nears the steps, Perkins and Wilson step forward. \n",
"\t\t\t(smiles to Chance) \n \t\t... And please call me Robert. \n \n \t\t\t\tCHANCE \n \t\tYes, Robert. I will. \n \n \t\t\t\tRAND ",
"\tlive on an Advent TV. Chance is intrigued by his own image. \n \tHe poses, lifts one arm, then the other to make sure that it \n \tis really him on television. He moves forward, smiles, then",
"\t\the's quite charming... \n \n \t\t\t\tFRANKLIN \n \t\t\t(looks at Chance) \n \t\t... Yeah... \n \n \t\t\t\tHAYES ",
"\tAllenby gives him a look, then leaves. Chance watches an old \n \tmovie of a man lighting a cigar. The man enjoys the cigar, \n \tblows out smoke. The scene seems to 'sink into' Chance's",
"\t\t\t\tCHANCE \n \t\tYes, Robert. But it's not bad. \n \n \tA limousine pulls up to the front of the mansion, waits for \n \tChance. \n",
"\t\t\t\tCHANCE \n \t\tYou were wrong, it did hurt. \n \n \t\t\t\tALLENBY \n \t\t\t(a chuckle) \n \t\tBut not for long... \n",
"\tChance is about twenty yards down the side of a hill. Eve \n \tcalls to him. \n \n \t\t\t\tEVE \n \t\tChauncey! Chauncey! \n \n \t\t\t\tCHANCE",
"\t\t\t\tCHANCE \n \t\tYes? \n \n \tThere is a beat as the President looks at Chance quizzically, \n \tthen he continues. \n \n \t\t\t\tPRESIDENT",
"\tpast. Chance enters, turns on an old black-and-white TV with \n \ta magnifying lens attached to the front. As it plays, he \n \tselects a fine leather suitcase from several, takes a hand",
"\t\t\t\tCHANCE \n \t\tGood night, Eve. \n \n \tEve goes into her bedroom, closes the door. Chance heads for \n \this room as though nothing had happened. \n",
"\tFranklin, the attorney that evicted Chance, comes out of the \n \tbathroom brushing his teeth. His wife, JOHANNA, is in bed \n \tabsorbed in \"This Evening.\" Franklin sits on the end of the",
"\tLewis, the attendant, interrupts. \n \n \t\t\t\tLEWIS \n \t\tYour limousine, sir. \n \n \t\t\t\tCHANCE \n \t\tOh, thank you. \n",
"\t\tYes. \n \n \t\t\t\tHAYES \n \t\tYour appearance doesn't suggest \n \t\tthat at all, Mr. Chance. \n \n \t\t\t\tCHANCE \n \t\tOh. Thank you.",
"\t\tGood day, Mr. Chance. \n \n \t\t\t\tCHANCE \n \t\t\t(returns smile) \n \t\tGood day, Sally. \n \n \tChance watches as they leave, then puts Franklin's card on a"
],
[
"\tfurther, instead, leans close to Chance. \n \n \t\t\t\tEVE (CONT'D) \n \t\tOne of those little things you \n \t\tdon't know about me yet, darling -",
"\tholds Chance tightly. Chance does his best to avoid spilling \n \this breakfast, keep an eye on the TV, and to comfort Eve. She \n \tgives in to her desires, begins to caress Chance, running her",
"\t\t\t\tCHANCE \n \t\tGood night, Eve. \n \n \tEve goes into her bedroom, closes the door. Chance heads for \n \this room as though nothing had happened. \n",
"\tEXT. SOPHIE'S - EVENING \n \n \tThe RAND 1 limousine pulls up to Sophie's house. Jeffrey \n \topens the door for Eve and Chance. He wears Ben's tuxedo, Eve",
"\t\tBen is very ill, Eve - I've seen \n \t\tthat before. \n \n \t\t\t\tEVE \n \t\tYes... I know, Chauncey. \n \n \t\t\t\tCHANCE ",
"\t\tI like Ben very much... He reminds \n \t\tme of the Old Man... \n \n \t\t\t\tEVE \n \t\tHe does...? \n \n \t\t\t\tCHANCE ",
"\tChance enters, Eve closes the door behind them. \n \n \tINT. EVE'S ROOM - NIGHT \n \n \tEve turns on a soft lamp, Chance goes directly to her TV, \n \tturns it on. \n",
"\tEve gives Chance a long look, then kisses him on the lips. \n \tShe steps back, smiles. \n \n \t\t\t\tEVE (CONT'D) \n \t\t... Good night, Chauncey. \n",
"\t\t\t(takes Chance's arm) \n \t\tWe can go this way. \n \n \t\t\t\tCHANCE \n \t\tI want to tell Eve. \n \n \t\t\t\tDENNIS ",
"\tChance still does not move. Eve mistakes Chance's not moving \n \tfor concern for herself. She puts a hand on his shoulder. \n \n \t\t\t\tEVE \n \t\tI'll be all right, Chauncey you go",
"\t\tI feel so close to you, so safe \n \t\twith you, Chauncey... \n \t\t\t(stops at her bedroom \n \t\t\t\tdoor) \n \t\t... And Benjamin understands that,",
"\t\t\t(approaches Chance, calls) \n \t\tChauncey! \n \n \t\t\t\tCHANCE \n \t\t\t(stops, turns) \n \t\tHello, Eve. \n",
"\t\tTell Eve? You mean Mrs. Rand? \n \n \t\t\t\tCHANCE \n \t\tYes. \n \n \t\t\t\tDENNIS \n \t\t\t(pulling Chance)",
"\tEve is silent for a moment, looks out to the darkness. \n \n \t\t\t\tEVE \n \t\t... Sometimes when I see Ben I \n \t\tcould swear that he's getting \n \t\tstronger... Something that he might",
"\tChance is about twenty yards down the side of a hill. Eve \n \tcalls to him. \n \n \t\t\t\tEVE \n \t\tChauncey! Chauncey! \n \n \t\t\t\tCHANCE",
"\t\t... Good luck, Chauncey. \n \n \tEve impulsively steps forward, kisses Chance on the cheek. \n \tChance smiles at her, and Eve, slightly embarrassed, turns",
"\t\t\t(a beat) \n \t\t... Chance...? \n \n \t\t\t\tCHANCE \n \t\tYes. I love Eve very much. \n \n \t\t\t\tALLENBY \n \t\tI see...",
"\tGood evening, Constance. \n \n \tBen Rand perks up as he sees Eve crossing to him. He is in \n \this sixties, maintains an inner strength and dignity despite \n \tthe sapping effects of his illness. \n",
"\tThe reception is breaking up. Eve, wearing her coat, searches \n \tfor Chance in the crowd. She sees him, taps him on the \n \tshoulder from behind. \n \n \t\t\t\tEVE",
"\t\tBen. \n \n \tThe door closes, Chance limps off down the hall. \n \n \tEXT. RAND MANSION - GARDEN - DAY \n"
],
[
"\town touch, finds a heretofore undiscovered pleasure with her \n \town body. Chance changes the channel as she reaches orgasm. \n \tAs Eve's body trembles, Chance yawns, gets up from the bed. \n",
"\tholds Chance tightly. Chance does his best to avoid spilling \n \this breakfast, keep an eye on the TV, and to comfort Eve. She \n \tgives in to her desires, begins to caress Chance, running her",
"\thand over his body. She kisses him, his eyes, his neck, his \n \tlips, his ears. Chance does not return the lovemaking, and \n \tEve eventually catches hold of herself, stops. She lies",
"\tChance enters, Eve closes the door behind them. \n \n \tINT. EVE'S ROOM - NIGHT \n \n \tEve turns on a soft lamp, Chance goes directly to her TV, \n \tturns it on. \n",
"\tEve gives Chance a long look, then kisses him on the lips. \n \tShe steps back, smiles. \n \n \t\t\t\tEVE (CONT'D) \n \t\t... Good night, Chauncey. \n",
"\t\t\t\tEVE \n \t\t\t(a bit surprised) \n \t\tOh? Certainly... \n \n \tShe hands Chance the cognac, turns on the TV. \n \n \t\t\t\tEVE (CONT'D)",
"\t\t\t\tEVE (CONT'D) \n \t\t\t(getting aroused) \n \t\tOh, Chauncey... \n \n \tShe steps back, slips off her dress. She does not undress any",
"\tShe takes Chance in her arms, kisses him wildly. They fall to \n \ther bed in an embrace. As she holds him, kisses him, runs her \n \thands over his body, Chance watches television, neither",
"\t\t\t\tCHANCE \n \t\tGood night, Eve. \n \n \tEve goes into her bedroom, closes the door. Chance heads for \n \this room as though nothing had happened. \n",
