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LJ001-0001.wav
Printing, in the only sense with which we are at present concerned, differs from most if not from all the arts and crafts represented in the Exhibition
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LJ001-0002.wav
in being comparatively modern.
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LJ001-0003.wav
For although the Chinese took impressions from wood blocks engraved in relief for centuries before the woodcutters of the Netherlands, by a similar process
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LJ001-0004.wav
produced the block books, which were the immediate predecessors of the true printed book,
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LJ001-0005.wav
the invention of movable metal letters in the middle of the fifteenth century may justly be considered as the invention of the art of printing.
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LJ001-0006.wav
And it is worth mention in passing that, as an example of fine typography,
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LJ001-0007.wav
the earliest book printed with movable types, the Gutenberg, or "forty-two line Bible" of about 1455,
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LJ001-0008.wav
has never been surpassed.
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LJ001-0009.wav
Printing, then, for our purpose, may be considered as the art of making books by means of movable types.
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LJ001-0010.wav
Now, as all books not primarily intended as picture-books consist principally of types composed to form letterpress,
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LJ001-0011.wav
it is of the first importance that the letter used should be fine in form;
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LJ001-0012.wav
especially as no more time is occupied, or cost incurred, in casting, setting, or printing beautiful letters
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LJ001-0013.wav
than in the same operations with ugly ones.
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LJ001-0014.wav
And it was a matter of course that in the Middle Ages, when the craftsmen took care that beautiful form should always be a part of their productions whatever they were,
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LJ001-0015.wav
the forms of printed letters should be beautiful, and that their arrangement on the page should be reasonable and a help to the shapeliness of the letters themselves.
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LJ001-0016.wav
The Middle Ages brought calligraphy to perfection, and it was natural therefore
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LJ001-0017.wav
that the forms of printed letters should follow more or less closely those of the written character, and they followed them very closely.
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LJ001-0018.wav
The first books were printed in black letter, i.e. the letter which was a Gothic development of the ancient Roman character,
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LJ001-0019.wav
and which developed more completely and satisfactorily on the side of the "lower-case" than the capital letters;
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LJ001-0020.wav
the "lower-case" being in fact invented in the early Middle Ages.
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LJ001-0021.wav
The earliest book printed with movable type, the aforesaid Gutenberg Bible, is printed in letters which are an exact imitation
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LJ001-0022.wav
of the more formal ecclesiastical writing which obtained at that time; this has since been called "missal type,"
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LJ001-0023.wav
and was in fact the kind of letter used in the many splendid missals, psalters, etc., produced by printing in the fifteenth century.
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LJ001-0024.wav
But the first Bible actually dated (which also was printed at Maintz by Peter Schoeffer in the year 1462)
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LJ001-0025.wav
imitates a much freer hand, simpler, rounder, and less spiky, and therefore far pleasanter and easier to read.
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LJ001-0026.wav
On the whole the type of this book may be considered the ne-plus-ultra of Gothic type,
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LJ001-0027.wav
especially as regards the lower-case letters; and type very similar was used during the next fifteen or twenty years not only by Schoeffer,
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LJ001-0028.wav
but by printers in Strasburg, Basle, Paris, Lubeck, and other cities.
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LJ001-0029.wav
But though on the whole, except in Italy, Gothic letter was most often used
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LJ001-0030.wav
a very few years saw the birth of Roman character not only in Italy, but in Germany and France.
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LJ001-0031.wav
In 1465 Sweynheim and Pannartz began printing in the monastery of Subiaco near Rome,
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LJ001-0032.wav
and used an exceedingly beautiful type, which is indeed to look at a transition between Gothic and Roman,
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LJ001-0033.wav
but which must certainly have come from the study of the twelfth or even the eleventh century MSS.
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LJ001-0034.wav
They printed very few books in this type, three only; but in their very first books in Rome, beginning with the year 1468,
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LJ001-0035.wav
they discarded this for a more completely Roman and far less beautiful letter.
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LJ001-0036.wav
But about the same year Mentelin at Strasburg began to print in a type which is distinctly Roman;
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LJ001-0037.wav
and the next year Gunther Zeiner at Augsburg followed suit;
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LJ001-0038.wav
while in 1470 at Paris Udalric Gering and his associates turned out the first books printed in France, also in Roman character.
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LJ001-0039.wav
The Roman type of all these printers is similar in character,
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LJ001-0040.wav
and is very simple and legible, and unaffectedly designed for use; but it is by no means without beauty.
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LJ001-0041.wav
It must be said that it is in no way like the transition type of Subiaco,
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LJ001-0042.wav
and though more Roman than that, yet scarcely more like the complete Roman type of the earliest printers of Rome.
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LJ001-0043.wav
A further development of the Roman letter took place at Venice.
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LJ001-0044.wav
John of Spires and his brother Vindelin, followed by Nicholas Jenson, began to print in that city,
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LJ001-0045.wav
1469, 1470;
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LJ001-0046.wav
their type is on the lines of the German and French rather than of the Roman printers.
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LJ001-0047.wav
Of Jenson it must be said that he carried the development of Roman type as far as it can go:
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LJ001-0048.wav
his letter is admirably clear and regular, but at least as beautiful as any other Roman type.
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LJ001-0049.wav
After his death in the "fourteen eighties," or at least by 1490, printing in Venice had declined very much;
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LJ001-0050.wav
and though the famous family of Aldus restored its technical excellence, rejecting battered letters,
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LJ001-0051.wav
and paying great attention to the "press work" or actual process of printing,
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LJ001-0052.wav
yet their type is artistically on a much lower level than Jenson's, and in fact
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LJ001-0053.wav
they must be considered to have ended the age of fine printing in Italy.
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LJ001-0054.wav
Jenson, however, had many contemporaries who used beautiful type,
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LJ001-0055.wav
some of which -- as, e.g., that of Jacobus Rubeus or Jacques le Rouge -- is scarcely distinguishable from his.
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LJ001-0056.wav
It was these great Venetian printers, together with their brethren of Rome, Milan,
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LJ001-0057.wav
Parma, and one or two other cities, who produced the splendid editions of the Classics, which are one of the great glories of the printer's art,
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LJ001-0058.wav
and are worthy representatives of the eager enthusiasm for the revived learning of that epoch. By far,
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LJ001-0059.wav
the greater part of these Italian printers, it should be mentioned, were Germans or Frenchmen, working under the influence of Italian opinion and aims.
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LJ001-0060.wav
It must be understood that through the whole of the fifteenth and the first quarter of the sixteenth centuries
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LJ001-0061.wav
the Roman letter was used side by side with the Gothic.
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LJ001-0062.wav
Even in Italy most of the theological and law books were printed in Gothic letter,
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LJ001-0063.wav
which was generally more formally Gothic than the printing of the German workmen,
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