"\tresists nor responds to Eve's caresses. Suddenly she stops, \n \tlets her head fall on Chance's chest. \n \n \t\t\t\tEVE (CONT'D)",
"\tChance nods, changes the channel, watches a Mighty Mouse \n \tcartoon. Eve looks at him perplexed, then takes it for a joke \n \tand smiles. \n \n \tEXT. RAND MANSION - NIGHT \n",
"\tRand is in bed. Eve sits in a chair next to the bed, squeezes \n \tRand's hand in excitement as they both watch Chance on \n \ttelevision. Teresa, the nurse, watches in the background. \n",
"\tChance still does not move. Eve mistakes Chance's not moving \n \tfor concern for herself. She puts a hand on his shoulder. \n \n \t\t\t\tEVE \n \t\tI'll be all right, Chauncey you go",
"\tChance is glued to the TV, switches channels, again watches \n \tthe news. Eve takes his fascination with television as a sign \n \tof intelligence. \n \n \t\t\t\tEVE ",
"\t\tI'm a little shy. \n \n \tShe smiles, gets in bed and pulls the covers over herself. \n \tChance divides his attention between Eve and the TV, watching \n \tboth with an equal detachment. Eve begins to respond to her",
"\t\t... Is that all you want...? \n \t\t\t(a hesitation) \n \t\t... To watch me...? \n \n \t\t\t\tCHANCE \n \t\tYes. It's very good, Eve. \n",
"\tEve keeps looking as they walk to the limousine. \n \n \tEXT. WOODS - DAY \n \n \tChance happens on a tree with a cracked limb, hanging to the",
"\tEve and Chance sit in silence on the patio. Eve's eyes are \n \tswollen, red, she has been crying. She turns to Chance, \n \treaches out, touches his hand. \n \n \t\t\t\tEVE",
"\t\t... Why... No, I don't think so... \n \n \t\t\t\tCHANCE \n \t\tThat's good. \n \n \tChance smiles at Eve and there is a moment of silence before",
"\tto 'sink into' Chance's mind. He abruptly turns, takes Eve \n \tinto his arms and kisses her full on the mouth. Just as \n \tabruptly, he turns away and changes channels on TV. \n"
],
[
"\t\t... Chauncey... Chauncey... \n \n \t\t\t\tCHANCE \n \t\tYes, Ben - are you going to die \n \t\tnow? \n \n \tAllenby winces. \n",
"\t\t\t\tALLENBY \n \t\tThat is so true. You're different, \n \t\tChauncey... Quite different than \n \t\tmost men. \n \n \t\t\t\tCHANCE ",
"\t\tI feel so much for Chauncey... \n \n \t\t\t\tALLENBY \n \t\tI think we'd better go look for \n \t\thim. \n \t\t\t(he taps on the glass",
"\t\t\t\tALLENBY \n \t\t... He's gone, Chauncey. \n \n \t\t\t\tCHANCE \n \t\tYes, Robert. I have seen it before. \n \t\tIt happens to old people.",
"\t\tChauncey, of being natural. And \n \t\tthat, my boy, is a rare talent, the \n \t\ttrue mark of a leader. You were \n \t\tstrong and brave, yet did not",
"\t\tNo, Ben. \n \n \t\t\t\tRAND \n \t\t\t(a smile) \n \t\tReluctant to speak, eh, Chauncey? \n \t\tWell, I can understand that. When a",
"\t\t\t\tCHANCE \n \t\tNo. \n \n \tAllenby waits for Chance to say more, he does not. Finally, \n \tAllenby picks up his bag, heads for the door. \n",
"\tAllenby gives Chance a look. \n \n \t\t\t\tRAND \n \t\tDo we have a garden? Hah! Tomorrow, \n \t\tChauncey, you will see our gardens. \n",
"\t\tI know, Robert... But, strangely \n \t\tenough, I don't feel too bad about \n \t\tnow... I feel all right... I guess \n \t\tit's easier... knowing Chauncey is",
"\t\tI feel so close to you, so safe \n \t\twith you, Chauncey... \n \t\t\t(stops at her bedroom \n \t\t\t\tdoor) \n \t\t... And Benjamin understands that,",
"\tAnother period of silence. The servants bustle around the \n \troom as Allenby studies Chance. \n \n \tINT. RAND'S POOL ROOM - NIGHT \n \n \tAllenby opens the door. Rand enters in his electric",
"\tChance leaves the bedroom. Allenby watches him go, then sits \n \tback in a chair, his head spinning. \n \n \tEXT. RAND MANSION - DAY \n",
"\t\tWell, he said it was his, he walked \n \t\tus through it. \n \n \t\t\t\tALLENBY \n \t\tI see. \n \t\t\t(leans close to Franklin)",
"\t\t... Where's Mr. Gardiner? \n \n \t\t\t\tALLENBY \n \t\t... He walked off... \n \n \t\t\t\tEVE \n \t\tChauncey is so sensitive... He was",
"\t\t\t\tALLENBY \n \t\t\t(covers Rand's face) \n \t\tYes, I suppose that's true. \n \n \tChance reaches out, uncovers Rand's face, gently touches the",
"\tAllenby gives him a look, then leaves. Chance watches an old \n \tmovie of a man lighting a cigar. The man enjoys the cigar, \n \tblows out smoke. The scene seems to 'sink into' Chance's",
"\t\t\t\tALLENBY \n \t\tFine. Thank you, Mr. Franklin. \n \n \t\t\t\tFRANKLIN \n \t\tCertainly, glad to be of help. \n",
"\t\tYes, this is Dr. Robert Allenby, \n \t\twould you please tell Mr. Franklin \n \t\tthat I would like to talk to him? \n \t\tIt concerns Chauncey Gardiner. \n",
"\t\tmight think me to be somewhat \n \t\tfeeble... But I am still in love, \n \t\tgentlemen, thank God for that... \n \n \tAllenby silently leaves the room. \n",
"\tthen moves in. \n \n \tINT. CHANCE'S ROOM - MORNING \n \n \tAllenby is searching through Chancels clothes looking for \n \tsome sort of identification. There is a knock at the door,"
],
[
"\t\t\t\tALLENBY \n \t\t\t(covers Rand's face) \n \t\tYes, I suppose that's true. \n \n \tChance reaches out, uncovers Rand's face, gently touches the",
"\t\t\t\tCHANCE \n \t\tNo. \n \n \tAllenby waits for Chance to say more, he does not. Finally, \n \tAllenby picks up his bag, heads for the door. \n",
"\tAllenby gives him a look, then leaves. Chance watches an old \n \tmovie of a man lighting a cigar. The man enjoys the cigar, \n \tblows out smoke. The scene seems to 'sink into' Chance's",
"\tAllenby, with nothing more he can do to prolong Rand's life, \n \tsits on the bed close to him, grips his hand tightly. Teresa \n \tshows Chance into the room and Allenby motions to the nurses",
"\tShe hugs him one more time, then she leads him back up the \n \thill to the waiting limousine. Allenby gets out of the car, \n \tgreets Chance with a handshake and an arm around the",
"\tINT. RAND MANSION - ALLENBY'S BEDROOM - NIGHT \n \n \tAllenby watches Chance on television. The camera that covered \n \tDupont in close-up has now pulled back, includes Dupont and",
"\t\t\t\tALLENBY \n \t\tThat is so true. You're different, \n \t\tChauncey... Quite different than \n \t\tmost men. \n \n \t\t\t\tCHANCE ",
"\t\t... Chauncey... Chauncey... \n \n \t\t\t\tCHANCE \n \t\tYes, Ben - are you going to die \n \t\tnow? \n \n \tAllenby winces. \n",
"\t\t\t\tALLENBY \n \t\tNow, you'll barely feel this. It \n \t\twon't hurt at all. \n \n \tAllenby administers the injection, Chance reacts from the \n \tpain.",
"\t\tTell her that... tell her I'm madly \n \t\tin love with her... \n \n \tRand slumps down, dead. Allenby checks his pulse, turns to \n \tChance. \n",
"\tthen moves in. \n \n \tINT. CHANCE'S ROOM - MORNING \n \n \tAllenby is searching through Chancels clothes looking for \n \tsome sort of identification. There is a knock at the door,",
"\tman's forehead, feels the coldness. Allenby eyes him as \n \tChance stays with Rand for a moment, then replaces the sheet. \n \n \t\t\t\tCHANCE \n \t\t\t(turns to Allenby)",
"\tChance leaves the bedroom. Allenby watches him go, then sits \n \tback in a chair, his head spinning. \n \n \tEXT. RAND MANSION - DAY \n",
"\t\t\t(a beat) \n \t\t... Chance...? \n \n \t\t\t\tCHANCE \n \t\tYes. I love Eve very much. \n \n \t\t\t\tALLENBY \n \t\tI see...",
"\tAnother period of silence. The servants bustle around the \n \troom as Allenby studies Chance. \n \n \tINT. RAND'S POOL ROOM - NIGHT \n \n \tAllenby opens the door. Rand enters in his electric",
"\t\t\t\tCHANCE \n \t\tYou were wrong, it did hurt. \n \n \t\t\t\tALLENBY \n \t\t\t(a chuckle) \n \t\tBut not for long... \n",
"\t\tOh, really? \n \n \tAllenby, a bit puzzled, watches as Chance goes into the \n \thouse. \n \n \tINT. RAND MANSION - HALLWAY - MORNING \n",
"\t\t\t\tALLENBY \n \t\t\t(reacting to limo) \n \t\t... Were you going somewhere? \n \n \t\t\t\tCHANCE \n \t\tNo, Robert. \n",
"\tAllenby gives Chance a look. \n \n \t\t\t\tRAND \n \t\tDo we have a garden? Hah! Tomorrow, \n \t\tChauncey, you will see our gardens. \n",
"\t\t\t\tCHANCE \n \t\tYes, Robert. I know about the \n \t\tPresident. \n \n \t\t\t\tALLENBY \n \t\t\t(mildly surprised)"
],
[
"\tChance moves toward his room, Franklin and Hayes follow. \n \n \tINT. CHANCE'S ROOM - AFTERNOON \n \n \tChance sits on the bed to remove his boots as Hayes and",
"\toutside, closing the door behind him. \n \n \tEXT. FRONT OF TOWNHOUSE - AFTERNOON \n \n \tChance stops short on the front steps; the townhouse is",
"\tChance leaves the bedroom. Allenby watches him go, then sits \n \tback in a chair, his head spinning. \n \n \tEXT. RAND MANSION - DAY \n",
"\tsituated in a decaying ghetto. \n \tThe snow is a dirty grey, houses adjoining have their windows \n \tshattered, are smeared with grafitti. Chance tries to return",
"\tAllenby gives him a look, then leaves. Chance watches an old \n \tmovie of a man lighting a cigar. The man enjoys the cigar, \n \tblows out smoke. The scene seems to 'sink into' Chance's",
"\tEXT. WOODS - DAY \n \n \tChance walks through the woods, his pace faster than before. \n \n \tEXT. RAND'S FUNERAL - DAY \n",
"\t\tMove out? I don't understand, \n \t\tThomas. \n \n \t\t\t\tFRANKLIN \n \t\tI think you do, Mr. Chance. \n \t\tHowever, I will reiterate, this",
"\tslippers from his closet, turns off the television and leaves \n \tthe room. \n \n \tEXT. GARDEN - DAY \n \n \tChance, carrying his slippers, crosses through the layer of",
"\tslowly,-precisely, obviously engrossed in his surroundings. \n \tThis man is called CHANCE. \n \n \tChance stops working for a moment, takes a pocket watch from",
"\tChance nods, changes the channel, watches a Mighty Mouse \n \tcartoon. Eve looks at him perplexed, then takes it for a joke \n \tand smiles. \n \n \tEXT. RAND MANSION - NIGHT \n",
"\t\t\t\tCHANCE \n \t\tGood night, Eve. \n \n \tEve goes into her bedroom, closes the door. Chance heads for \n \this room as though nothing had happened. \n",
"\tHull takes Chance into the MAKE-UP room. \n \n \tINT. RAND MANSION - CHANCE'S ROOM - NIGHT \n \n \tConstance is in the closet, searching through Chance's",
"\t\t\t\tCHANCE \n \t\t\t(as she goes) \n \t\tGoodbye, Louise. \n \n \tLouise waves as she enters the townhouse. Chance tips his hat \n \tonce again as she disappears. \n",
"\tmade suit from a long rack. \n \n \tINT. CHANCE'S ROOM - AFTERNOON \n \n \tThe TV is on as Chance packs his belongings. \n \n \tEXT. GARDEN - AFTERNOON",
"\tChance comes into the garage, takes the cover off of the \n \ttouring car, folds it and puts it on a shelf. He leaves the \n \tgarage. \n \n \tINT. CHANCE'S ROOM - DAWN \n",
"\tShe takes Chance in her arms, kisses him wildly. They fall to \n \ther bed in an embrace. As she holds him, kisses him, runs her \n \thands over his body, Chance watches television, neither",
"\tHull takes Chance into the station. \n \n \tINT. RAND MANSION - CHANCE'S ROOM - NIGHT \n \n \tConstance, Rand's nurse, enters Chance's room, goes to the",
"\tJeffrey closes the door, goes back to pick up Chance's \n \tsuitcase, does not notice the remote control. As Jeffrey puts \n \tChance's bag into the trunk, we see the personalized license",
"\t\tboy, ain't you? \n \t\t\t(he smiles, keeps working) \n \t\t... Goodbye, Chance... \n \n \tLouise gives his shoulder a squeeze, turns and moves toward \n \tthe house. \n",
"\tFranklin, the attorney that evicted Chance, comes out of the \n \tbathroom brushing his teeth. His wife, JOHANNA, is in bed \n \tabsorbed in \"This Evening.\" Franklin sits on the end of the"
],
[
"\tslowly,-precisely, obviously engrossed in his surroundings. \n \tThis man is called CHANCE. \n \n \tChance stops working for a moment, takes a pocket watch from",
"\t\t\t(a beat) \n \t\t... The gardener? \n \t\t\t(thinks it's a joke, \n \t\t\t\tlaughs) \n \t\t... Yes, of course... Mr. Chance,",
"\t\t\t(smiles to Chance) \n \t\t... And please call me Robert. \n \n \t\t\t\tCHANCE \n \t\tYes, Robert. I will. \n \n \t\t\t\tRAND ",
"\tLewis, the attendant, interrupts. \n \n \t\t\t\tLEWIS \n \t\tYour limousine, sir. \n \n \t\t\t\tCHANCE \n \t\tOh, thank you. \n",
"\t\t\t\tRand's body) \n \t\tJust fine, thank you, sir. \n \t\t\t(turns to Chance) \n \t\tAnd you must be Mr. Gardiner. \n \n \t\t\t\tCHANCE",
"\t\t\t\tCHANCE \n \t\tYes? \n \n \tThere is a beat as the President looks at Chance quizzically, \n \tthen he continues. \n \n \t\t\t\tPRESIDENT",
"\t\t\t\tCHANCE \n \t\tNo. \n \n \tAllenby waits for Chance to say more, he does not. Finally, \n \tAllenby picks up his bag, heads for the door. \n",
"\tWilliam Dupont introduces Chance. \n \n \t\t\t\tDUPONT \n \t\tLadies and gentlemen, our very \n \t\tdistinguished quest, Mr. Chauncey \n \t\tGardiner!",
"\t\t\t\tCHANCE \n \t\tYes, Robert. But it's not bad. \n \n \tA limousine pulls up to the front of the mansion, waits for \n \tChance. \n",
"\t\tGood day, Mr. Chance. \n \n \t\t\t\tCHANCE \n \t\t\t(returns smile) \n \t\tGood day, Sally. \n \n \tChance watches as they leave, then puts Franklin's card on a",
"\tChance is about twenty yards down the side of a hill. Eve \n \tcalls to him. \n \n \t\t\t\tEVE \n \t\tChauncey! Chauncey! \n \n \t\t\t\tCHANCE",
"\tShe takes Chance in her arms, kisses him wildly. They fall to \n \ther bed in an embrace. As she holds him, kisses him, runs her \n \thands over his body, Chance watches television, neither",
"\t\t\t\tCHANCE \n \t\tGood night, Eve. \n \n \tEve goes into her bedroom, closes the door. Chance heads for \n \this room as though nothing had happened. \n",
"\tChance moves toward his room, Franklin and Hayes follow. \n \n \tINT. CHANCE'S ROOM - AFTERNOON \n \n \tChance sits on the bed to remove his boots as Hayes and",
"\tChance and the President exchange a two-handed handshake. \n \tRand, still weak from standing, catches his breath and \n \tintroduces Chance. \n \n \t\t\t\tRAND ",
"\tAllenby gives him a look, then leaves. Chance watches an old \n \tmovie of a man lighting a cigar. The man enjoys the cigar, \n \tblows out smoke. The scene seems to 'sink into' Chance's",
"\tFranklin, the attorney that evicted Chance, comes out of the \n \tbathroom brushing his teeth. His wife, JOHANNA, is in bed \n \tabsorbed in \"This Evening.\" Franklin sits on the end of the",
"\tsuitcase, his changer, and bangs his hand on the trunk of the \n \tlimo. The chauffeur, DAVID, and the liveryman, JEFFREY, \n \timmediately jump from the car, run back to Chance.",
"\t\tthe chance. \n \n \t\t\t\tCHANCE \n \t\t\t(again perks up) \n \t\tYes? \n \n \tOnce again, the President gives Chance a puzzled look. \n",
"\tOld Man is. There is a polite knock at the door, then Chance \n \tenters the room. As Chance moves slowly to the Old Man's bed, \n \twe sense a feeling of respect from Chance, as well as a bit"
],
[
"\tdoes this, the car to his,left, a large, American-made \n \tlimousine, backs up. The car bumps Chance, pins him against \n \tthe car to his right. Chance cries out in pain, drops his",
"\t\tNo. I'm not badly injured. But my \n \t\tleg is very sore. \n \n \tDavid pulls the car forward, freeing Chance. A few bystanders \n \tbegin to gather as Jeffrey helps Chance to the sidewalk.",
"\t\tWait up! I'm goin' out that door \n \t\tfirst. \n \n \tLouise takes one more look at the covered body, then opens \n \tthe front door, leaves. \n",
"\tThere is a moment of silence. Eve, still a bit on edge from \n \tthe accident and feeling a bit uncomfortable with a stranger \n \tin the car, presses another button. The limo's bar moves out,",
"\tcarefully puts it over the car. When he finishes covering the \n \tcar for the night, Chance picks up the pitchfork, leaves the \n \tgarage through a side entry. \n",
"\tmakes up his mind and moves off to his left. \n \n \tEXT. GHETTO STREET - AFTERNOON \n \n \tThe buildings are crumbling, rusted out cars line the street.",
"\tEve comes out of the house, Jeffrey holds the door for her as \n \tshe gets into \"RAND l.\" Jeffrey gets in and the limo pulls \n \taway. Chance comes out of the front door, walking with a",
"\tslippers from his closet, turns off the television and leaves \n \tthe room. \n \n \tEXT. GARDEN - DAY \n \n \tChance, carrying his slippers, crosses through the layer of",
"\tEve keeps looking as they walk to the limousine. \n \n \tEXT. WOODS - DAY \n \n \tChance happens on a tree with a cracked limb, hanging to the",
"\tLewis, the attendant, interrupts. \n \n \t\t\t\tLEWIS \n \t\tYour limousine, sir. \n \n \t\t\t\tCHANCE \n \t\tOh, thank you. \n",
"\tmoves slowly backward, notices himself become smaller on the \n \tscreen. He steps back off the curb, frowns as his likeness \n \tdisappears from frame on the Advent. Standing between two",
"\tto the safety of the townhouse, but the door is locked. He \n \tstands on the steps for a moment, then moves to the trash \n \tladen sidewalk. He stops, ponders which way to go, finally",
"\tChance nods, changes the channel, watches a Mighty Mouse \n \tcartoon. Eve looks at him perplexed, then takes it for a joke \n \tand smiles. \n \n \tEXT. RAND MANSION - NIGHT \n",
"\t\tcareful driver. Please, won't you \n \t\tlet us take you? \n \n \t\t\t\tCHANCE \n \t\t\t(looks at the car, then \n \t\t\t\tdecides)",
"\t\t\t\tJEFFREY \n \t\tLook! \n \n \tAbout 100 yards ahead of them, Chance crosses the road, \n \tcontinues on down a hill. \n \n \t\t\t\tEVE ",
"\tlarge meadow. The limousine passes, still no sign of the \n \thouse. It is a very, very long driveway. \n \n \tINT. LIMOUSINE - NIGHT \n",
"\tWe hear a contented sigh from the man on the floor. \n \n \tEXT. SOPHIE'S - NIGHT \n \n \tA long, black limousine with a Red Star on the door pulls \n \taway from Sophie's house.",
"\tfrom the garden. A gleaming 1921 TOURING CAR is revealed as \n \the walks through the garage and leans the pitchfork against a \n \twall. Chance takes a neatly folded cover from a shelf,",
"\tcomes out of the main house. She is dressed warmly, a scarf \n \tover her head, a heavy coat. Chance sees her, tips his hat to \n \tLouise exactly like the man he saw on television. \n",
"\tslowly,-precisely, obviously engrossed in his surroundings. \n \tThis man is called CHANCE. \n \n \tChance stops working for a moment, takes a pocket watch from"
],
[
"\tEve gives Chance a long look, then kisses him on the lips. \n \tShe steps back, smiles. \n \n \t\t\t\tEVE (CONT'D) \n \t\t... Good night, Chauncey. \n",
"\tChance is glued to the TV, switches channels, again watches \n \tthe news. Eve takes his fascination with television as a sign \n \tof intelligence. \n \n \t\t\t\tEVE ",
"\t\t\t(a beat) \n \t\t... Chance...? \n \n \t\t\t\tCHANCE \n \t\tYes. I love Eve very much. \n \n \t\t\t\tALLENBY \n \t\tI see...",
"\t\t\t\tCHANCE \n \t\tGood night, Eve. \n \n \tEve goes into her bedroom, closes the door. Chance heads for \n \this room as though nothing had happened. \n",
"\tChance is about twenty yards down the side of a hill. Eve \n \tcalls to him. \n \n \t\t\t\tEVE \n \t\tChauncey! Chauncey! \n \n \t\t\t\tCHANCE",
"\tholds Chance tightly. Chance does his best to avoid spilling \n \this breakfast, keep an eye on the TV, and to comfort Eve. She \n \tgives in to her desires, begins to caress Chance, running her",
"\tChance still does not move. Eve mistakes Chance's not moving \n \tfor concern for herself. She puts a hand on his shoulder. \n \n \t\t\t\tEVE \n \t\tI'll be all right, Chauncey you go",
"\t\t\t(approaches Chance, calls) \n \t\tChauncey! \n \n \t\t\t\tCHANCE \n \t\t\t(stops, turns) \n \t\tHello, Eve. \n",
"\tChance enters, Eve closes the door behind them. \n \n \tINT. EVE'S ROOM - NIGHT \n \n \tEve turns on a soft lamp, Chance goes directly to her TV, \n \tturns it on. \n",
"\t\t... Why... No, I don't think so... \n \n \t\t\t\tCHANCE \n \t\tThat's good. \n \n \tChance smiles at Eve and there is a moment of silence before",
"\t\tOh, by the way - I'm Eve Rand. \n \n \t\t\t\tCHANCE \n \t\tHello, Eve. \n \n \tChance takes a sip of the cognac, is not accustomed to",
"\thand over his body. She kisses him, his eyes, his neck, his \n \tlips, his ears. Chance does not return the lovemaking, and \n \tEve eventually catches hold of herself, stops. She lies",
"\tChance follows Mrs. Aubrey into the house. Eve watches him \n \tgo, then turns to Allenby. \n \n \t\t\t\tEVE \n \t\t... He's such a sensitive man, so \n \t\tconsiderate...",
"\tfurther, instead, leans close to Chance. \n \n \t\t\t\tEVE (CONT'D) \n \t\tOne of those little things you \n \t\tdon't know about me yet, darling -",
"\t\t\t\tEVE \n \t\t\t(a bit surprised) \n \t\tOh? Certainly... \n \n \tShe hands Chance the cognac, turns on the TV. \n \n \t\t\t\tEVE (CONT'D)",
"\t\t... Good luck, Chauncey. \n \n \tEve impulsively steps forward, kisses Chance on the cheek. \n \tChance smiles at her, and Eve, slightly embarrassed, turns",
"\t\t\t\tCHANCE \n \t\t\t(going to door) \n \t\tGood night, Eve. \n \n \tA low purr is heard from Eve as Chance leaves. \n",
"\tsteps out. Eve is in her late thirties, has the look of a \n \ttraditional New England lady. She watches as Jeffrey tends to \n \tChance. \n \n \t\t\t\tJEFFREY ",
"\t\the's quite charming... \n \n \t\t\t\tFRANKLIN \n \t\t\t(looks at Chance) \n \t\t... Yeah... \n \n \t\t\t\tHAYES ",
"\tEve keeps looking as they walk to the limousine. \n \n \tEXT. WOODS - DAY \n \n \tChance happens on a tree with a cracked limb, hanging to the"
],
[
"\t\tEve... \n \n \t\t\t\tEVE \n \t\tThank you, Nancy. \n \n \t\t\t\tFIRST LADY \n \t\tI'll call you soon. \n",
"\t\t\t\tEVE \n \t\t\t(sits on bed) \n \t\tI know... \n \t\t\t(a moment) \n \t\t... So are you, Chauncey ... ",
"\tEve keeps looking as they walk to the limousine. \n \n \tEXT. WOODS - DAY \n \n \tChance happens on a tree with a cracked limb, hanging to the",
"\t\tChauncey - quite attached... \n \t\t\t(Eve smiles) \n \t\t... And so are you, aren't you, \n \t\tEve. \n \n \t\t\t\tEVE ",
"\t\tOf course. \n \n \t\t\t\tSOPHIE \n \t\t\t(tugs at Eve) \n \t\tCome on, Eve. Let's let the men \n \t\ttalk, there are so many people that",
"\t\t\t\tEVE \n \t\t\t(entering) \n \t\tChauncey... \n \n \t\t\t\tCHANCE \n \t\t\t(rises) \n \t\tHello, Eve. \n",
"\t\t\t\tEVE (CONT'D) \n \t\t\t(getting aroused) \n \t\tOh, Chauncey... \n \n \tShe steps back, slips off her dress. She does not undress any",
"\tSOPHIE, an older woman bedecked with jewelry, approaches, \n \tembraces Eve. \n \n \t\t\t\tSOPHIE \n \t\tEve, child! How nice of you to \n \t\tcome.",
"\t\tYes, Eve. I shall yield too. \n \n \t\t\t\tEVE \n \t\t\t(smiling) \n \t\tI'll be back soon... \n",
"\tEve gives Chance a long look, then kisses him on the lips. \n \tShe steps back, smiles. \n \n \t\t\t\tEVE (CONT'D) \n \t\t... Good night, Chauncey. \n",
"\t\t\t\tEVE \n \t\t\t(with a blush) \n \t\t... Ben, really... \n \n \t\t\t\tRAND \n \t\t\t(reaches out a tired hand",
"\tEve steps back into her bedroom. \n \n \t\t\t\tEVE \n \t\t... Good night, Chauncey. \n \n \t\t\t\tCHANCE \n \t\tGood night, Eve. \n",
"\t\tYes. They are fine. \n \n \tThere is a knock at the door. \n \n \t\t\t\tPERKINS \n \t\tExcuse me, sir. \n \n \tPerkins answers the door, it is Eve.",
"\t\t\t\tEVE \n \t\tHello, Sophie. \n \n \tSophie steps back, looks at Chance. \n \n \t\t\t\tSOPHIE \n \t\tAnd look who you brought with! \n",
"\tChance is about twenty yards down the side of a hill. Eve \n \tcalls to him. \n \n \t\t\t\tEVE \n \t\tChauncey! Chauncey! \n \n \t\t\t\tCHANCE",
"\t\t\t(approaches Chance, calls) \n \t\tChauncey! \n \n \t\t\t\tCHANCE \n \t\t\t(stops, turns) \n \t\tHello, Eve. \n",
"\thand over his body. She kisses him, his eyes, his neck, his \n \tlips, his ears. Chance does not return the lovemaking, and \n \tEve eventually catches hold of herself, stops. She lies",
"\t\t\t\tEVE \n \t\t\t(relieved) \n \t\tOh, his maid!... Stupid me, I \n \t\tthought perhaps she was someone \n \t\tthat you may have been romantically",
"\t\t... Good luck, Chauncey. \n \n \tEve impulsively steps forward, kisses Chance on the cheek. \n \tChance smiles at her, and Eve, slightly embarrassed, turns",
"\t\tBen is very ill, Eve - I've seen \n \t\tthat before. \n \n \t\t\t\tEVE \n \t\tYes... I know, Chauncey. \n \n \t\t\t\tCHANCE "
],
[
"\t\tChauncey - quite attached... \n \t\t\t(Eve smiles) \n \t\t... And so are you, aren't you, \n \t\tEve. \n \n \t\t\t\tEVE ",
"\thand over his body. She kisses him, his eyes, his neck, his \n \tlips, his ears. Chance does not return the lovemaking, and \n \tEve eventually catches hold of herself, stops. She lies",
"\tEve keeps looking as they walk to the limousine. \n \n \tEXT. WOODS - DAY \n \n \tChance happens on a tree with a cracked limb, hanging to the",
"\tEve gives Chance a long look, then kisses him on the lips. \n \tShe steps back, smiles. \n \n \t\t\t\tEVE (CONT'D) \n \t\t... Good night, Chauncey. \n",
"\t\tYes, Eve. I shall yield too. \n \n \t\t\t\tEVE \n \t\t\t(smiling) \n \t\tI'll be back soon... \n",
"\t\tYes. I would like to escort Eve. \n \n \t\t\t\tRAND \n \t\tGood. Together, the two of you \n \t\tshould create quite a stir - I can \n \t\talready hear the gossip. \n",
"\tChance is about twenty yards down the side of a hill. Eve \n \tcalls to him. \n \n \t\t\t\tEVE \n \t\tChauncey! Chauncey! \n \n \t\t\t\tCHANCE",
"\t\t\t\tEVE (CONT'D) \n \t\t\t(getting aroused) \n \t\tOh, Chauncey... \n \n \tShe steps back, slips off her dress. She does not undress any",
"\t\t... Good luck, Chauncey. \n \n \tEve impulsively steps forward, kisses Chance on the cheek. \n \tChance smiles at her, and Eve, slightly embarrassed, turns",
"\t\tOf course. \n \n \t\t\t\tSOPHIE \n \t\t\t(tugs at Eve) \n \t\tCome on, Eve. Let's let the men \n \t\ttalk, there are so many people that",
"\t\t\t(stops, looks up) \n \t\tHello, Eve. \n \n \tEve runs, half falls as she goes down the hill. \n \n \t\t\t\tEVE \n \t\tOh, Chauncey...!",
"\t\t\t\tEVE \n \t\t\t(with a blush) \n \t\t... Ben, really... \n \n \t\t\t\tRAND \n \t\t\t(reaches out a tired hand",
"\t\t\t\tEVE \n \t\t\t(entering) \n \t\tChauncey... \n \n \t\t\t\tCHANCE \n \t\t\t(rises) \n \t\tHello, Eve. \n",
"\t\tYou really care for him, don't you, \n \t\tEve? \n \n \t\t\t\tEVE \n \t\tI do - we do - both of us, Ben and",
"\t\t\t\tEVE \n \t\t\t(sits on bed) \n \t\tI know... \n \t\t\t(a moment) \n \t\t... So are you, Chauncey ... ",
"\tresists nor responds to Eve's caresses. Suddenly she stops, \n \tlets her head fall on Chance's chest. \n \n \t\t\t\tEVE (CONT'D)",
"\tEve steps back into her bedroom. \n \n \t\t\t\tEVE \n \t\t... Good night, Chauncey. \n \n \t\t\t\tCHANCE \n \t\tGood night, Eve. \n",
"\t\t\t(approaches Chance, calls) \n \t\tChauncey! \n \n \t\t\t\tCHANCE \n \t\t\t(stops, turns) \n \t\tHello, Eve. \n",
"\tEve is silent for a moment, looks out to the darkness. \n \n \t\t\t\tEVE \n \t\t... Sometimes when I see Ben I \n \t\tcould swear that he's getting \n \t\tstronger... Something that he might",
"\tstraightens her robe and moves toward the door. \n \n \t\t\t\tEVE (CONT'D) \n \t\t\t(stopping by door) \n \t\t... I do love you, Chauncey. \n"
],
[
"\t\t\t(smiles to Chance) \n \t\t... And please call me Robert. \n \n \t\t\t\tCHANCE \n \t\tYes, Robert. I will. \n \n \t\t\t\tRAND ",
"\tChance is about twenty yards down the side of a hill. Eve \n \tcalls to him. \n \n \t\t\t\tEVE \n \t\tChauncey! Chauncey! \n \n \t\t\t\tCHANCE",
"\t\tGood day, Mr. Chance. \n \n \t\t\t\tCHANCE \n \t\t\t(returns smile) \n \t\tGood day, Sally. \n \n \tChance watches as they leave, then puts Franklin's card on a",
"\tslowly,-precisely, obviously engrossed in his surroundings. \n \tThis man is called CHANCE. \n \n \tChance stops working for a moment, takes a pocket watch from",
"\t\t\t\tRand's body) \n \t\tJust fine, thank you, sir. \n \t\t\t(turns to Chance) \n \t\tAnd you must be Mr. Gardiner. \n \n \t\t\t\tCHANCE",
"\tWilliam Dupont introduces Chance. \n \n \t\t\t\tDUPONT \n \t\tLadies and gentlemen, our very \n \t\tdistinguished quest, Mr. Chauncey \n \t\tGardiner!",
"\t\tMy name is Chance. \n \n \t\t\t\tEVE \n \t\tPardon me, was that Mr. Chance? \n \n \t\t\t\tCHANCE \n \t\t\t(still indistinct)",
"\t\t\t(approaches Chance, calls) \n \t\tChauncey! \n \n \t\t\t\tCHANCE \n \t\t\t(stops, turns) \n \t\tHello, Eve. \n",
"\t\tIt seems like ages, Mr. Ambassador. \n \t\t\t(a nod to his wife) \n \t\tMrs. Skrapinov. \n \n \tMrs. Skrapinov returns the nod as Sophie introduces Chance. \n",
"\tChance and the President exchange a two-handed handshake. \n \tRand, still weak from standing, catches his breath and \n \tintroduces Chance. \n \n \t\t\t\tRAND ",
"\t\t\t(a beat) \n \t\t... The gardener? \n \t\t\t(thinks it's a joke, \n \t\t\t\tlaughs) \n \t\t... Yes, of course... Mr. Chance,",
"\t\tMrs. Rand, how good to see you. \n \n \t\t\t\tEVE \n \t\tMr. Watson. \n \n \t\t\t\tWATSON \n \t\t\t(looks to Chance)",
"\t\t\t(beat) \n \t\tWould you tell me your name again, \n \t\tplease? \n \n \t\t\t\tSKRAPINOV \n \t\t\t(slaps Chance on the back)",
"\t\tthe chance. \n \n \t\t\t\tCHANCE \n \t\t\t(again perks up) \n \t\tYes? \n \n \tOnce again, the President gives Chance a puzzled look. \n",
"\t\t\t\tCHANCE \n \t\tYes, Robert. But it's not bad. \n \n \tA limousine pulls up to the front of the mansion, waits for \n \tChance. \n",
"\t\t\t(frowns as he sees Chance \n \t\t\t\twalking) \n \t\tChauncey, there you are. What are \n \t\tyou doing on that leg? \n \n \t\t\t\tCHANCE ",
"\t\t\t\tCHANCE \n \t\tYes? \n \n \tThere is a beat as the President looks at Chance quizzically, \n \tthen he continues. \n \n \t\t\t\tPRESIDENT",
"\tChance moves toward his room, Franklin and Hayes follow. \n \n \tINT. CHANCE'S ROOM - AFTERNOON \n \n \tChance sits on the bed to remove his boots as Hayes and",
"\t\tSophie, please - call me Sophie! \n \n \tSophie pulls them both into the party, leaving Dennis looking \n \tafter Chance as he walks away. \n \n \t\t\t\tSOPHIE (CONT'D)",
"\tChance is hesitant about getting in the car. Jeffrey offers a \n \thelping hand. \n \n \t\t\t\tJEFFREY \n \t\tPlease, sir. \n \n \t\t\t\tCHANCE "
],
[
"\tRand, very weak, strains to speak to Allenby. \n \n \t\t\t\tRAND \n \t\tNo more, Robert... No more \n \t\tneedles... \n \n \t\t\t\tALLENBY ",
"\t\t\t\tRAND \n \t\t\t(a laugh) \n \t\tI am very sick, and, as you can see \n \t\tby all this paraphernalia, I am \n \t\tvery wealthy. I think I would",
"\tRand is in bed. Sitting nearby are two attorneys, MONROE and \n \tTOWNSEND. Mrs. Aubrey stands to one side and Constance and \n \tTeresa prepare an IV for Rand. \n",
"\tAllenby, with nothing more he can do to prolong Rand's life, \n \tsits on the bed close to him, grips his hand tightly. Teresa \n \tshows Chance into the room and Allenby motions to the nurses",
"\t\t\t(again interrupts) \n \t\tI do not want Benjamin Rand \n \t\tdisturbed! You have other ways of \n \t\tgathering information than to \n \t\ttrouble a dying man. Use whatever",
"\timmense, a 70-foot ceiling, huge fireplace. Allenby, Eve, \n \tRand, and Chance (both in wheelchairs) sit around the table. \n \tRand speaks slowly, with obvious weakness. \n",
"\tRand is in bed. Eve sits on the edge, looks warmly to Chance \n \twho stands nearby. \n \tAllenby prepares an injection for Rand, and occasionally",
"\tINT. RAND'S HOSPITAL ROOM - DUSK \n \n \tTeresa and Constance work in a corner of the room. Rand is in \n \tbed, very still, deep in thought. \n",
"\tRand starts coughing, breathing heavily. Allenby and the \n \tnurses rush to his bedside. Allenby shoots a quick look to \n \tEve and Chance. \n \n \t\t\t\tALLENBY",
"\tGood evening, Constance. \n \n \tBen Rand perks up as he sees Eve crossing to him. He is in \n \this sixties, maintains an inner strength and dignity despite \n \tthe sapping effects of his illness. \n",
"\tINT. RAND'S HOSPITAL ROOM - MORNING \n \n \tRand is in an easy chair, dressed for his meeting with the \n \tPresident. The two nurses are working at the disinfecting",
"\t\tI understand. \n \n \t\t\t\tRAND \n \t\tNo one likes a dying man, my boy - \n \t\tbecause few know what death is. All \n \t\twe know is the terror of it. But",
"\tRand is in bed. Eve sits in a chair next to the bed, squeezes \n \tRand's hand in excitement as they both watch Chance on \n \ttelevision. Teresa, the nurse, watches in the background. \n",
"\t\tBenjamin Rand; but, unfortunately, \n \t\tonly relatively few will feel the \n \t\tpain and sadness at such a loss. To \n \t\tmost, Benjamin Rand was a legend;",
"\t\t\t\tRAND (CONT'D) \n \t\tIt's an old habit that goes along \n \t\twith power -- keep them waiting... \n \n \tTeresa brings Rand's wheelchair to him. \n",
"\tto leave. As they do, Chance, once again breathing the oxygen \n \twith a smile, goes to Rand's bedside. \n \n \t\t\t\tRAND \n \t\t\t(slowly)",
"\tINT. RAND MANSION - MRS. AUBREY'S OFFICE - MORNING \n \n \tThe nerve center of the Rand Enterprises since he has become \n \till. Four or five desks, all the latest electronic office",
"\tINT. RAND'S HOSPITAL ROOM - MORNING \n \n \tAllenby, Constance and Teresa are readying a transfusion for \n \tRand. There is a feeling of urgency as they work. \n",
"\t\tto know so well was manufactured by \n \t\tthe Rand Aeronautics Corporation. \n \t\t\t(a beat) \n \t\tBenjamin Rand was an industrial \n \t\tgiant, known to be powerful and",
"\t\t\t\tKAUFMAN \n \t\tYes, Mr. President, we attempted to \n \t\tcontact Mr. Rand, but he was too \n \t\till to... \n \n \t\t\t\tPRESIDENT "
],
[
"\tRand is in bed. Sitting nearby are two attorneys, MONROE and \n \tTOWNSEND. Mrs. Aubrey stands to one side and Constance and \n \tTeresa prepare an IV for Rand. \n",
"\t\t\t\tRAND \n \t\t\t(a laugh) \n \t\tI am very sick, and, as you can see \n \t\tby all this paraphernalia, I am \n \t\tvery wealthy. I think I would",
"\tRand is in bed. Eve sits on the edge, looks warmly to Chance \n \twho stands nearby. \n \tAllenby prepares an injection for Rand, and occasionally",
"\tRand, very weak, strains to speak to Allenby. \n \n \t\t\t\tRAND \n \t\tNo more, Robert... No more \n \t\tneedles... \n \n \t\t\t\tALLENBY ",
"\tINT. RAND'S HOSPITAL ROOM - MORNING \n \n \tRand is in an easy chair, dressed for his meeting with the \n \tPresident. The two nurses are working at the disinfecting",
"\tRand is in bed. Eve sits in a chair next to the bed, squeezes \n \tRand's hand in excitement as they both watch Chance on \n \ttelevision. Teresa, the nurse, watches in the background. \n",
"\t\t\t(again interrupts) \n \t\tI do not want Benjamin Rand \n \t\tdisturbed! You have other ways of \n \t\tgathering information than to \n \t\ttrouble a dying man. Use whatever",
"\tINT. RAND'S HOSPITAL ROOM - MORNING \n \n \tAllenby, Constance and Teresa are readying a transfusion for \n \tRand. There is a feeling of urgency as they work. \n",
"\t\t\t\tRAND (CONT'D) \n \t\tIt's an old habit that goes along \n \t\twith power -- keep them waiting... \n \n \tTeresa brings Rand's wheelchair to him. \n",
"\tINT. RAND'S HOSPITAL ROOM - DUSK \n \n \tTeresa and Constance work in a corner of the room. Rand is in \n \tbed, very still, deep in thought. \n",
"\tAllenby, with nothing more he can do to prolong Rand's life, \n \tsits on the bed close to him, grips his hand tightly. Teresa \n \tshows Chance into the room and Allenby motions to the nurses",
"\tINT. RAND MANSION - MRS. AUBREY'S OFFICE - MORNING \n \n \tThe nerve center of the Rand Enterprises since he has become \n \till. Four or five desks, all the latest electronic office",
"\t\tYes, that is correct. I think you \n \t\tshould ask Mr. Rand that. \n \n \tCourtney doesn't understand but continues his questioning. \n \n \t\t\t\tCOURTNEY ",
"\t\tI initially came in contact with \n \t\tthe Rand name in 1943. 1 was a \n \t\tyoung lieutenant in the Air Corps, \n \t\ta navigator flying missions over \n \t\tEurope. That plane that I learned",
"\timmense, a 70-foot ceiling, huge fireplace. Allenby, Eve, \n \tRand, and Chance (both in wheelchairs) sit around the table. \n \tRand speaks slowly, with obvious weakness. \n",
"\t\t\t\tRAND \n \t\tSure you do. This ward is air \n \t\ttight, I have a little extra oxygen \n \t\tpumped in, keeps my spirits up. \n \n \t\t\t\tCHANCE",
"\tRand is in bed. Eve, Chance and Allenby are seated around \n \thim, the two nurses standing to one side. They all watch the \n \tPresident's address to the Financial Institute on TV. Chance",
"\t\tto know so well was manufactured by \n \t\tthe Rand Aeronautics Corporation. \n \t\t\t(a beat) \n \t\tBenjamin Rand was an industrial \n \t\tgiant, known to be powerful and",
"\t\t\t\tRand's body) \n \t\tJust fine, thank you, sir. \n \t\t\t(turns to Chance) \n \t\tAnd you must be Mr. Gardiner. \n \n \t\t\t\tCHANCE",
"\tRand perks up a bit at this mention. Allenby manages a smile, \n \tonce again looks at Rand, checking his condition. Eve looks \n \tproudly at Chance, who continues to enjoy the oxygen. \n"
],
[
"\t\tClaim...? ... Oh, claim, that's \n \t\twhat Thomas asked me. \n \n \t\t\t\tALLENBY \n \t\tThomas? Who's Thomas? \n \n \t\t\t\tCHANCE ",
"\t\tThomas Franklin, an attorney. \n \n \t\t\t\tALLENBY \n \t\tAn attorney? \n \n \t\t\t\tCHANCE \n \t\t\t(turns back to TV) \n \t\tYes.",
"\t\t\t\tFRANKLIN \n \t\t\t(doubting) \n \t\tSince you were a child? \n \n \t\t\t\tCHANCE \n \t\tYes, Thomas. I have always been",
"\tfrom the garden. A gleaming 1921 TOURING CAR is revealed as \n \the walks through the garage and leans the pitchfork against a \n \twall. Chance takes a neatly folded cover from a shelf,",
"\tpast. Chance enters, turns on an old black-and-white TV with \n \ta magnifying lens attached to the front. As it plays, he \n \tselects a fine leather suitcase from several, takes a hand",
"\t\tWell, he said it was his, he walked \n \t\tus through it. \n \n \t\t\t\tALLENBY \n \t\tI see. \n \t\t\t(leans close to Franklin)",
"\t\t... His shoes were hand-made in \n \t\t1928. The cobbler has long since \n \t\tbeen dead. Underwear, all of the \n \t\tfinest cloth, factory destroyed by",
"\t\t... A criminal record? A membership \n \t\tin a subversive organization? \n \t\tHomosexual, perhaps? \n \n \tThe SOUND of Stuart's voice dissolves into Thomas Franklin's",
"\tAn 'in' meeting place for the upper-middle Washington, D.C. \n \tcrowd. Thomas Franklin and Sally Hayes sit at a table, drinks \n \tin front of them. \n \n \t\t\t\tFRANKLIN ",
"\tLewis, the attendant, interrupts. \n \n \t\t\t\tLEWIS \n \t\tYour limousine, sir. \n \n \t\t\t\tCHANCE \n \t\tOh, thank you. \n",
"\tA fashionable area. Expensive shops, well-kept streets and \n \tsidewalks. A television store has caught Chance's eye. He \n \tstands by the display window, looks in at a dozen or so color",
"\t\theard something... \n \t\t\t(moves to Chance, hand \n \t\t\t\toutstretched) \n \t\tI'm Thomas Franklin. \n \n \tChance remains seated, takes Franklin's hand warmly in both",
"\t\t\t\tALLENBY \n \t\t\t(into phone) \n \t\tMr. Thomas Franklin, please. \n \t\t\t(a wait) \n \t\tIs Thomas Franklin in? \n \t\t\t(a beat)",
"\t\tMr. Chance, that was twenty-seven \n \t\tyears ago. \n \n \t\t\t\tCHANCE \n \t\tYes and the Old Man used to come to \n \t\tmy garden. He would read and rest",
"\tAllenby gives him a look, then leaves. Chance watches an old \n \tmovie of a man lighting a cigar. The man enjoys the cigar, \n \tblows out smoke. The scene seems to 'sink into' Chance's",
"\tShe hugs him one more time, then she leads him back up the \n \thill to the waiting limousine. Allenby gets out of the car, \n \tgreets Chance with a handshake and an arm around the",
"\tWe hear a contented sigh from the man on the floor. \n \n \tEXT. SOPHIE'S - NIGHT \n \n \tA long, black limousine with a Red Star on the door pulls \n \taway from Sophie's house.",
"\t\ttransactions. \n \n \t\t\t\tALLENBY \n \t\tHmmm. You say he showed you his \n \t\tgarden? \n \n \t\t\t\tFRANKLIN ",
"\t\t\t\tCHANCE \n \t\tYes, Thomas, that is correct. Then \n \t\the stopped visiting my garden. \n \n \t\t\t\tFRANKLIN \n \t\t\t(a beat)",
"\t\t\t\tCHANCE \n \t\tNo, Thomas. I have never been in an \n \t\tautomobile. \n \n \t\t\t\tHAYES \n \t\t\t(amazed)"
]
] |
[
"What caused Chance to have to move out of the first home he lived in?",
"How did Chance meet Eve and Ben Rand?",
"What did Chance say his name was when Eve misheard him?",
"What causes Chance to become famous?",
"Who is Rand to the President of the United States?",
"What does Rand want Eve to do when he finds out he is dying?",
"What happens when Eve starts masturbating in front of Chauncey?",
"What does everyone think Chauncey's \"garden talk\" is about?",
"Who finally figures out that Chauncey is not as smart as everyone thinks?",
"How did Chance discover the outside world for the first time?",
"When did Chance drink alcohol for the first time?",
"Why did Eve invite Chance to her family's home?",
"Why do Eve and Ben think that Chance is rich?",
"How did Chance meet the president?",
"How did Chance become a celebrity?",
"Why does Ben tell Eve to get close to Chance?",
"Why does Eve masturbate in front of Chance?",
"What did Allenby realize after speaking to Chauncey?",
"How did Allenby react when he realized the truth about Chance?",
"What happens to make Chance relocate?",
"What was Chance job title?",
"Who is struck by a car?",
"Why does Eve thinks Chance is a high class man?",
"Who is Eve?",
"Who was Eve attracted to?",
"What did they call Chance?",
"What was Rand dying from?",
"Who was Rand's doctor?",
"What year was The Thomas Crown Affair?"
] |
[
[
"The owner died.",
"owner's death"
],
[
"The Rand's chaffeur hit Chance with the car when he stepped off the sidewalk.",
"they hit him with their car"
],
[
"Chance, the gardener.",
"Chance, the gardener."
],
[
"His appearance on a TV show.",
"An appearance on a television talk show."
],
[
"His adviser.",
"Rand is a confidant and adviser. "
],
[
"Become close to Chauncey.",
"Get together with Chance."
],
[
"He ignores her and watches television.",
"He continues to watch television. "
],
[
"Politics and economics.",
"allegorical statements about business and the economy"
],
[
"Dr. Allenby",
"Allenby"
],
[
"His benefactor died and he was ordered to move out of the estate.",
"by being forced to leave after his benefactor dies"
],
[
"When he was in the car with Eve.",
"During the Limo ride"
],
[
"Her husband's chauffeur struck Chance with their car.",
"to recover after her car hit him"
],
[
"Eve misheard his name and he is dressed with fancy clothes.",
"He has a fancy name and speaks profoundly."
],
[
"Ben Rand works fr the president and introduced him to Chance.",
"He appeared on a television talk show. "
],
[
"He appeared on a television talk show.",
"His simple words are taken to be profound statements, and he is introduced to Washington society and the President."
],
[
"Because Ben is dying from anemia.",
"Because she is attracted to him. "
],
[
"He told her he likes to watch and she misinterpreted it.",
"Chance told her he \"likes to watch.\""
],
[
"He realized that Chance was a simple gardener.",
"He was actually not very intelligent"
],
[
"He didn't seem to be bothered by it.",
"He doesn't seem bothered by it and doesn't tell anyone."
],
[
"the owner dies",
"His benefactor dies and he has to move out."
],
[
"The gardener",
"Gardner"
],
[
"Chance",
"Chance the gardener"
],
[
"by his clothing and appeaance",
"Chance"
],
[
"Wife to Ben Rand",
"Eve is Rand's wife. "
],
[
"Cnance",
"Chauncey"
],
[
"Chauncey Gardiner",
"Chauncey"
],
[
"Aplastic anemia ",
"a rare blood disease"
],
[
"Dr. Allenby",
"Allenby"
],
[
"1968",
"1968."
]
] |
032bcfd170a98fb5ed752c1d25b678b8589de7d7
|
train
|
[[" on Daniel's every move. Bonanno is sitting in an armchair. \n \n (...TRUNCATED)
| ["Where does Daniel's boss send Daniel?","Who interferes with the group while they are staying with (...TRUNCATED)
| [["to Chicago","Chicago"],["a neighbor","Noisy neighbor."],["It was the wrong house","It was the wro(...TRUNCATED)
|
062b9c326df5cbf93aa78e36f76f72c690fd4e0a
|
train
|
[["\tF-l4 sweeps into level flight no more than a hundred feet \n \tabove the deck. He comes up and(...TRUNCATED)
| ["Over what body of water do the characters intercept MiG-28s?","Why does Maverick fly his plane par(...TRUNCATED)
| [["The Indian Ocean","The Indian Ocean"],["To give the finger to one of the MiG-28 pilots.","Because(...TRUNCATED)
|
0bae1f959cf453f77d465ab3d7de58735c3cea38
|
train
|
[[" GUTENBERG EBOOK EUGENE ONEGUINE [ONEGIN]*** \n \n \n E-text prepared by Stephen Leary <www.steph(...TRUNCATED)
| ["Where did Eugene Onegin come from?","How did Eugene Onegin get his wealth?","How did Eugene treat (...TRUNCATED)
| [["Saint Petersburg","St. Petersburg. "],["Inherited from his uncle","inheritance"],["He was rude an(...TRUNCATED)
|
0e453816e78ebb5abeaf4ea5dc283e1455fd57f9
|
train
|
[[" DUPREE (V.O.) \n Buddy Israel, nicknamed \"Ac(...TRUNCATED)
| ["What was Buddy's nickname?","What did \"The Swede\" promise to bring to Sparazza?","Who was the FB(...TRUNCATED)
| [["Aces","Aces "],["Israel's head","Israel's heart"],["Stanley Locke","Stanley Locke."],["That israe(...TRUNCATED)
|
11b6316f6d094ce0455e24aa3a3e8efe576676dc
|
train
|
[["\tMartin sits at a desk, staring at the reunion card. He tosses \n \tit aside, gets up, and move(...TRUNCATED)
| ["Where is Martin's High school reunion?","Which reunion, in years, is this for Blank?","Who is Blan(...TRUNCATED)
| [["Grosse Point, Michigan","Grosse Pointe"],["10","10"],["Dr. Oatman","Dr. Oatman."],["Marcella","Ma(...TRUNCATED)
|
1508452704b5829941b98aeee2eeba192f5beae5
|
train
|
[[" CHOLO (CONT'D) \n \n hey're going to get you, Mister K. \n (...TRUNCATED)
| ["Why did Cholo DeMora initially want to retaliate against Kaufman?","Why did Riley and Charlie kill(...TRUNCATED)
| [["He was denied an apartment in Fiddler's Green even though he served Kaufman. ","He was denied an (...TRUNCATED)
|
18bcdf16fb896faf7fb36db6b752f16f0343ad24
|
train
|
[["had the same connotation that \"God\" has to God-worshipping humans. In \n short, _Mister_ Haggi(...TRUNCATED)
| ["What was Mr. Haggin's job?","Who killed the captain and the skipper?","What kind of animal was Jer(...TRUNCATED)
| [["Plantation guard","A plantation guard. "],["The natives","Malaita Island natives"],["Dog","dog"](...TRUNCATED)
|
1b458192e39bd7fdf10e69d6b975844a211e72a9
|
train
|
[["\"Exactly,\" said Challenger, rubbing his hands, \"we are all poisoned. Our \n planet has swum i(...TRUNCATED)
| ["Challenger claims the Earth will move into a belt of poisonous what?","What counters the effect of(...TRUNCATED)
| [["Ether","Ether"],["Oxygen","Oxygen"],["Sumatra","Sumatra"],["Five","all of them"],["By riding in C(...TRUNCATED)
|
1f72c35054e8f6072d17032074496f0a60ff493a
|
train
|
[[" * * * * * \n \n DuQuesne pondered long before he replied; consider(...TRUNCATED)
| ["What is Marc DuQuesne's nickname?","What opaque, spherical shield does Richard Seaton try to maste(...TRUNCATED)
| [["Blackie","Blackie"],["Zone of Force","zone of force"],["Urvan","the natives of Fernachrone"],["Na(...TRUNCATED)
|
240ce3ba97e6969e93aa7e23bd384be181c49387
|
train
|
End of preview. Expand
in Data Studio
README.md exists but content is empty.
- Downloads last month
- -